Archive for the 'Flash' Category
Pseudopod 403: FLASH ON THE BORDERLANDS XXI: The Tyranny Of Objects

“Nothing that surrounds us is object, all is subject.” – André Breton

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“Digit” by Gabriel R. Miller.

This is the first publication of “Digit” – “I couldn’t be happier that my first publication is for the audio market, as audiobooks are what got me writing in the first place.”

GABRIEL R. MILLER lives in the Inland Northwestern United States with his alien ex-wife of 15 years and his three beautiful, half-alien children. He has a dog who loves him, a cat who needs him (her words, not his), and a guinea pig who hates him (though he says the feeling is mutual). He is the proud owner of a small collection of saws, all of which he knows how to use. He is currently working on a fantasy trilogy. He blogs and vlogs and does other things that sound like excretory functions whenever he can muster the will to do so, which isn’t often. He’s also on Facebook and Twitter, and you can find all the links to his various online personalities at Luddite With A Laser.

Your reader – Kyle Akers – has been heard on Escape Pod and previously on PP in: “Passing Grade”.
“A saw wants to cut. What else is it going to do? It’s a saw. Nobody blames the saw when a kid cuts his finger off in shop class. The kid should have payed closer attention. After all, a saw wants to cut.”

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“File Under” by Lisamarie Lamb.

“File Under” has only appeared previously on Lisamarie’s blog.

LISAMARIE LAMB has short stories included in over thirty five anthologies, and has a collection of short stories published by Dark Hall Press, entitled OVER THE BRIDGE. She just had a children’s novel published with J. Ellington Ashton called THE BOOK OF MANDRAGORE and a short story collection, FAIRY LIGHTS. She lives on the Isle of Sheppey, UK, with her husband, daughter, and two cats. She blogs at THE MOONLIT DOOR.

Your reader – Mignon Fogarty – is more widely known as Grammar Girl, and her knowledge can be accessed at Quick And Dirty Tips.com.
“It started with nothing. That is, Helen Bentley looked into the yawning maw of the empty filing cabinet and felt no emotion, no pull to it. Nothing. It was a thing, a functional, ugly, grey thing that just stared, squatly squinting at her all day long.

The pointless piece of office funiture was standing with its back to the wall behind her desk, one desk in a sea of desks, its innards spilled out across the floor, a slippery cascade of buff coloured hanging folders and nearly neat inserts. She felt like running through them, kicking them high in the air like a child in Autumn when the leaves had fallen. But she didn’t. It would be a ridiculous thing to do and besides, she would only have to pick all the paper up again, put it away tidily, file it. She would only have to be grown up about it. So instead of running, laughing, remembering the youth she had never had, she filed and filled and did her job. And when the paper and forms and memos were put back together, properly alphabetised and labelled as they should be, she patted the cabinet on its cold top right corner and heard the satisfied clanging of a job well done.

She started to feel something then.”

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“Good Boy” by David Stevens
“Good Boy” was David’s first published story, and he is very happy it is finding a new audience. A slightly longer version was published in “Regime 03 Magazine of New Writing” in 2014.

DAVID STEVENS (usually) lives in Sydney, Australia with his wife and children. Some of his other stories have appeared in Crossed Genres and Aurealis magazines.

Your reader – Graeme Dunlop – deserves boundless praise for his endless work on behalf of PSEUDOPOD!
“A red ‘7’ glowed on the telephone on his bedside table. He could not imagine seven people who would leave messages for him. Perhaps one person had left seven messages. Maybe some other combination in between. One way to find out.

Six hang ups. Then the last call. Gentle static. The noise wavered, as though it had come a long distance over thrumming lines. Wind blowing over an open microphone. The man shuddered, despite his moth eaten jumper, despite the heater kicking in. He sat in the dark with his eyes closed, the wordless message resonating with something sympathetic within him, the effect continuing after the machine had clicked off. Hands over his eyes, he heard the window rattle with a fresh splash of rain. The building stretched on forever on either side. All of the units were empty. There was only him. The TV noise was the murmuring of a distant nebula caught by a radio telescope. If he looked out of the window now, into the night, he knew that there would be no street, no sky. Just a dim hallway, thin walls rattling with the wind tunnelling though it, rain dripping from a soggy ceiling. This is all that there is.”

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Pseudopod 385: FLASH ON THE BORDERLANDS XX: Community

Hell is other people…



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“Penance” by Liz Colter.



“Penance” is a previously unpublished story. “This story began, as some of my stories do, with a quick, visual flash of something odd and unexpected just before sleep. I began the story as a humorous tale, but it quickly let me know that it wanted to be a horror tale instead.”

LIZ COLTER offsets working in the mundane world by writing speculative worlds of her own. She is a winner of the Writers of the Future competition (V30, released April 2014) and her stories have appeared or are forthcoming in Emerald Sky, Andromeda Spaceways Inflight Magazine, Enchanted Conversation, and the World Weaver Press Fae anthology, among others. Her website is THE SPECULATIVE WORLDS OF LIZ COLTER.
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Your reader this week – Ant Bacon – was heard here last week as well and says “I’m an actor and coroners officer from Manchester, England so I love a bit of death and a bit of story telling. What else is there to know?! If anyone wants to say hello though I’m on twitter and always looking to up my followers: Antbacon.


“‘Wake,’ my ghosts said. ‘Come.’

They spoke asynchronously, like a flock of noisy birds. Their voices pulled me from sleep and I opened my eyes to the throng of them at my bedside.

‘Why?’ I asked. The long, morose faces stared back at me, gray and insubstantial, and mute once again.”

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“Mallecho” by Stephen Willcott.



“Mallecho” was previously published in the print and e-book anthology, ARCANE, by Cold Fusion Media, edited by Nathan Shumate.

STEPHEN WILLCOTT‘s work has appeared in Arcane Anthologies and Silver Blade Magazine. He is interested in Old English and has been attempting to translate Beowulf.

Your reader – John Trevallian – is an English novelist, poet, shaman and award-winning author of three dystopian sci-fi novels (The A-Men, The A-Men Return and Forever A-Men), plus writer of many other short stories, poetry collections and travel journals. He is also creator of the Talliston House & Gardens project, which could use your help – please see: Trevillian.com & Talliston.com.


“‘Mallecho wood? Is that safe?’ My wife asks. She reminds me of my mother.

‘I told them to stay clear,’ I say. ‘They’re just going for a bit, Jan.’ She worries like that. But then her family is not from here. I smile at her and go into the garden. The sun is strong and overhead. The children have left their ball games and toys on the lawn. I go to the rose tree and watch the insects: the flies, the bees, and the ants. Behind the tree is a brown fence and behind that is the embankment. Thick bramble covers its side. It is tall, almost as high as the house. At the top is an abandoned railway line. This was my father’s house, but he never saw the line in use. This house will pass to my children one day, I hope.

The land around here is old. Old in human terms. Some of the boundaries and copses are mentioned in the doomsday book, but there are sites of pre-history too. Standing stones, earth works, barrows and the like. Sacred groves, probably. You can feel it at night. If you walk on the embankment and look at the stars, at the landscape. The weight of generations, the renewal of the seasons. Forgotten things were done here.”

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“Jack” by Mohammad Naim Kabir.



“Jack” appears here as an original, says Jack’s editorial fore-brain.

MOHAMMAD NAIM KABIR is a full-time student at the University of Pennsylvania, looking to chase down dreams of either A.) Becoming an astronaut or B.) Becoming a career storyteller. He has a manuscript in the works, and it should be something to look forward to. His FACEBOOK page is: Kabir Creates and he can be found on Twitter @KabirCreates.

Your reader – John Bell – writes, voices, and produces audio of any kind. Most recently, he has been recording audio books, including two thrillers by Michaelbrent Collings, THE LOON and APPARITION, both available at Audible.com. Buy many copies… he gets royalties. He has also narrated many of Oceanhouse Media‘s Dr. Seuss books, available as apps for the kiddos. Buy them if you want, he gets no royalties. Bummer. John Bell is the creator of “Bell’s in the Batfry“, a family-safe comedy podcast that can be found on iTunes and at Bell’s in the Batfry. Go listen… he gets ZIP for this from start to finish! If you have something you need written, voiced, and/or produced, feel free to contact John Bell at jbellvoice @ gmail.com!


“I am Jack’s inferior parietal cortex, and I know what you’re thinking. Probably that this is some lame rip-off of Chuck Palahniuk’s Fight Club.

I loved that story! It sometimes had soliloquies from the point of view of _organs_! Genius. I am Jack’s makeshift temporal lobe, and I know what it is to read a good book. Now it’s mostly just road signs and maps, but you take what you can get. There’s some smooth poetry in 3 Miles to Berkley or Welcome to Alameda, you know.”

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Larime Taylor’s “A Voice In The Dark” can be purchased here!

Pseudopod 377: Showcase: The Dark Audio Tone Poems of The Spectre Collector

by Ron Jon.

“Barking Mad”
“Shortcut”
“From The Deep”
“Quite Mad”
“Christ, I Think It’s Death”

RON JON has written and published children’s books; scripts and screenplays for animation and live action; musical lyrics and libretti. He is a student of strange phenomena/parapsychology, horror and children’s literature.
You can hear more of his work at The Spectre Collector Blog and The Spectre Collector Page. Also, be sure to check out the Killer Blood Shroom Cult hymns at The Fruits Of Madness.

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Essay features short clips from Disney’s Thrilling Chilling Sounds From The Haunted House (1964), Terror Tales By The Old Sea Hag (1959 – date dubious), Scary Spooky Stories (1973), A Coven Of Witches’ Tales (1973), Nightmare!! (1962), Alfred Hitchcock’s Music To Be Murdered By (1958) and Silica Gel: 50) Noisy Children Party.

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Pseudopod 374: FLASH ON THE BORDERLANDS XIX: Blood On The Tracks – Departure, Transit, Arrival

Going nowhere… faster….

“Midnight Express” by Alfred Noyes.

“Midnight Express” first appeared in This Week, November 3, 1935.
ALFRED NOYES (1880-1958) is primarily remembered as a poet, especially for his ballads “The Highwayman” and “The Barrel-Organ”. Aside from his poetry he wrote a large number of short stories intended to boost the national morale and small number of uncanny stories including this, “The Lusitania Waits” and “The Log of the Evening Star”. He published many novels including the post-apocalyptic THE LAST MAN (1940) and his famed trilogy THE TORCH BEARERS (1922-1930).

Read by Paul Jenkins, who has narrated for Escape Pod, Pseudopod and PodCastle a number of times (he was honoured to be asked to narrate the very first PodCastle episode!). His science fiction podcast novel THE PLITONE REVISIONIST is available for free at Podiobooks.com at the link. His skeptical blog “Notes from an Evil Burnee” and his skeptical podcast “Skepticule” (aka “The Three Pauls Podcast“) can also be found at their links.

“It was a battered old book, bound in read buckram. He found it, when he was twelve years old, on an upper shelf in his father’s library; and, against all the rules, he took it to his bedroom to read by candlelight, when the rest of the rambling old Elizabethan house was flooded with darkness. That was how young Mortimer always thought of it.”

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“Destination: Nihil by Edmund Bertrand” by Mark Samuels.

“Destination: Nihil by Edmund Bertrand” had its first appearance in THE MAMMOTH BOOK OF BEST NEW HORROR #20 edited by Stephen Jones. MARK SAMUELS (born 1967) is the author of four short story collections THE WHITE HANDS AND OTHER WEIRD TALES (Tartarus Press 2003), BLACK ALTARS (Rainfall Books 2003), GLYPHOTECH & OTHER MACABRE PROCESSES (PS Publishing 2008) and THE MAN WHO COLLECTED MACHEN & OTHER STORIES (Ex Occidente 2010 and Chomu Press 2011) as well as the short novel THE FACE OF TWILIGHT (PS Publishing 2006). His tales have appeared in both THE MAMMOTH BOOK OF BEST NEW HORROR and THE YEAR’S BEST FANTASY & HORROR. He has a new collection forthcoming from Egaeus Press in 2014 and has been described by Ramsey Campbell as “the British Thomas Ligotti”: A description he is at odds with, since he shares few, if any, of Ligotti’s aims either as a contemporary philosopher or writer of weird fiction. He is also literary executor for the late Edmund Bertrand. “How I came to be Bertrand’s literary executor is a convoluted affair and too long to go into here,” explains Samuels. “In any case, it’s certainly ironic, given that Bertrand (an American citizen, but of French ancestry, as his name suggests) was a staunch Anglophobe. Bertrand was born in Memphis, sometime during 1957, and died in a mysterious hotel fire whilst attending a convention in England in 2007. His stories chart the far reaches of madness, and were never collected together in a single volume. His main influences were European authors such as Stefan Grabinski, Roger Gilbert-Lecomte, Dino Buzzati and Jean Lorrain.”

Read by Jorn Meyer – who is new to PSEUDOPOD with this story and who is available for narration or voice work and can be reached at mail-at-joern-meyer.net

“There was no question now of keeping panic in check. Grey loped off along the aisle of the car in search of the conductor, or of the first person he encountered. A few rows further down he saw a man slouched in his seat, dressed in a rain mac and a wide-brimmed floppy hat that obscured his face. Grey hesitated before addressing the stranger, because he feared the face concealed in shadow. Would it be like that of the conductor? If it were, then he feared he would have reached a tipping point and might scream himself to death.”

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“The Terminus” by Kim Newman.

A slightly different version of “The Terminus” appeared in the fanzine Sheep Worrying in 1981; this version appeared in Fantasy Tales in 1985. “It’s pretty much the earliest story I sold professionally.” KIM NEWMAN is a novelist, critic and broadcaster. His fiction includes THE QUORUM, LIFE’S LOTTERY and PROFESSOR MORIARTY: THE HOUND OF THE D’URBERVILLES; his non-fiction includes NIGHTMARE MOVIES and BFI Classics studies of CAT PEOPLE and DOCTOR WHO. He has written plays for the theatre (The Hallowe’en Sessions) and radio (Cry-Babies), is a contributing editor to Sight & Sound and Empire magazines and reviews in Video Watchdog. His official web-site can be found here. He is also on Twitter as @AnnoDracula and his latest novel is ANNO DRACULA: JOHNNY ALUCARD, fourth in the successful ANNO DRACULA series. His next novel, AN ENGLISH GHOST STORY, will be out in late 2014.

Your reader, Siobhan Gallichan, is a voice-over artist available for work at macfadyan-at-gmail.com. Listen to Siobhan’s podcast at The Flashing Blade or watch the show on YouTube.

“‘Oh yes,’ Verdon told me, ‘disappearances from the underground are not uncommon. Every once in a while some unfortunate wanders off where he shouldn’t and meets with an accident. Sometimes our staff doesn’t come across the remains for years. Some people never do turn up. Those are the most interesting, I think. This pile.’

It was an impressive stack of manila folders. On the night of 9 October 1872 (which I like to think of as appropriately foggy) Mr Julian Selwyn-Pitt, a landscape painter, walked into Oxford Street station and was never seen again. Since 1872, fifteen thousand, eight hundred and twenty-four people had followed Mr Selwyn-Pitt into Verdon’s files. The figure was exclusive of all those whose disappearance was not reported and those, like Robert Webb, whose folders had not yet drifted down to settle in Verdon’s office.

‘So there are nearly sixteen thousand people lying around the tube somewhere?'”

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Interstitial music is “Fearless Bleeder” by Chimpy, available from Music Alley.

Train sounds are from SoundJay.com.

Cave drips are from FreeSound.org.