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PseudoPod 677: When a Beast Looks Up at the Stars

Show Notes

Werewolf Ambulance Podcast:

http://werewolfambulance.libsyn.com/

Pure Cinema Podcast:

http://www.nowplayingnetwork.net/purecinema

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When a Beast Looks Up at the Stars

by Orrin Grey


“What’s the earliest memory you have of your father?” my therapist is asking. Such a tired line, something that a therapist would ask in a movie. I don’t tell him the truth, of course. I cast around for an easy lie, the same one that I would give to Kenzie if she asked, though she never does. Tell him something about my dad wrapping Christmas presents in old shoe boxes, packing them in socks, a twenty-dollar bill stuck between two bricks, wrapped in faded paper. Something that could be cute but always felt mean-spirited.

My laptop case is lying on the floor of the office. In it is a letter on stationery from the Seldon Civics Committee or somesuch, a clipping from the Seldon Herald, complete with a grainy newsprint photo of the old Gorka Theatre, with its marquee like an art deco wave. I’m driving there from here, in a rented black Accord, but I thought it would be a good idea to get one last therapy session in before I go.

No, let me stop. That’s a lie, and I know it. Kenzie thought it would be a good idea, and she’s right, but I knew it would be a waste of time, and it is. I talk about Seldon, about my childhood, about my dad, but I skim over the surface, like I’ve taught myself to do. A rock skipping across a deep, black pond, never touching the water long enough to attract the attention of the beasts that circle below. (Continue Reading…)

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PseudoPod 676: Things My Father Taught Me

Show Notes

Spoiler

This story is based upon Chinua Achebe’s “Things Fall Apart,” though it’s set in modern-day Nigeria rather than colonial times. Beyond the locale, it has a few deliberate parallels. I loved how Achebe qualified the characters’ actions with wise sayings, which is something we’ve all seen before, but I have a soft spot for the device. The characters use the voice of tradition to give their actions weight, and so that’s an idea here too. Even the title speaks to it. With all the Shakespearean suffering in the original, I was convinced Achebe would focus on a father’s loss of a son. I’m still surprised that that was just a background detail, and so “Things My Father Taught Me” is the separation I wanted to see. It’s that same loss with a new family.

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Things My Father Taught Me

by Rhoads Brazos


My father taught me old knowledge, not all of it useful. It was mostly platitudes that sounded profound until you realized that they were just the logic of one’s own wits. But I hold to this: If a man wants to go quickly, he travels alone. If he wants to go far, he travels with friends. Simple, direct, useful. I wanted to go far.

I was with Bwambale when he found the grenade amongst the scrapyard’s refuse. His uncle owned the business, an acre of steel skeletons rising from rust scale sheddings, and we often rooted about the new collections. His uncle was not a generous man, but if he didn’t know what it was that we had found, like the grenade, then we might pick it up cheap. Which is what happened.

And so afterwards, the three of us–Bwambale, myself, and our friend Godfrey–crouched in the dust behind the Soroti central market, looking as if we were throwing dice in its scant shade. The grenade sat between us like a squat little god. (Continue Reading…)

New Mother B

PseudoPod 675: The New Mother

Show Notes

Audio used in this episode:

Spoiler

https://archive.org/details/joel_pulham_0307/03_joel_260307_knitting_skylarks.mp3
https://freesound.org/people/viznoman/sounds/267306/
https://freesound.org/people/ross_sinc/sounds/444793/

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The New Mother

by Lucy Clifford


1

The children were always called Blue-Eyes and the Turkey. The elder one was like her dear father who was far away at sea; for the father had the bluest of blue eyes, and so gradually his little girl came to be called after them. The younger one had once, while she was still almost a baby, cried bitterly because a turkey that lived near the cottage suddenly vanished in the middle of the winter; and to console her she had been called by its name.

Now the mother and Blue-Eyes and the Turkey and the baby all lived in a lonely cottage on the edge of the forest. It was a long way to the village, nearly a mile and a half, and the mother had to work hard and had not time to go often herself to see if there was a letter at the post-office from the dear father, and so very often in the afternoon she used to send the two children. They were very proud of being able to go alone. When they came back tired with the long walk, there would be the mother waiting and watching for them, and the tea would be ready, and the baby crowing with delight; and if by any chance there was a letter from the sea, then they were happy indeed. The cottage room was so cosy: the walls were as white as snow inside as well as out. The baby’s high chair stood in one corner, and in another there was a cupboard, in which the mother kept all manner of surprises. (Continue Reading…)

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PseudoPod 674: Dust


Dust

by Rebecca Lloyd


Much has developed since the day in April I stumbled out of the Quiet Garden with blood running freely down my cheek. The intensity that has arisen over the months cannot be quelled, and I find myself engaged now in a monstrous negotiation, the nature of which I scarcely comprehend, and one that shifts ground continually. As much as I would keep Beth naïve, I sense in her silences that she is on the edge of recognition. I am touched as much by her innocence as I am by her fierce protectiveness of me—but I would keep her in ignorance for I have yet to comprehend the matter myself. I know only that I am involved in urgent entreaty on her behalf, yet I feel my resourcefulness weakening daily. (Continue Reading…)

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PseudoPod 673: Venio


Venio

by Gemma Files


Watch out.

I’m going to tell you about something, and then . . . you’ll know. You won’t be able to un-know or forget why you should want to. And even if you decide you don’t believe it now, you’ll still have thought about it long enough to make that call, so it’ll still be too late. Because now it knows you know, it’ll be able to find you. To home in on you.

Just like it did with me.

Sometimes, a door is enough, open or otherwise. Or an empty moment, an empty page.

An empty head. (Continue Reading…)

Pseudopumpkin

PseudoPod 672: In Regards to Your Concerns About Your ScareBnB Experience and The Halloween Parade

Show Notes

Effie Seiberg: “As a card-carrying wuss, this is the first horror-eque piece I’ve ever written. This story finally lets me say that my work can be found in every single Escape Artists podcast, which is very exciting because I’m a wuss when it comes to horror and never thought this day would come. Perhaps the scariest part, to me, is how we have a culture where it’s somehow ok to treat customer service folks like trash even when they’re not responsible for whatever mishaps you experienced.”


In Regards to Your Concerns About Your ScareBnB Experience

by Effie Seiberg


Dear Mrs. Axelthorpe,

I’m so sorry to hear your family had a negative experience at our ScareBnB. While we aim to provide an atmosphere of family-friendly spooky overnight fun, I see that with your family’s unique experience we’ve missed the mark.

You’re right, the blood dripping down the stairs to the abandoned attic was a slipping hazard. However, we did have signs clearly stating that guests should not go up the abandoned attic stairs for precisely this reason. You’ll be glad to know that the stains will eventually come out of your family’s clothes with a little bit of bleach, but unfortunately the curse we use to keep the bloodflow going is non-removable, and your clothing will continue to drip.

After their arrival into the (closed off) attic, I understand that your children were distressed by the sounds of our attic ghost. However, after reviewing the logs and interviewing the performer on shift, Alex of the Screeching Chains, it appears that the upsetting sounds were of Alex weeping after your offspring doused him in several cans of WD-40 and tried to set him on fire. We encourage our performers to stay in character and will send him an appropriate reprimand once he’s out of the hospital. (Continue Reading…)

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PseudoPod 671: Only Unity Saves the Damned

Show Notes

Click the link to pick up the collection She Said Destroy released by the excellent Word Horde.


Only Unity Saves the Damned

by Nadia Bulkin


“Dude, are you getting this?”

Rosslyn Taro, 25, and Clark Dunkin, 25, are standing in the woods. It’s evening—the bald-cypresses behind them are shadowed and the light between the needles is the somber blue that follows sunsets—and they are wearing sweatshirts and holding stones.

“It’s on,” says the voice behind the camera. “To the winner go the spoils!”

They whip their arms back and start throwing stones. The camera pans to the right as the stones skip into the heart of Goose Lake. After a dozen rounds the camera pans back to Rosslyn Taro and Clark Dunkin arguing over whose stone made the most skips, and then slowly returns to the right. Its focus settles on a large bur oak looming around the bend of the lake, forty yards away.

“Hey, isn’t that the Witching Tree?”

Off-camera, Clark Dunkin says, “What?” and Rosslyn Taro says,

“Come on, seriously?”

“You know, Raggedy Annie’s Witching Tree.”

The girl sounds too shaky to be truly skeptical. “How do you know?”

“Remember the song? ‘We hung her over water, from the mighty oak tree.’ Well, there aren’t any other lakes around here.

And First Plymouth is on the other side of the lake.” The camera zooms, searches for a white steeple across the still water, but the light is bad. “‘We hung her looking over at the cemetery.’”

The camera swings to Rosslyn Taro, because she is suddenly upset. She is walking to the camera, and when she reaches it, shoves the cameraman. “Bay, shut up! I hate that stupid song. Let’s just go, I’m getting cold. Come on, please.” But Clark Dunkin is still staring at the tree. His hands are shaking. Rosslyn Taro calls his name: “Lark!”

The camera follows Clark Dunkin’s gaze to the tree. There is a figure standing in front of it, dressed in a soiled white shift and a black execution hood. The figure reaches two pale, thin hands to the edge of the hood as if to reveal its face. And then the camera enters a topspin, all dirt and branches and violet sky, as the cameraman begins to run. Rosslyn Taro is heard screaming. Someone—the cameraman, or possibly Clark Dunkin—is whimpering, as if from very far away, “oh, shit, oh, shit.”

And then the video abruptly cuts to black. (Continue Reading…)

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PseudoPod 670: The Devil Came to Mamie’s on Hallowe’en


The Devil Came to Mamie’s on Hallowe’en

by Lisa Morton


It was Hallowe’en night, and business was slow at the whorehouse.

Leona didn’t put much stock in the stories that kept other folk indoors on this night. She’d laughed over stories about Jacky-Ma-Lantern, who’d once outsmarted the Bad Man and then couldn’t get into Hell or Heaven, and so on Hallowe’en he wandered around lighting his way with a coal kept in a pumpkin. She’d once seen the strange blue lights in the bayou that some said led unwary travelers to their doom on this night, but she didn’t really believe they were spirits. And her favorite of Miss Mamie’s girls, Lizzie, had talked about going down to New Orleans once and meeting up with a real hoodoo man, who she’d watched bring a dead boy back to life on All Saints’ Day. But as much as Leona loved Lizzie, she thought even decent, smart folk could sometimes be bamboozled when they found something they just plain wanted to believe in.

It was about midnight now (“the witching hour”, Leona remembered Lizzie once calling it), and the swamp just behind Miss Mamie’s was dark and quiet, no flatboats poling up to the dock tonight, unloading new customers. Leona wondered again where Lizzie had gotten to; Beulah, the cook, said she’d left out the backdoor about four that afternoon, just as the sun was going down. She’d taken a big kettle with her, and said she’d be back around night. It wasn’t safe to wander around the bayou any night, and Leona couldn’t imagine where Lizzie had gone.

It didn’t help that Mamie’s scrawny old cat, Lumpy (so named because he was as black as a lump of coal), was missing, too. (Continue Reading…)