All Four Escape Artists Podcasts Confirmed as SFWA Approved Markets

The Escape Artists podcasts are delighted to announce that Pseudopod, Podcastle, and Cast of Wonders have entered the list of approved short fiction markets maintained by the Science Fiction and Fantasy Writers of America (“SFWA”). They join sister-show Escape Pod.

Since 2006, Escape Artists has been at the leading edge of audio short fiction. Its four podcasts provide free, weekly stories in their respective genres across every element of speculative fiction. Their combined back catalog of nearly 1800 episodes encompass a huge array of authors and narrators, from industry giants to emerging talents. Each episode features flash or short fiction and commentary, supporting EA’s ‘One Story, Told Well’ mission.

‘Everyone at Escape Artists is thrilled to see this confirmed’ said owner, Alasdair Stuart. ‘We’re very proud of the number of authors who have their first professional sales with one of our shows. Bringing all four shows’ pay rates into synch, and being approved SFWA markets, will continue to support our goal of lowering barriers to entry in publishing. Sales to EA podcasts will now count toward SFWA membership requirements for authors, and bring a wider range of voices to genre fiction.

For more information visit escapeartists.net, or follow @EAPodcasts on Twitter.

PseudoPod 532: Flash On The Borderlands XXXVI: Artemis Rising Showcase

“Nothin’ ever seems to turn out right/I don’t wanna grow up”
Tom Waits


When First He Laid Eyes by Rachael K. Jones

“When First He Laid Eyes” first appeared in Fireside, February 2016. Sometimes what is scariest in the world is what we normalize. This story is for the women who have lived this reality.

RACHAEL K. JONES is a science fiction and fantasy writer living in Athens, GA. Her work has appeared in dozens of venues, including Strange Horizons, Escape Pod, Crossed Genres, Daily Science Fiction, and PodCastle. She is a SFWA member, an editor, and a secret android. Follow her on Twitter @RachaelKJones.

Your narrator – Tatiana Grey is a New York City based actress of stage, screen, and of course, the audio booth. She adores traveling and counts her lucky stars that acting and dancing have taken her all over the United States, to Montreal, Vancouver, Ireland, and Holland… but she loves coming home to New York where it all started. Equally at home speaking heightened language in a corset, in a leather jacket spouting obscenities, and as a dancer she has been compared to such dark, vivacious heroines as Helena Bonham Carter, a young Winona Ryder and Ellen Page. This depth and facility with multiple genres garnered her a New York Innovative Theatre Award Best Featured Actress nomination for her work in The Night of Nosferatu. Her facility with accents has landed her quite a few audiobooks and numerous on-camera roles including the role of Evgenya in the award winning I am A Fat Cat. Tatiana is a proud member of Actor’s Equity Association.

A girl’s first stalker is always a cause for celebration. She will phone her mother with the big news and spill the story in a tangle of words, voice raw with emotion.


Eyes That See Everything by Karen Bovenmyer

“Eyes That See Everything” is a Pseudopod original.

KAREN BOVENMYER earned an MFA in Popular Fiction from the University of Southern Maine’s Stonecoast Program in 2013, and she was awarded the 2016 Mary Shelley Scholarship by the Horror Writers Association.

She spent many hours as a kid among beaten earth and bare roots avoiding predators and whispering to imaginary people of various moralities. She never had a pet rabbit, but she did have a hamster named Chucky Cheeks who wanted to be an astronaut. This story is dedicated to everyone who found animals and inanimate objects easier to communicate with than fellow homo sapiens. Karen is the Nonfiction Assistant Editor for Mothership Zeta, Escape Artists’ new e-zine and has been having a spectacular time helping set up the first issue. Check out book, short story, and movie reviews, a “Story Doctor” article from award-winning science fiction author James Patrick Kelly, and a science column from a real astronomer—as well as plenty of fabulous fresh stories from amazing authors both new and experienced.

Your narrator – Jen R. Albert is an entomologist, writer of science fiction and fantasy, gamer, and all-around geek. She is co-editor at PodCastle and submissions editor at Uncanny Magazine. Her first story appeared in Mad Scientist Journal in June of 2015

“’Back off, retard.’ Jeanne and Stacey block the hallway to the bathroom, arms outstretched, hands knotted together so they make a human chain. ‘This toilet’s for normal kids.’
“Max is angry. I feel him heavy in my pocket, but I don’t want to get in a fight and pee my pants, so I pick Luke instead. I pull him out and his feet get caught so I have to untangle him while they taunt me.”


Standard Procedure by Dagny Paul

“Standard Procedure” first appeared in the anthology For Mortal Things Unsung.

DAGNY PAUL is a teacher, writer, failed artist, and comic book geek living in the middle of nowhere, Louisiana. Follow her for no good reason on Twitter @dagnypaul.

Your narrator – Laurice White – is a recent theater graduate and long time theater student, and has read stories for Podcastle, Pseudopod, and most recently for John Joseph Adams and Hugh Howey on The End is Nigh and The End is Now, the first two volumes of The Apocalypse Triptych.

” When you turn twelve, they take out your teeth. Before that they’re bendy and kind of see-through and can’t do much damage, but after they get hard and brittle. And sharp.
“Today is my twelfth birthday.”


Us, Here by Victoria Winnick.

“Us, Here” is a PseudoPod original. “A while ago I ran a roleplaying event, tabletop style, that explored a character’s dysphoria and body-anxiety through this kind of “meatscape” environment, basically exaggerating and inflating all of the points of greatest unease, making the internal external. I’d been thinking of incorporating that idea into a more discrete story for a while, and this seemed like a great time to do that”.

VICTORIA WINNICK is a writer, editor, and chef, living in Calgary, Alberta. When she’s not doing one of those things, she’s usually making plans about the next time she can. In the past, she’s written educational books for children, and magazine articles on sex, culture, and music, and she’s also an associate editor here at Pseudopod. In lieu of a personal plug, she asks that if you’re enjoying what you’re hearing in this, or any other episode of Pseudopod, that you please consider subscribing and helping to keep these excellent stories from diverse authors coming, week after week.

Your narrator – Jen Roper – lives in Atlanta, GA. She works as a software engineer. Some day she will probably embed SETI on your thermostat and in your car assuming someone else doesn’t beat her to the punch. In the meantime, her hobbies include drinking and knowing things and making pop culture references. She also enjoys long walks after dark and seeking out Eldritch abominations in an alternate reality known as “pocket monsters”.

“We are crawling. The space around us is tight and hot, and beads of muggy condensation run down our face – positive feedback ramping up the heat and the wet until the difference between breath and sweat is lost. Finally we’re out, gulping air and lying sweatslick on flesh that heaves beneath us, skin sticking on skin and apart as we breathe, and the ground breathes beneath us.”

PseudoPod 531: Gleed

by Jason Rush

 

“Gleed” is a Pseudopod original.

JASON RUSH lives in Colorado with his wife, Shannon, and dog, Freckles. When he’s not writing, he snowboards, snowshoes, hikes and climbs mountains. He is currently working on his first novel, Mad Maddie, which took first place in the Zebulon contest at the Pikes Peak Writers Conference. He blogs here and his Twitter is @diminish7.

This week’s reader – Hollis Monroe – is an award winning radio producer, opera and jazz singer and Shakespearean. He served as executive producer and also read for Iowa Public Radio’s “The Book Club” for many years and is an active voice actor, emcee and singer.


Info on Anders Manga’s album (they do our theme music!) can be found here.


“Johnson looks around, then turns to me, face tight. “We were at work.” His voice is like a bucket of gravel. “When did we get here?”

A stab of cold pricks my gut. I’ve never seen Johnson lost before.

I shake my head. Last thing I remember is being underground with the drone of the continuous miner, blades churning, rock crumbling. The thunk of a six-foot bolt driven into the ceiling. The smell of dust and rock and coal.

(A dull, red light. Someone screaming.)

Then here. Looking at my hands. Peggy tapping her pencil.”

PseudoPod 530: The Madness of Bill Dobbs: A Tale of Snuff Movies and Cannibal Cults

by Sean Pearce

 

“The Madness of Bill Dobbs: A Tale of Snuff Movies and Cannibal Cults” is a Pseudopod original and the author’s first sale.

SEAN PEARCE is a graduate student, studying philosophy. This is his first published story, and he still doesn’t quite believe he’s managed it. He is a contributor to the art collective, Project Praeterlimina. You can find their blog at the link and their Facebook page here.

This week’s reader – Kyle Akers – is a voice actor from Kansas City, Missouri. He has contributed to podcasts like Pseudopod, Chilling Tales for Dark Nights, and NoSleepPodcast. He also produces and performs in his own improv podcast called “The Counselor.” Prior to voice acting, Kyle toured the country as a professional musician, singing and playing bass guitar for the electro-pop band Antennas Up, which enjoyed success through several national television show placements and commercials. Since then, Kyle has dabbled in long-form improv and audio production while performing weekend gigs with Kansas City cover band The Magnetics.


Pseudopod wants to direct your attention to a project by one of our Authors, Greg Stolze. This is a good time to go back and relisten to episode 317, Enzymes.

YOU is a novel, set in the universe of the democratic horror game Unknown Armies, which pits readers against a book that hates them while situating them in the person of a middle-aged businessman named Leo Evans.

Leo is divorced, a fan of racquet sports, and a cultist of the Necessary Servant—a quasi-religion he freely admits seems silly, except for the way it grants him extra senses and paranormal abilities. The chief cultist, however, is his ex-wife, and the two of them clash over a key question of what it means to truly “serve” with integrity.

In the process of hashing all this out, Leo must survive a couple attempts on his life, come to grips with an enchantment that makes him hate the person he previously loved most, and deal with lingering issues between himself and his son.

This novel is Kickstarting in February, check the trailer at www.gregstolze.com/you


Info on Anders Manga’s album (they do our theme music!) can be found here.


“Eaters is regarded by some as a flawed masterpiece and an underground classic. To others, it is vile, racist, ethically bankrupt, and derivative.

It makes for peculiar viewing. The plot follows the formula of the Italian cannibal movies for which director Bill Dobbs had an unashamed fondness. An anthropological expedition into the Amazon jungle encounters and brutalises a tribe of ‘savages’ in the name of science, and find themselves pursued, captured, and finally gruesomely eaten alive.

(The film was originally going to be released as Dark-skinned Cannibals of the Tropics, though thankfully someone more enlightened than Dobbs suggested the title we now have. It almost goes without saying that Dobbs has been unanimously described as a completely unrepentant racist.)”