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Pseudopod 456: Flash On The Borderlands XXVI: Official Reports

Show Notes

“Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind. ”

George Orwell


Thumbwood: “While the tale itself is fictional, the structure and language of the document are lifted directly from a genuine British Ministry of Defence report I was able to get my hands on.”

Final Corrections, Pittsburgh Times-Dispatch: “I’m quite fond of Pittsburgh, and selected it as the scene of this story only for its interesting geography.”


Thumbwood

by Davin Ireland


c) The kitchen is surprisingly modern given the setting, and contains many of the domestic appliances one might expect from an equivalent family home. Dishwasher, microwave, fridge-freezer and designer espresso machine are all in evidence. In an alcove by the back door, Sisyphus struggles valiantly to push a large granite sphere up a craggy mountainside. Oblivious to our operative’s presence, the former Corinthian king puffs and strains in order to achieve his goal, jaw clenched, diminutive biceps popping beneath the fabric of his flimsy cotton tunic. The task is a thankless one. (Continue Reading…)

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PseudoPod 455: Turbulence


Turbulence

by Scott R. Jones


They’re sealing the silo today and the cavern below it. One hundred fifty thousand tonnes of concrete poured down the wet, black throat of the thing. I hope it’s enough.

The facility is down to a skeleton staff now. Topside security and just enough eyes on the monitors to hit the red button if things change down there. I’m not really needed; my MSc is in Avionics Engineering, after all. I don’t even work here anymore, but I felt like paying my respects. I’m not alone in this. Declan made friends easily and there are a lot of project folks here that don’t need to be.

His official funeral was just so goddamned unsatisfying, for one thing. That eulogy! “Oh, I have slipped the surly bonds of Earth….” They ran that Magee poem into the ground, which was about as tasteless as you could get, considering the circumstances. Considering his resting place.

That’s just it though, isn’t it? Declan isn’t at rest. Declan will never be at rest. I know what they told everyone. That he died testing the DreadMoth. That’s only technically true. I know he’s not dead. Ask anyone who ever sat with him down there, in the cavern. They’ll tell you.

They talked about Icarus at the funeral, too, which is all mytho-poetic and sells the American hero line, sure, but it’s a flawed comparison. Icarus fell. That kid kissed the dirt.

Declan may be half a mile underground, but he hasn’t touched down, yet.

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PseudoPod 454: Eastern Promise


Eastern Promise

by Stewart Horn


‘In more western parts of Europe, incorrupt corpses were apt to induce almost the opposite response. A lack of decay was taken to be evidence that the individual had died in a state of perfect grace, immaculate and sinless. There are reputed to be whole, perfect bodies secreted among the other saintly relics in churches all over France, Spain, Italy and Prussia, and all those that remain intact have since been canonized. Many such corpses were said to emanate an ‘odour of sanctity’ for some time after death, described as akin to the smell of fresh flowers; it may be principally this olfactory phenomenon, coupled with geographical and religious incidence, that determined which corpses were worshipped as saints, and which destroyed as demons or vampires.’

M. Rhodes, Demonology and Vampirism in Europe, 1897

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PseudoPod 452: Abandon All Flesh

Show Notes

Silvia remembers the wax museum in Mexico City burning down in 1992, which helped to inspire this story.


Abandon All Flesh

by Silvia Moreno-Garcia


The chamber of horrors. The cobwebs and the torture instruments and the lights. And Jack. She loves Jack most of all. He stands in a corner, past the mummies and the witches, in his cape and stylish top hat. Black satin. Gloves. Right hand raised, knife gleaming. He sports a wicked smile.

If you stand in front of Jack all you can see is the smile. The angle of the hat wraps the rest of his face in rich shadows. However, if you move to the side and step a bit forward, against the velvet ropes, you can look at him up close.

The quality of the wax sculptures varies. The older ones are good and the newer ones are less detailed. But Jack. Jack is not good, he is great. The one who crafted him did so with exquisite detail, labouring over the eyes and the skin, striving to approximate life as much as one can within the confines of a wax mold. The result is a face that seems alert, capable of speech, of drawing a breath. The fingers curl around the knife with true strength, the body tenses, ready to leap down from its dais.

Even the background of this exhibit is flawless. Behind Jack there is a bed, unmade, the sheets splattered with blood. The subdued lighting reveals a brick wall and a shuttered window.

Julia stands in front of Jack and touches the sleeve of his jacket. She is fourteen. During class she draws skulls and dragons in the margins of her notebooks. In the afternoons, she does her homework with more haste than effort. Twice a week she walks the wax museum, pausing before Jack and admiring him.

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PseudoPod 451: The New Arrival


The New Arrival

by Miranda Suri


I stood in line at the grocery store with my mother, ignoring Simon as he pawed through the carnival-bright offerings on the candy rack. Suzette, the check-stand girl who sometimes babysat for us on Friday nights, ran the items across the scanner.

“What great news, Mrs. Waverly,” Suzette said. “You must be so excited!”

Simon finally settled on a chocolate bar and held it up to our mom, his eyes eager. Watching my older brother, his ten-year-old body twice my size but his mind still years behind, I felt something between pity and disgust.

My mother took the candy bar and slid it onto the belt. Her other hand held mine.

“I know,” she responded. “We’re thrilled! We didn’t want to say anything until we were out of the first trimester.”

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PseudoPod 450: The Horse Lord


The Horse Lord

by Lisa Tuttle


The double barn doors were secured by a length of stout, rust-encrusted chain, fastened with an old padlock.

Marilyn hefted the lock with one hand and tugged at the chain, which did not give. She looked up at the splintering grey wood of the doors and wondered how the children had got in.

Dusting red powder from her hands, Marilyn strolled around the side of the old barn. Dead leaves and dying grasses crunched beneath her sneakered feet, and she hunched her shoulders against the chill in the wind.

‘There’s plenty of room for horses,’ Kelly had said the night before at dinner. ‘There’s a perfect barn. You can’t say it would be impractical to keep a horse here.’ Kelly was Derek’s daughter, eleven years old and mad about horses.

This barn had been used as a stable, Marilyn thought, and could be again. Why not get Kelly a horse? And why not one for herself as well? As a girl, Marilyn had ridden in Central Park. She stared down the length of the barn: for some reason, the door to each stall had been tightly boarded shut.

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PseudoPod 449: How To Remember


How To Remember

by Sylvia Anna Hivén


The painted woman shimmered bronze-red against the desert. I didn’t know if I’d ever catch up with her, but still I whipped my ragged horse on, doing everything in my might to not let that little speck of a savage vanish over the horizon.

My throat itched with hot dust, which bothered me, and my horse’s hooves bled, and that was no good neither—the fanged mustangs would smell it, and the black-hounds, too. But I followed that painted woman like the devil chasing a damned soul, because that woman had stolen Ellie.

_You get my daughter back, Jeremiah. You get her back, or this ain’t your homestead anymore._

I couldn’t remember Clementine’s face much, in the feverish desert and with the sun so unwilling to set—so unwilling to do anything but bake, and char, and burn, and make a man miserable. But my wife’s words burned more than the sun, and even if I didn’t remember quite how she looked when I’d left, I could pretty much imagine her. My mind conjured up images of her tear-dusty face and the way she’d writhe her hands—not despairingly, but like a warning what all would happen if I failed. That was Clementine: pretty and frail on the outside, a wispy ghost of a girl in her thin cotton dress, but when she wanted to she could be something else—something nearly as wicked as the desert and the vile creatures crawling in its cracks. And she wanted Ellie back. So I had ridden out.

I was still riding, ignoring the flicker of scarlet the horse left on our trail, not caring how damn parched I was and how I had no idea when I’d refill my water skin. And I ignored how the life I was desperate to put back together, in my icy-cold fever, I barely remembered anymore.

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PseudoPod 448: Laal Aandhi

Show Notes

“Growing up in Pakistan, I heard stories of ‘missing people’ often showing up in gunny sacks. A friend of mine from Karachi told me how he once stumbled upon a gunny sack with a dead boy inside. I suppose this story stems from his experience and my fears.”


Laal Aandhi

by Usman T. Malik


Saleem, Wasif, Ali Malik, and I. Always the four of us banded together against the uncertainties of a city running on trepidation. In this season of yoking and yearning, of bereavement and besetment, we started doing the thing we did, for with fear and death and sulfur in the air who would stop us? Who would point and say, Watch it, children, you must survive your age. Must get through one hell to enter another.

‘85 was the year of army generals and feudal lords touring their fiefdoms grandly while the populace died thrashing in gutters from starvation and heat and Hadood Law amputations. Of VIP villas and ruined shanties, bright-tiled facades and haunted houses, ‘police encounters’ and prison suicides, and insurgent bomb attacks.

Most of all, though, it was the summer we went to Bad Bricks during a laal andhi.