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PseudoPod 725: The Lonesome Place

Show Notes

Submitted for the Approval of the Midnight Pals: https://gumroad.com/l/UEPhV


The Lonesome Place

by August Derleth


You who sit in your houses of nights, you who sit in the theatres, you who are gay at dances and parties—all you who are enclosed by four walls—you have no conception of what goes on outside in the dark. In the lonesome places. And there are so many of them, all over—in the country, in the small towns, in the cities. If you were out in the evenings, in the night, you would know about them, you would pass them and wonder, perhaps, and if you were a small boy you might be frightened . . . frightened the way Johnny Newell and I were frightened, the way thousands of small boys from one end of the country to the other are being frightened when they have to go out alone at night, past lonesome places, dark and lightless, sombre and haunted. . . . (Continue Reading…)

Snuggle Skulls

PseudoPod 724: Flash on the Borderlands LIII: What Dreams May Come

Show Notes

“The Funeral Coat” is a PseudoPod original.

“Cherry Wood Coffin” first appeared in Apex on May 29, 2018

“Grave Mother” was first published in Vine Leaves Literary Journal and The Best of Vine Leaves Literary Journal, 2014.

Alasdair Birthday List (because why not, right?)
Story notes:
Spoiler

The Funeral Coat: “I wrote “The Funeral Coat” specifically for Pseudopod’s flash fiction contest. I remember seeing someone tweet about having a specific coat for funerals, which led to me brainstorming various “what if” scenarios. I also was interested in the origins of family traditions. Together, that sparked a whole mythos I wanted to explore. Some stories are grueling to write, like pulling teeth, but this one just bled out onto the page. It was a really fun story to write, and I hope write more set in this world someday.”

Cherry Wood Coffin: “This is a story that sprang from a prompt I read in Codex’s Weekend Warrior competition in 2017. Suddenly I was stuck with this very strong image of a talking coffin and wondered what the coffin would say or ask. The answer while pretty obvious didn’t clue me in on what the plot should be about, so I let the idea shimmer for a weekend and speed-wrote the story at the last minute in its complete form.”

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To sleep, perchance to dream—ay, there’s the rub, for in that sleep of death what dreams may come when we have shuffled off this mortal coil, must give us pause.


The Funeral Coat

by Lyndsie Manusos

narrated by Carlie Bergey


When I was five, my grandmother took me to Macy’s to buy my first funeral coat. It’s tradition in my family to have a separate coat for funerals. Something black, sleek, with sharp edges and elaborate buttons. A coat with high collars, to hide our pulse and the tender arc of throat to shoulder. By the end of the day I was crying, exhausted from trying on dozens of coats. My grandmother had to carry me out of the store with the coat she chose wrapped in tissue paper under her arm.

Grandmother bribed me back to calm with a frosted cookie at a nearby bakery.

“It’s a sensible matter,” she said while I stuffed myself. “Only wear it to funerals and on holy or sacred ground.”

“Why?” I asked.

“Different coats for different weather,” she said. “You wouldn’t wear a rain coat in a snowstorm. Don’t wear your funeral coat to a birthday party.”

Perfect logic for our family. Later on I discovered not every family took funeral coats so seriously, or even owned funeral coats, for that matter. Nor did people go to as many funerals as we did. (Continue Reading…)

Silver As The Devil's Necklace

PseudoPod 723: Silver as the Devil’s Necklace

Show Notes

La Llorona Wiki Page
https://en.wikipedia.org/wiki/La_Llorona

Old Gods of Appalachia
https://www.oldgodsofappalachia.com/

La Llorona Folk Song
https://en.wikipedia.org/wiki/La_Llorona_(song)


Silver as the Devil’s Necklace

by Isabel Cañas


A black wail of wind curls around the house, la Llorona’s cold embrace, as Ruth opens the dresser drawer and takes her father’s pistol. Its weight is an old friend, the handle nestling into her palm like it was made for her. It was already an heirloom when Da brought it to Montana, when he immigrated from the old country in his youth.

It is strictly off limits.

Ruth slams the drawer shut with her free hand. Damp wood scrapes and sticks; the flick of the hurricane candle shudders. The waxy complexion of la Virgen glowers at her as she clicks the pistol open and checks the chamber with trembling hands.

A silver bullet gleams in the flickering light of la Virgencita’s flame. Silver, Da said, was for killing the devils that lurked in the wetlands of the old country. Or so the superstition goes. (Continue Reading…)

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PseudoPod 722: Teeth – Part 2

Show Notes

Part 2 of 2

Listen to the first part here: https://pseudopod.org/2020/09/11/pseudopod-721-teeth-part-1/

Other Notes:


Teeth

by Matt Cardin


5

The words on that page signaled the end of my journey through the dark corridors of Marco’s obsession. Rather than trying to see what lay past page forty-six and risking another encounter with that awful picture, I closed the notebook and shoved it far back into a drawer, wishing fiercely that it could be equally easy to bury the memory of it. But try as I might, I could not stop my thoughts from returning to it and gnawing on it like a trapped animal might gnaw off its own leg. That was exactly the way it felt: as if  I had become ensnared in some vile trap and grown so desperate to escape that I might willingly do violence to myself. But no matter how many times I examined and reexamined and struggled violently against the notebook’s all-encompassing message of horror and despair, I could find no way to extricate myself from it, no loose spring or faulty trigger in its mechanism that might allow me to slip free. Its internal coherence and emotional power, as well as its universal scope, made it the perfect prison for mind and spirit.

(Continue Reading…)

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PseudoPod 721: Teeth – Part 1

Show Notes

Part 1 of 2


Teeth

by Matt Cardin


For in much wisdom is much grief: and he that increaseth knowledge increaseth sorrow.

— Ecclesiastes 1:18


Consciousness is a disease. — Miguel de Unamuno


1

My first and decisive glimpse into the horror at the center of existence came unexpectedly during my second year of graduate school.  I was earning a doctorate in philosophy and had stopped by the library between classes for some extracurricular research—or rather to pursue what I had long considered to be my true curriculum, regardless of whatever official degree program I might be enrolled in at the time.  The object of my quest was a copy of Plotinus’ Enneads.  I had only heard of the man and his book an hour earlier while browsing the Internet in my rented house.  A fortuitous combination of search terms had yielded an excerpt from his treatise on beauty, and I had experienced a flashing moment of metaphysical vertigo as I read his description of “the spirit that Beauty must ever induce, wonderment and a delicious trouble, longing and love and a trembling that is all delight.”  These words and their effect upon me had made it instantly clear that a printed copy of this book was definitely in order. (Continue Reading…)

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PseudoPod 720: Seance


Séance

by Donyae Coles


I have not performed since that evening, and even now I do not know if it is merely psychological or if there is some greater, unseen force at play. I cannot tell, nor do I have the means to explore the matter. It is my hope that perhaps penning a recollection of that evening will cure me. I miss the work. It was mine. I miss that small part of myself, and I have so little left to hold on to now.

In any case, I know these two things to be true: that I have not performed since that night, and that what I witnessed then was as real as the nose on my face. As real as anything can be real. (Continue Reading…)

Cordona Skull

PseudoPod 719: Cordona’s Skull


Cordona’s Skull

by Mary Elizabeth Counselman


Joe “Fresno” Talley dropped his cigarette butt on the sidewalk and ground it out with his foot, careful not to step on it where the hole had worn through his shoe sole. Absently he felt in the pocket of his shabby trousers, before remembering. No more cigarettes; that last one had been picked up out of the gutter, in front of a theatre whose twinkling marquee had once spelled out his name in lights a foot high…

Fresno snarled deep in his throat. So what if he had taken a couple too many that night, in Pittsburgh, when he was playing at the Roxy? So he had muffed a card sleight, dropping the whole pack all over the stage, then fallen flat on his face trying to pick them up. Was that a crime? Was that any reason for his booking agent to be dodging him now, after telling him that seven cancellations in a row meant a magician was washed up? He’d show that crumb!

Digging a half-empty flask of cheap whiskey from his hip pocket, Fresno finished it at a gulp and shied the empty bottle at a scrawny gray cat, hunting for scraps in a nearby trashcan. The cat yowled and scampered out of range, limping. Fresno laughed nasally. Nothing wrong with him; his hands didn’t shake too much, or he couldn’t have hit that mangy old…

Shivering suddenly as the chill night wind cut through his loud striped shirt, he paused before a rickety old tenement where his aimlessly wandering feet had taken him. A sign beside the door read:

PROF. CORDONA

SPIRITUALIST

FREE SÉANCE NIGHTLY

PRIVATE CONSULTATION,

$2.00 (plus tax)

(Continue Reading…)

Tara's Mother's Skin

PseudoPod 718: Tara’s Mother’s Skin

Show Notes

Spoiler

“Being from Trinidad, Caribbean folklore was a large part of my childhood. I grew up with stories about jumbies and La Diablesse. The figure that loomed largest for me however, was The Soucouyant. The idea of an old woman who could shed her skin and suck one’s blood kept me terrified and awake at night for at least a couple of years.

Tara’s Mother’s Skin’ was inspired by my experience of speaking with older women when I visited in Trinidad as a teenager. These women awed me. They seemed to be the holders of a secret truth that could help you live a long time and, if you were lucky, they’d share it with you. As an adult I’ve come to see the story of the Soucouyant as a depiction of how we treat older woman and their knowledge. Instead of embracing their expertise they are often categorized as dangerous, horrific or unnatural for surviving this long. Soucouyants no longer scare me. In fact, I think they are the heroes in a society that can often drain you of your worth.”

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Tara’s Mother’s Skin

by Suzan Palumbo


“You eat the rice you pick out of the dirt?” I asked Tara’s Mother. I’d found her sitting on a wooden bench in the gallery of her squat, concrete house, massaging her inflamed elbow. The heat had been a noose at our throats that day and she was enjoying the late afternoon breeze, a serene expression splayed across her brow. She swayed like a dried banana leaf, twisted and weightless, framed by her doorway as I stood on the cracked earth of her yard talking to her.

“Yes, Farrah, I cook the rice children throw when they pass on the road. It’s good food they waste when they pelt it at me.” Her voice had the texture of rust-covered velvet, gritty but soft underneath. I scribbled her responses in my notepad and drew a question mark after the words Tara’s Mother at the top of the page. When I’d returned from university, in St. Augustine, earlier that week, my inquiries about her identity and the daughter she was styled after had been met with a warning: “You looking for trouble, girl. Soucouyants don’t have first names,” Neighbourman had said. “Tara’s Mother is a leech. Only thing to do is leave rice on your window sill for her to count before sunrise so she can’t break in your room and bite you.”

(Continue Reading…)