PseudoPod logo

PseudoPod 649: Whatever Comes After Calcutta

Show Notes

Exerpt from interview of David Erik Nelson about “Whatever Comes After Calcutta”.  Full interview can be found here.

This is one of those stories that I think may have accidentally taken on a lot of political overtones that weren’t intentional. I guess that’s for readers to determine; I wrote it mostly in early 2016, well before a lot of what it feels like it’s about actually happened. This story was locked up well before the election.

Nonetheless, when I go to sum up the story in a Big Picture way, I end up saying the same thing that I said about that election:

I totally hear where folks—angry, aggrieved, not-gonna-take-it-anymore folks—are coming from, because I totally agree with them: They are getting screwed. We just totally disagree on who is screwing them, or what is a sensible way to address that.

This story is about that, in a fundamental way.


Goodreads page for Devil Red


Whatever Comes After Calcutta

by David Erik Nelson


It was late in the day when Lyle Morimoto saw the hanged woman and almost crashed his Prius.

He was somewhere between Calcutta, Ohio, and whatever the hell came after Calcutta. For hours he’d been sipping warm Gatorade and cruising the crumbling two-lane blacktop that sliced up the scrubby farmland separating Calcutta, Cairo, Congo, Lebanon, East Liverpool, East Palestine—in southern Ohio, apparently, you could circle the globe without ever crossing the state line.

He understood that he was not thinking clearly, but that seemed OK, since it also meant not thinking about his ear, or his wife, or Detective Jason Good, or the gun in the pocket of his suit jacket. (Continue Reading…)

The Canal

PseudoPod 648: The Canal

Show Notes

A surprisingly in depth look at the origin of the Campbell quote Alasdair uses: https://quoteinvestigator.com/2013/05/23/campbell-treasure/


The Canal

by Everil Worrell


Past the sleeping city the river sweeps; along its left bank the old canal creeps.

I did not intend that to be poetry, although the scene is poetic—somberly, gruesomely poetic, like the poems of Poe. Too well I know.it— too often have I walked over the grass-grown path beside the reflections of black trees and tumble-down shacks and distant factory chimneys in the sluggish waters that moved so slowly, and ceased to move at all.

I shall be called mad, and I shall be a suicide. I shall take no pains to cover up my trail, or to hide the thing that I shall do. What will it matter, afterward, what they say of me? If they knew the truth—if they could vision, even dimly, the beings with whom I have consorted—if the faintest realization might be theirs of the thing I am becoming, and of the fate from which I am saving their city—then they would call me a great hero. But it does not matter what they call me, as I have said before. Let me write down the things I am about to write down, and let them be taken, as they will be taken, for the last ravings of a madman. The city will be in mourning for the thing I shall have done—but its mourning will be of no consequence beside that other fate from which I shall have saved it. (Continue Reading…)

PseudoPod logo

PseudoPod 647: The Algorithms for Love


The Algorithms for Love

by Ken Liu


So long as the nurse is in the room to keep an eye on me, I am allowed to dress myself and get ready for Brad.  I slip on an old pair of jeans and a scarlet turtleneck sweater.  I’ve lost so much weight that the jeans hang loosely from the bony points of my hips.

“Let’s go spend the weekend in Salem,” Brad says to me as he walks me out of the hospital, an arm protectively wrapped around my waist, “just the two of us.”

I wait in the car while Dr. West speaks with Brad just outside the hospital doors.  I can’t hear them but I know what she’s telling him.  “Make sure she takes her Oxetine every four hours.  Don’t leave her alone for any length of time.”

Brad drives with a light touch on the pedals, the same way he used to when I was pregnant with Aimée.  The traffic is smooth and light, and the foliage along the highway is postcard-perfect.  The Oxetine relaxes the muscles around my mouth, and in the vanity mirror I see that I have a beatific smile on my face.

“I love you.”  He says this quietly, the way he has always done, as if it were the sound of breathing and heartbeat.

I wait a few seconds.  I picture myself opening the door and throwing my body onto the highway but of course I don’t do anything.  I can’t even surprise myself.

“I love you too.”  I look at him when I say this, the way I have always done, as if it were the answer to some question.  He looks at me, smiles, and turns his eyes back to the road.

To him this means that the routines are back in place, that he is talking to the same woman he has known all these years, that things are back to normal.  We are just another tourist couple from Boston on a mini-break for the weekend: stay at a bed-and-breakfast, visit the museums, recycle old jokes.

It’s an algorithm for love.

I want to scream. (Continue Reading…)

PseudoPod logo

PseudoPod 646: Home and Hearth

Show Notes

The episode of Faculty of Horror mentioned in the intro:

Episode 52. The Dark Side of Oz: Wolf Creek (2005) and The Loved Ones (2009)


Hearth and Home

by Angela Slatter


Caroline held the door open, listening to the keys make that gentle clink-clank as they hung from the lock. He pushed past her and she could smell the peculiar odour he gave off now: puberty and a state institution. As he crossed the threshold, his too-small shoes leaving mud on the new welcome mat (she’d thrown out the one exhorting a universal power to ‘Bless this mess’), the house seemed to sigh.

Then again, maybe it was her, but she couldn’t remember the air leaving her lungs.

Then again it might have been the heating system as it puffed out warmth.

‘Coke?’ she asked, following him down the long hallway. ‘Or hot chocolate? Crisps? Marshmallows? I baked your favourite biscuits. They’re not hot but I can warm them in the microwave. There’s a cake, too. Banana. Or—or—what would you like?’

She knew she was overcompensating, had schooled herself not to during the weeks and months, but he was back in the house not five minutes and already she was failing. She reached out and touched his face.

It was a mistake. The feeling against her palm, the slight sweatiness, the burgeoning pimples beneath the skin, combined to make her shudder. She hoped he didn’t notice. (Continue Reading…)

mugger

PseudoPod 645: HORROR COMEDY SHOWCASE: The Undertakers

Show Notes

Dream Foundry

Dream foundry logo gifDream Foundry is a new organization helping all professionals, especially beginners, working in the speculative arts. Back their Kickstarter to make sure they last and grow, and to get yourself some nifty rewards.

Website: www.dreamfoundry.org
Twitter: @dream_foundry
Facebook: https://www.facebook.com/dreamfoundryorg/
Kickstarter: https://www.kickstarter.com/projects/dreamfoundry/dream-foundry-2019-hatching


The Undertakers

by Rudyard Kipling


When ye say to Tabaqui, “My Brother!”
when ye call the Hyena to meat,
Ye may cry the Full Truce with Jacala–
the Belly that runs on four feet.
–Jungle Law

“Respect the aged!”

It was a thick voice–a muddy voice that would have made you shudder–a voice like something soft breaking in two. There was a quaver in it, a croak and a whine.

“Respect the aged! O Companions of the River–respect the aged!”

(Continue Reading…)

PseudoPod logo

PseudoPod 644: Flash on the Borderlands XLVII: Horror Comedy Showcase

Show Notes

This episode of PseudoPod is brought to you by AMC Shudder. Check out Shudder’s great content at shudder.com and use promo code pseudopod for a free 30-day trial. What’s waiting for you in this trial? Shudder is a premium streaming video service, super-serving fans of all degrees with the best selection of horror and thrillers. Not only classics you know and love, but a couple less visible gems that we want to draw your attention to.

Firstly, The Old Dark House is a classic horror film created just before the Hays Code dropped, so there’s some content that is particularly shocking for its 1932 release date. This also was inspirational for a young Ray Bradbury and his Uncle Einar stories, which were inspirational for the artist Charles Addams. Secondly, Murder Party is an exceptional entry in the black humor end of the genre, made all the more striking if you know any struggling creatives. I first saw this at a horror film festival wearing my Army of Darkness shirt. One of the filmmakers greeted me at the door, and noting the shirt, assured me I would love their film. They were not wrong.

The thing I’m most looking forward to is the Shudder original series released this week — Critters: A New Binge. I have an arguably unreasonable affection for the Critters franchise, as they indelibly scarred me as a kid. Head over to shudder.com and use promo code pseudopod for a free 30-day trial.


“…and now, some excerpts from Cacophonus Audio’s forthcoming dramatic audiobook adaptation of Buzz Dixon’s 1980s horror classic…THE GERUNDING…”


 “It is precisely because we fear that which we fear that we are afraid of it. ”

—Larimo Kurlius, Intellecto Pretentioso


PROLOGUE

Luckinbill, Maine, 1807 B.C.

Konomoro, wisest of the witch doctors in the seven tribal councils, felt uneasy deep in his red heart. The Norseman standing before him was stark naked and drenched in blood that gushed from hundreds of ornate, foreboding runes carved in his body.

Surely this was an evil sign… (Continue Reading…)

PseudoPod logo

PseudoPod 643: HORROR COMEDY SHOWCASE: The City of the Gone Away


The City of the Gone Away

by Ambrose Bierce


I was born of poor because honest parents, and until I was twenty-three years old never knew the possibilities of happiness latent in another person’s coin. At that time Providence threw me into a deep sleep and revealed to me in a dream the folly of labor. “Behold,” said a vision of a holy hermit, “the poverty and squalor of your lot and listen to the teachings of nature. You rise in the morning from your pallet of straw and go forth to your daily labor in the fields. The flowers nod their heads in friendly salutation as you pass. The lark greets you with a burst of song. The early sun sheds his temperate beams upon you, and from the dewy grass you inhale an atmosphere cool and grateful to your lungs. All nature seems to salute you with the joy of a generous servant welcoming a faithful master. You are in harmony with her gentlest mood and your soul sings within you. You begin your daily task at the plow, hopeful that the noonday will fulfill the promise of the morn, maturing the charms of the landscape and confirming its benediction upon your spirit. You follow the plow until fatigue invokes repose, and seating yourself upon the earth at the end of your furrow you expect to enjoy in fulness the delights of which you did but taste. (Continue Reading…)

PseudoPod logo

PseudoPod 642: HORROR COMEDY SHOWCASE: The House that Dripped Character

Show Notes

From the endcap:

https://radiopublic.com/decoder-ring-85nNdm/ep/s1!45562


The author’s thoughts on the story: “The central idea was a joke I made to my wife while we were watching reality TV. I owe it to her for convincing me to expand the idea behind that joke into a complete story.”


The House that Dripped Character

By BG Hilton


It is a dream. It must be. Each of us remembers sleep taking us–be it in a bed, on a sofa, or at the back of a crowded classroom. We know we are asleep, so of course we must be dreaming.

And yet we are not.

The house rises before us, above the tops of the moss-laded cypress trees like some great reptile from the Earth’s youth. Paint of some indeterminate color–bleached here by sun and darkened there by rain–peels from its splintery timbers. Attempts have been made to rebuild the structure in a dozen different styles, but the house’s Victorian heart is visible through these additions.

The windows are blocked with plywood and the roofing tiles are more absent than present. By all rights, the decaying structure should seem fragile, and yet it is almost shocking in its solidity. The ambient light is dim, and the hues of the house and swamp alike are washed and grey. The only hint of color comes from a tattered length of police tape, fluttering by the front door. There is no sign of a road, no sound of traffic, no address on the front of the house. (Continue Reading…)