Posts Tagged ‘gloves’

PseudoPod 564: Hello, Handsome

Show Notes

MUSIC USED – This week’s music is from “Orgy of the Vampires” by TERRORTRON: a posthumous electronic orb that splatters the ears of the living with a flood of brain-washing sound waves. This is a side project of Anders Manga which involves scoring cult horror movies you’ve never seen. Pray that you only get to hear them.



Our sisters and us we whisper beneath the glass. There are so many of them, in and out, stopping to look at the case, shaking their heads and walking. Some of them hear. Some of them bend an ear or take a closer look. Some of them we reject. We are perfect and thus, we are vain. A gangly thing with a pockmarked face wants to touch us, wants to bring us home, but we hiss and I know he hears us hiss. So he keeps walking. The girl behind the counter, she looks sad, robbed of her commission. Callous bitch.
Then we see him, then we smell him, the right one. We coo to him inaudibly soft but we know that he can hear it. His face is weathered some but not displeasing, unblemished, not browned by the sun but age and a great deal of smiling. He looks smart in his grey hat and his raincoat, so very smart. The sort of man who would shop at a store like this one, where the finest is sold to the finest. The finest, that’s the sort. We cannot help but notice his hands. It is in our nature to notice someone’s hands of course.
The hands are strong, the fingers slim and exquisite. His wrists are slender, the bones of his knuckles hard. These are not the beaten hands of a man his age. These are not the hands of a working man but nonetheless hands with purpose. I barely need to let him know I’m here or to talk over our sisters. He is deep but is wonderfully legible. Wonderfully, wonderfully legible. He approaches the salesgirl and points into the case.
“I’d like to see that pair.”
Oh, yes, oh yes, you would. You would like to get to know us and let us know you. You would like to take us home. There are stories we read in the people that come and go about the things that happen when we’re taken home, the exquisite warm sensations, the adventure and delight. Some of his secrets are legible but there is so much more to know.

PseudoPod 329: Red Rubber Gloves

Red Rubber Gloves

by Christine Brooke-Rose

In the kitchen window of the right-hand house the panel of two squares over two over two over two is open to reveal a· black rectangle and the beginning of the gleaming sink. Inside the sink is a red plastic bowl and on the window-sill are the red rubber gloves, now at rest.

In the morning the sunlight slants on all the windows, reflecting gold in some of the black squares but not in others, making each rectangular window, with its eight squares across and four squares down, look like half a chessboard gone berserk in order to confuse the queen and both her knights.

In the black rectangle of the open kitchen window the sunlight gleams on the stainless steel double sink unit, just beyond the cream-painted frame. Above the gleaming sink the red rubber gloves move swiftly, rise from the silver greyness lifting a yellow mass, plunging it into greyness, lifting it again, twisting its tail, shifting it to the right-hand. sink, moving back left, vanishing into greyness, rising and moving swiftly, in and out, together and apart.

On closer scrutiny I can see that in the left-hand house the wooden frames of the thirty-two black squares, eight by four in each of the rectangular windows, are painted white. It is only the right-hand house which has cream-painted windows. They all looked the same behind the trees against the strong September sun that faces me on my high balcony. The left-hand house seems quite devoid of life. Possibly the two rectangular windows, one above the other in the square end of the inverted U, are not the windows of the bathroom and kitchen at all in the left-hand house. It is difficult to see them through the apple-tree, and of course through the goldening elm in the garden at the back of my block. In the right-hand house, however, the lower room is definitely the kitchen, in the black rectangle of which the red rubber gloves move swiftly apart, shake hands, vanish into greyness, lift up a foam-white mass, vanish and reappear, move to the right, move back, lunge into greyness, rise and move swiftly right. Beyond the red rubber gloves is a pale grey shape, then blackness.