PseudoPod 1007: The Children of the Event
Show Notes
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Notes from the author:
As long as I can remember, I’ve been a Godzilla fan. My fate was set at the age of six, when me and a neighborhood boy rented Godzilla vs Monster Zero and Godzilla 1985 from the local video store. As they say, the rest was history.
To this day, I’m not sure why kaiju movies have followed me through my life. Maybe it’s just because they’re cool. Kaiju are big, they break things; they have colorful energy beams—what kid couldn’t fall in love with that? They’re also fantastical, inhabiting a world of sci-fi imagination where aliens and androids are a constant threat. But maybe it’s because, despite their size, they improbably represent something much bigger. War, nuclear annihilation, bureaucracy—the list goes on.
“The Children of the Event” is a kaiju story, but as most in that grand tradition, it’s really about something else. It’s about aging; succumbing to hatred; fearing a world that won’t stop changing no matter how much you wish it wouldn’t. It’s about nervously waiting for the day you cease to be young and bright and full of hope, and become another bitter tool of the establishment.
Godzilla Minus One:
en.wikipedia.org/wiki/Godzilla_Minus_One
The first person to see the wave was a fisherman. Like most of his kind, he was strong, fond of water, and a heavy drinker; he wore rubber boots and a yellow coat slicked with salmon guts. It’s important to stress that there was nothing heroic about this fisherman. He was a normal man. He had friends and family. One bar server remembered that he used to show off on Friday nights, after the day’s catch, impressing local women with his trick shots.?*
Footnote:
* Anonymous interview.
