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PseudoPod 336: The Abyss


The Abyss

by Leonid Andreyev


‘Look, the sun has set!’ she exclaimed with grieved astonishment.

‘Yes, it has set,’ he responded with a new sadness.

The light was gone, the shadows died, everything became pale, dumb, lifeless. At that point of the horizon where earlier the glowing sun had blazed, there now, in silence, crept dark masses of cloud, which step by step consumed the light blue spaces. The clouds gathered, jostled one another, slowly and reticently changed the contours of awakened monsters; they advanced, driven, as it were, against their will by some terrible, implacable force. Tearing itself away from the rest, one tiny luminous cloud drifted on alone, a frail fugitive.

Zinotchka’s cheeks grew pale, her lips turned red; the pupils of her eyes imperceptibly broadened, darkening the eyes. She whispered:

‘I feel frightened. It is so quiet here. Have we lost our way?’

Nemovetsky knitted his heavy eyebrows and made a searching survey of the place. Now that the sun was gone and the approaching night was breathing with fresh air, it seemed cold and uninviting. To all sides the gray field spread, with its scant grass, clay gullies, hillocks and holes. There were many of these holes; some were deep and sheer, others were small and overgrown with slippery grass; the silent dusk of night had already crept into them; and because there was evidence here of men’s labors, the place appeared even more desolate. Here and there, like the coagulations of cold lilac mist, loomed groves and thickets and, as it were, hearkened to what the abandoned holes might have to say to them.

Nemovetsky crushed the heavy, uneasy feeling of perturbation which had arisen in him and said:

‘No, we have not lost our way. I know the road. First to the left, then through that tiny wood. Are you afraid?’

She bravely smiled and answered:

‘No. Not now. But we ought to be home soon and have some tea.’

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PseudoPod 335: Charlie Harmer’s Day Off

Show Notes

While “Charlie Harmer’s Day Off” is appearing for the first time in Pseudopod, there are other stories featuring the character: “Charlie Harmer Looks Back” also appeared on Pseudopod and “Charlie Harmer’s Last Request” appeared in the BOOK OF DEAD THINGS anthology from Twilight Tales, which is available on Amazon and other fine booksellers.


Charlie Harmer’s Day Off

by Brendan Detzner


A ghost is a dead person with a job. When you’re alive, you split your time. You work, you sleep. When you’re dead, the line gets blurrier. You switch between one and the other quickly, or do both at once. You lose track of time a lot.

There are similarities. I still have a boss. I don’t know much about her, I have no clear memory of ever meeting her for the first time. She has long brown hair.

A few days after my conversation with Darius, the boss calls a staff meeting. We meet in the Orange Room. The gang’s all here. Neil from the laundromat. The bloody torso. The asshole with no skin that no one takes seriously. (The torso is literal, the asshole is figurative.) The little girl who never talks. Others. Somehow the table is as long as it needs to be to fit everyone and no longer.

The brunette is the last to arrive. She looks tired. She never looks tired. She glances to her side before she says anything. She’s nervous. That’s not right either.

The skinless asshole is sitting in the privileged place to her right.

He’s wearing a tuxedo, his white collar stained by the blood and pus dripping down from his face. His name’s Gary. He’s got three names like all the bullshit serial killers have three names.

‘We’re going to make some changes,’ the boss says, and she sounds guilty.

She explains. I’m working for Gary now. Not just me. Lots of us.

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PseudoPod 334: The Curse Of The Mummy


The Curse Of The Mummy

by Andre Harden


She’d driven out of town a thousand times. Sometimes east, sometimes west, always alone. Anywhere was better than here. She tried to keep it real for the most part: a safety deposit on an apartment, a total make over, a new job; waitressing or maybe something else. Maybe a photographer. Maybe a dog walker. Maybe a nanny for rich people. Those were real jobs in some places. Sometimes she couldn’t keep it real at all: She’d flown to Paris and shared a taxi with a man who wanted her and who turned out to have millions. Fantasy, like real life, had a way of spiraling out of control.

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PseudoPod 333: Gig Marks


Gig Marks

by Ed Ferrara


The second I hear the sick pop of Carlos’ skull hitting the wooden gymnasium floor, I know the Kid is somewhere in the stands.

I scramble off the apron to check on Carlos. He isn’t moving. I didn’t see it happen, although the panicked look on Jesse’s face tells me everything I need to know. The jacked-up idiot wasn’t in his spot to catch the plancha, and Carlos went straight down on his melon. That’s why I leave flip-flop-flyin’ to these younger guys. Hard enough getting my big ass over my head—which I can do if the payday is worth it—but I’m gonna make damn sure I’ve got the right guy to take it and protect me. And not for a fifty-dollar spot show, either. And this is exactly why.

“Where the fuck were you?” I ask Jesse. He is supposed to be my partner tonight. At this point I’m hot and don’t give a shit about kayfabe. The show is pretty much over now anyway. The EMTs are already at ringside, checking on Carlos, and the match can’t continue until they are done. It’s a good thing most buildings require medics to be present, because you know goddamn well the promoters wouldn’t shell out for them if they didn’t have to.

Jesse looks at me, his eyes as wide as his gaping mouth. He knows he was wrong, that it’s his fault. He hasn’t moved, standing a full three feet away from the crumpled body. He was that same three feet away when Carlos sailed over the top rope. If Jesse had only closed that gap, this match would still be going on. The greenhorn didn’t even think to rush forward right after the botch, making it look like maybe Carlos undershot his leap. Nope—he’s frozen in place, a guilty statue, the short distance between him and the broken figure on the floor as damning as any smoking gun. No doubt about it—this one’s on Jesse.

As the EMTs strap Carlos into a neckbrace, onto a backboard, I can’t help stealing a quick glimpse at the bleachers. I scan around for the Kid, just to satisfy my morbid curiosity. I don’t see him. Doesn’t matter, though—I can feel him. Somewhere close.

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PseudoPod 332: Willow Tests Well


Willow Tests Well

by Nick Mamatas


Tenth birthday: greeting cards from the CIA and NSA. Willow had scored ridiculously well on the Race to the Top tests, and even discovered the instructions for and answered the questions in the secret test integrated into the exam. Questions like

What does the old saying “A bird in the hand is worth two in the bush” mean?”

a. birds are unpleasant because they need to be cared for

b. it’s better to own something than risk what you have for a potential reward

c. if you have a bird in your hand, you can squeeze it, you can kill it…

d. possession is nine-tenths of the law

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PseudoPod 331: The Ninth Skeleton

Show Notes

Clark Ashton-Smith’s work is comprehensively discussed on the informative podcast The Double Shadows and the lovingly detailed website The Eldritch Dark. Please check them both out – you wont regret it.


The Ninth Skeleton

by Clark Ashton Smith


It was beneath the immaculate blue of a morning in April that I set out to keep my appointment with Guenevere. We had agreed to meet on Boulder Ridge, at a spot well known to both of us, a small and circular field surrounded with pines and full of large stones, midway between her parents’ home at Newcastle and my cabin on the north-eastern extremity of the Ridge, near Auburn.

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PseudoPod 330: Flash On The Borderlands XV: At Your Service!

Show Notes

Do you feel an implicit threat in the query “How May I Help You?”


“Last Waltz in Texas” originally appeared in Necrotic Tissue #10 and was reprinted in THE BEST OF NECROTIC TISSUE.

“Sterile” and “Meat” are PseudoPod originals.


“Last Waltz in Texas”

by Bryce Albertson


“Hey there, cowboy. Have a seat.” (Continue Reading…)

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PseudoPod 329: Red Rubber Gloves


Red Rubber Gloves

by Christine Brooke-Rose


In the kitchen window of the right-hand house the panel of two squares over two over two over two is open to reveal a· black rectangle and the beginning of the gleaming sink. Inside the sink is a red plastic bowl and on the window-sill are the red rubber gloves, now at rest.

In the morning the sunlight slants on all the windows, reflecting gold in some of the black squares but not in others, making each rectangular window, with its eight squares across and four squares down, look like half a chessboard gone berserk in order to confuse the queen and both her knights.

In the black rectangle of the open kitchen window the sunlight gleams on the stainless steel double sink unit, just beyond the cream-painted frame. Above the gleaming sink the red rubber gloves move swiftly, rise from the silver greyness lifting a yellow mass, plunging it into greyness, lifting it again, twisting its tail, shifting it to the right-hand. sink, moving back left, vanishing into greyness, rising and moving swiftly, in and out, together and apart.


On closer scrutiny I can see that in the left-hand house the wooden frames of the thirty-two black squares, eight by four in each of the rectangular windows, are painted white. It is only the right-hand house which has cream-painted windows. They all looked the same behind the trees against the strong September sun that faces me on my high balcony. The left-hand house seems quite devoid of life. Possibly the two rectangular windows, one above the other in the square end of the inverted U, are not the windows of the bathroom and kitchen at all in the left-hand house. It is difficult to see them through the apple-tree, and of course through the goldening elm in the garden at the back of my block. In the right-hand house, however, the lower room is definitely the kitchen, in the black rectangle of which the red rubber gloves move swiftly apart, shake hands, vanish into greyness, lift up a foam-white mass, vanish and reappear, move to the right, move back, lunge into greyness, rise and move swiftly right. Beyond the red rubber gloves is a pale grey shape, then blackness.