Artemis Rising 2: Hecate Strikes Back: Open for Submissions


Artemis Rising

In 2016, Escape Artists will again celebrate ARTEMIS RISING, a special month-long event across all three Escape Artists podcasts featuring stories by some of the best female and non-binary authors in genre fiction. Pseudopod will fill the entire month with female-authored horror fiction. Payment will be $.06 per word for original fiction, and $100 for reprints. Original fiction is preferred.

Pseudopod is now open for submissions for the entire month of September. (Continue Reading…)

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PseudoPod 452: Abandon All Flesh

Show Notes

Silvia remembers the wax museum in Mexico City burning down in 1992, which helped to inspire this story.


Abandon All Flesh

by Silvia Moreno-Garcia


The chamber of horrors. The cobwebs and the torture instruments and the lights. And Jack. She loves Jack most of all. He stands in a corner, past the mummies and the witches, in his cape and stylish top hat. Black satin. Gloves. Right hand raised, knife gleaming. He sports a wicked smile.

If you stand in front of Jack all you can see is the smile. The angle of the hat wraps the rest of his face in rich shadows. However, if you move to the side and step a bit forward, against the velvet ropes, you can look at him up close.

The quality of the wax sculptures varies. The older ones are good and the newer ones are less detailed. But Jack. Jack is not good, he is great. The one who crafted him did so with exquisite detail, labouring over the eyes and the skin, striving to approximate life as much as one can within the confines of a wax mold. The result is a face that seems alert, capable of speech, of drawing a breath. The fingers curl around the knife with true strength, the body tenses, ready to leap down from its dais.

Even the background of this exhibit is flawless. Behind Jack there is a bed, unmade, the sheets splattered with blood. The subdued lighting reveals a brick wall and a shuttered window.

Julia stands in front of Jack and touches the sleeve of his jacket. She is fourteen. During class she draws skulls and dragons in the margins of her notebooks. In the afternoons, she does her homework with more haste than effort. Twice a week she walks the wax museum, pausing before Jack and admiring him.

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Flash Fiction Contest 4: Bloodlines


The original paraphernalia for the Flash Fiction Contest had been lost long ago, and the black box now resting on the stool had been put into use even before Old Man Stuart, the oldest man in town, was born. Mr. Lieberman spoke frequently to the forum members about making a new box, but no one liked to upset even as much tradition as was represented by the black box. There was a story that the present box had been made with some pieces of the box that had preceded it, the one that had been constructed when the first people settled down to make a village here.

Mr. Garrett and his oldest son, Nick, hold the black box securely on the stool until Mr. Lieberman can stir the papers thoroughly with his hand. Because so much of the ritual had been forgotten or discarded, Mr. Lieberman had been successful in having slips of paper substituted for the chips of wood that had been used for generations. Chips of wood, Mr. Lieberman had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep on growing, it was necessary to use something that would fit more easily into the black box.

The fourth incarnation of the Escape Artists Flash Fiction Contest is coming. Pseudopod is leading the charge this time. Every author may submit up to two original stories of 500 words or less for consideration. Submissions are open now until September 15. Head to our special submittable portal for the flash fiction contest to exercise your civic duty in the lottery.

The competition will begin in October. The three winning stories will be purchased and run as an episode of Pseudopod. Payment will be $30 so this will be considered a pro sale. Stories will be published on a members-only section of the forums, so first publication rights will not be expended by participating in the contest. It’s easy to be become a member. Sign up for a forum account and make a single post so we know you’re not a bot. This is a good thread to start with. From there, all the pertinent details will be posted under “The Arcade”. Visit forum.escapeartists.net for rules and details.

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PseudoPod 451: The New Arrival


The New Arrival

by Miranda Suri


I stood in line at the grocery store with my mother, ignoring Simon as he pawed through the carnival-bright offerings on the candy rack. Suzette, the check-stand girl who sometimes babysat for us on Friday nights, ran the items across the scanner.

“What great news, Mrs. Waverly,” Suzette said. “You must be so excited!”

Simon finally settled on a chocolate bar and held it up to our mom, his eyes eager. Watching my older brother, his ten-year-old body twice my size but his mind still years behind, I felt something between pity and disgust.

My mother took the candy bar and slid it onto the belt. Her other hand held mine.

“I know,” she responded. “We’re thrilled! We didn’t want to say anything until we were out of the first trimester.”

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PseudoPod 450: The Horse Lord


The Horse Lord

by Lisa Tuttle


The double barn doors were secured by a length of stout, rust-encrusted chain, fastened with an old padlock.

Marilyn hefted the lock with one hand and tugged at the chain, which did not give. She looked up at the splintering grey wood of the doors and wondered how the children had got in.

Dusting red powder from her hands, Marilyn strolled around the side of the old barn. Dead leaves and dying grasses crunched beneath her sneakered feet, and she hunched her shoulders against the chill in the wind.

‘There’s plenty of room for horses,’ Kelly had said the night before at dinner. ‘There’s a perfect barn. You can’t say it would be impractical to keep a horse here.’ Kelly was Derek’s daughter, eleven years old and mad about horses.

This barn had been used as a stable, Marilyn thought, and could be again. Why not get Kelly a horse? And why not one for herself as well? As a girl, Marilyn had ridden in Central Park. She stared down the length of the barn: for some reason, the door to each stall had been tightly boarded shut.

Artemis Rising 2: Hecate Strikes Back


In 2016, Escape Artists will again celebrate ARTEMIS RISING, a special month-long event across all three Escape Artists podcasts featuring stories by some of the best female and nonbinary authors in genre fiction. PseudoPod will fill the entire month with female-authored horror fiction. Payment will be $.06 per word for original fiction, and $100 for reprints. Original fiction is preferred. (Continue Reading…)

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PseudoPod 449: How To Remember


How To Remember

by Sylvia Anna Hivén


The painted woman shimmered bronze-red against the desert. I didn’t know if I’d ever catch up with her, but still I whipped my ragged horse on, doing everything in my might to not let that little speck of a savage vanish over the horizon.

My throat itched with hot dust, which bothered me, and my horse’s hooves bled, and that was no good neither—the fanged mustangs would smell it, and the black-hounds, too. But I followed that painted woman like the devil chasing a damned soul, because that woman had stolen Ellie.

_You get my daughter back, Jeremiah. You get her back, or this ain’t your homestead anymore._

I couldn’t remember Clementine’s face much, in the feverish desert and with the sun so unwilling to set—so unwilling to do anything but bake, and char, and burn, and make a man miserable. But my wife’s words burned more than the sun, and even if I didn’t remember quite how she looked when I’d left, I could pretty much imagine her. My mind conjured up images of her tear-dusty face and the way she’d writhe her hands—not despairingly, but like a warning what all would happen if I failed. That was Clementine: pretty and frail on the outside, a wispy ghost of a girl in her thin cotton dress, but when she wanted to she could be something else—something nearly as wicked as the desert and the vile creatures crawling in its cracks. And she wanted Ellie back. So I had ridden out.

I was still riding, ignoring the flicker of scarlet the horse left on our trail, not caring how damn parched I was and how I had no idea when I’d refill my water skin. And I ignored how the life I was desperate to put back together, in my icy-cold fever, I barely remembered anymore.

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PseudoPod 448: Laal Aandhi

Show Notes

“Growing up in Pakistan, I heard stories of ‘missing people’ often showing up in gunny sacks. A friend of mine from Karachi told me how he once stumbled upon a gunny sack with a dead boy inside. I suppose this story stems from his experience and my fears.”


Laal Aandhi

by Usman T. Malik


Saleem, Wasif, Ali Malik, and I. Always the four of us banded together against the uncertainties of a city running on trepidation. In this season of yoking and yearning, of bereavement and besetment, we started doing the thing we did, for with fear and death and sulfur in the air who would stop us? Who would point and say, Watch it, children, you must survive your age. Must get through one hell to enter another.

‘85 was the year of army generals and feudal lords touring their fiefdoms grandly while the populace died thrashing in gutters from starvation and heat and Hadood Law amputations. Of VIP villas and ruined shanties, bright-tiled facades and haunted houses, ‘police encounters’ and prison suicides, and insurgent bomb attacks.

Most of all, though, it was the summer we went to Bad Bricks during a laal andhi.