
PseudoPod 957: Dead Mabelle
Dead Mabelle
By Elizabeth Bowen
The sudden and horrible end of Mabelle Pacey gave her a publicity with the European press worth millions to J. and Z. Gohigh of Gohigh Films Inc., Cal., U.S.A. Her personality flashed like a fused wire. Three-year-old films of Mabelle – with scimitar-curves of hair waxed forward against the cheeks, in the quaint creations of 1924 – were recalled by the lesser London and greater provincial cinemas. The Merry Magdalene – Mabelle with no hair to speak of, in a dinner jacket – was retained for weeks by the ‘Acropolis’ and the ‘Albany’, wide-porticoed palaces of the West End; managers of the next order negotiated for it recklessly and thousands had to be turned away during its briefer appearances in Edinburgh, Dublin and Manchester. The release of her last, Purblind, was awaited breathlessly. Her last, when brimming with delighted horror, horrified delight, with a sense of foreknowledge as though time were being unwound from the reel backwards, one would see all Mabelle’s unconsciousness under the descending claw of horror. Nothing she had ever mimicked could approach the end that had overtaken her. It was to be, this film, a feast for the epicure in sensation; one would watch the lips smile, the gestures ripple out from brain to finger-tips. It was on her return from the studio at the end of the making of this very picture that she had perished so appallingly. (Continue Reading…)