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PseudoPod 671: Only Unity Saves the Damned

Show Notes

Click the link to pick up the collection She Said Destroy released by the excellent Word Horde.


Only Unity Saves the Damned

by Nadia Bulkin


“Dude, are you getting this?”

Rosslyn Taro, 25, and Clark Dunkin, 25, are standing in the woods. It’s evening—the bald-cypresses behind them are shadowed and the light between the needles is the somber blue that follows sunsets—and they are wearing sweatshirts and holding stones.

“It’s on,” says the voice behind the camera. “To the winner go the spoils!”

They whip their arms back and start throwing stones. The camera pans to the right as the stones skip into the heart of Goose Lake. After a dozen rounds the camera pans back to Rosslyn Taro and Clark Dunkin arguing over whose stone made the most skips, and then slowly returns to the right. Its focus settles on a large bur oak looming around the bend of the lake, forty yards away.

“Hey, isn’t that the Witching Tree?”

Off-camera, Clark Dunkin says, “What?” and Rosslyn Taro says,

“Come on, seriously?”

“You know, Raggedy Annie’s Witching Tree.”

The girl sounds too shaky to be truly skeptical. “How do you know?”

“Remember the song? ‘We hung her over water, from the mighty oak tree.’ Well, there aren’t any other lakes around here.

And First Plymouth is on the other side of the lake.” The camera zooms, searches for a white steeple across the still water, but the light is bad. “‘We hung her looking over at the cemetery.’”

The camera swings to Rosslyn Taro, because she is suddenly upset. She is walking to the camera, and when she reaches it, shoves the cameraman. “Bay, shut up! I hate that stupid song. Let’s just go, I’m getting cold. Come on, please.” But Clark Dunkin is still staring at the tree. His hands are shaking. Rosslyn Taro calls his name: “Lark!”

The camera follows Clark Dunkin’s gaze to the tree. There is a figure standing in front of it, dressed in a soiled white shift and a black execution hood. The figure reaches two pale, thin hands to the edge of the hood as if to reveal its face. And then the camera enters a topspin, all dirt and branches and violet sky, as the cameraman begins to run. Rosslyn Taro is heard screaming. Someone—the cameraman, or possibly Clark Dunkin—is whimpering, as if from very far away, “oh, shit, oh, shit.”

And then the video abruptly cuts to black. (Continue Reading…)

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PseudoPod 670: The Devil Came to Mamie’s on Hallowe’en


The Devil Came to Mamie’s on Hallowe’en

by Lisa Morton


It was Hallowe’en night, and business was slow at the whorehouse.

Leona didn’t put much stock in the stories that kept other folk indoors on this night. She’d laughed over stories about Jacky-Ma-Lantern, who’d once outsmarted the Bad Man and then couldn’t get into Hell or Heaven, and so on Hallowe’en he wandered around lighting his way with a coal kept in a pumpkin. She’d once seen the strange blue lights in the bayou that some said led unwary travelers to their doom on this night, but she didn’t really believe they were spirits. And her favorite of Miss Mamie’s girls, Lizzie, had talked about going down to New Orleans once and meeting up with a real hoodoo man, who she’d watched bring a dead boy back to life on All Saints’ Day. But as much as Leona loved Lizzie, she thought even decent, smart folk could sometimes be bamboozled when they found something they just plain wanted to believe in.

It was about midnight now (“the witching hour”, Leona remembered Lizzie once calling it), and the swamp just behind Miss Mamie’s was dark and quiet, no flatboats poling up to the dock tonight, unloading new customers. Leona wondered again where Lizzie had gotten to; Beulah, the cook, said she’d left out the backdoor about four that afternoon, just as the sun was going down. She’d taken a big kettle with her, and said she’d be back around night. It wasn’t safe to wander around the bayou any night, and Leona couldn’t imagine where Lizzie had gone.

It didn’t help that Mamie’s scrawny old cat, Lumpy (so named because he was as black as a lump of coal), was missing, too. (Continue Reading…)

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PseudoPod 669: Zanders the Magnificent


Zanders the Magnificent

by Annie Neugebauer


“My handsome, darling boys,” Mrs. Zander said, placing a hand on each of their shoulders. “Which one of you wants to be alive today?”

Robby and Bobby turned their heads inward at the same time, staring at each other with identical dark eyes. Bobby blinked, followed shortly by Robby’s blink, and they both said, “Bobby. Robby was alive yesterday.”

Mrs. Zander nodded approvingly, clapping her hands against their shoulder blades. “Good, yes. I like it when you agree,” she said. “Now both of you go get Bobby ready for school.”

The boys lurched into a sprint together, their narrow shoulders brushing past the door frame at the same time, their synched footsteps thumping down the hall.

When they were safely within their bedroom, Bobby shut the door. Robby went and flopped on the left bed – indistinguishable from the right bed in everything but placement in the room – and sighed. “I wish it was Saturday so we could both live,” he said, covering his face with his arms. (Continue Reading…)

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PseudoPod 668: Flash on the Borderlands XLIX: Dirty Deeds

Show Notes

“Baby Fingers” is a PseudoPod original

“Polaroid, 1979” is a PseudoPod original 

“Metal, Sex, Monsters” was originally published in Gamut #5 in May, 2017

Metal, Sex, Monsters: “As you might be able to tell, this story was written with a Judas Priest soundtrack in mind. While writing it, I listened obsessively to all of Judas Priest’s back catalogue, so that is its main inspiration.”


Baby Fingers

by Pierce Skinner

narrated by Austin Malone


Curt stares out the into the dark beyond the jaundiced light of the motel sign. He’s got the sawed-off resting across his lap, hands shaking, face white as drywall behind his wild red beard.

I set my helmet down on the dresser, lean myself against the wall. The wallpaper smells like bleach. A fly thrashes between lightbulb and lampshade. TVs cackle through the walls and somehow, over all of this, behind it, the chittering, scratching. Like ants crawling over a microphone. It’s the sound the thing in the bathtub made before it killed Travis.

“You’re hearin’ it too.” He says, “We’re fucked.”

“No I ain’t.”

Curt’s eyes go red, wet. He looks down at his shaking hands, at the shotgun.

“Hey!” I growl. He don’t look up at me. “Christ, Curt! You a Mongol or ain’t you?”

Curt nods. “Yeah. I’m a Mongol, Dennis. But I ain’t never seen no shit like that before.” He looks up at me like he’s about to cry. “It…killed Travis.”

A headache builds behind the scratching sound. I try to tell myself that it’s just hearing damage. That emptying twelve rounds in an underground bunker did a number on our eardrums. But that don’t explain everything else. Not even close.

“What’s gonna happen to us?”

“Nothin’, Curt. Whatever it was, we killed it. Now I’m gonna call Mr. Senator. We’re gonna get our money, get out of the state. That’s it.” I pull the door open. “Stay here,” I tell him. “I’ll be right back.”

Soon as the door shuts behind me, the scratching sounds stop. The night is silent.

The headache don’t go nowhere. I light a cigarette. (Continue Reading…)

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PseudoPod 667: Allochthon

Show Notes

Hey PseudoPod family, is your TO READ pile getting shorter? We have a solution for you. Coming out this week is Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction. This is written by our friends Lisa Kroger and Melanie R. Anderson who host the Know Fear Cast along with Matt Saye. I really enjoyed how each chapter begins with an introduction that explains the era and its representative styles. It then follows with a number of exemplars of that era and style in both short and long fiction formats.

And Quirk Books delivers again with the physical copy of this book. The layout is exceptional and O! The illustrations! Each chapter has illustrations in repeating patterns like could inhabit some creepy wallpaper, with subjects related to a number of the particular stories covered there. I loved the pulp panel in particular with Shambleau by C.L. Moore and The Canal by Everil Worrell – which just so happened to run as episode 648 earlier this year. I loved seeing a shout-out to PodCastle and narrator extraordinaire Dave Robison, and we’re looking forward to bringing some of the stories highlighted here to your ears in the not too distant future.


Allochthon

by Livia Llewellyn


North Bonneville, 1934


Ruth sits in the kitchen of her company-built house, slowly turning the pages of her scrapbook. The clock on the bookcase chimes ten. In the next room, the only other room, she hears her husband getting dressed. He’s deliberately slow on Sundays, but he’s earned the right. Something about work, he’s saying from behind the door. Something about the men. Ruth can’t be bothered to listen. She stares at the torn magazine clipping taped to a page. It’s a photo of an East Coast socialite vacationing somewhere in the southern tropics: a pretty young woman in immaculate white linens, lounging on a bench that encircles the impossibly thick trunk of a palm tree. All around the woman and the tree, a soft manicured lawn flows like a velvet sea, and the skies above are clear and dry. Ruth runs her free hand across the back of her neck, imagining the heat in the photo, the lovely bite and sear of an unfiltered sun. Her gaze wanders up to the ceiling. Not even a year old, and already rain and mold have seeped through the shingled roof, staining the cream surface with hideous blossoms. It’s supposed to be summer, yet always the overcast skies in this part of the country, always the clouds and the rain. She turns the page. More photos and ephemera, all the things that over the years have caught her eye. But all she sees is the massive palm, lush and hard and tall, the woman’s back curved into it like a drowsy lover, the empty space around them, above and below, as if they are the only objects that have ever existed in the history of time. (Continue Reading…)

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PseudoPod 666: Breaking the Waters & The Second Coming

Show Notes

“The Second Coming” by W.B. Yeats was first printed in The Dial in November 1920. “Breaking the Waters” is a PseudoPod original released jointly with Nightlight, a horror podcast featuring creepy tales written and performed by Black creatives all over the world.


The Second Coming

by W.B. Yeats


Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?


Breaking the Waters

by Donyae Coles


Bootsie is what her mother called her, only her mother, ever. She stood on the train platform, the air daggers of ice against her, cutting through her clothes, leaving her skin raw and frozen.

“Bootsie,” the man called, a hint of pleasure curling on the end of her name. She looked up because only her mother used that secret name, and the man, the Man With No Face, said it just right. Just like mother.

The Man With No Face wore a suit, brilliant white with a gray tie and black shoes that slipped and disappeared into inky pools of shadow from time to time. She stared at him as he approached, his steps sounding hollow and too loud, blocking out the howling wind.

“It’s so nice to finally meet you,” he said reaching out his hand to take hers. She gave it without hesitation. He called her as mother had called her, “She said you would be here. She said to call you that.” (Continue Reading…)

The Thames Valley Catastrophe 1

PseudoPod 665: The Thames Valley Catastrophe

Show Notes

Hey PseudoPod family, is your TO READ pile getting shorter? We have a solution for you. Coming out this week is Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction. This is written by our friends Lisa Kroger and Melanie R. Anderson who host the Know Fear Cast along with Matt Saye. I really enjoyed how each chapter begins with an introduction that explains the era and its representative styles. It then follows with a number of exemplars of that era and style in both short and long fiction formats.

And Quirk Books delivers again with the physical copy of this book. The layout is exceptional and O! The illustrations! Each chapter has illustrations in repeating patterns like could inhabit some creepy wallpaper, with subjects related to a number of the particular stories covered there. I loved the pulp panel in particular with Shambleau by C.L. Moore and The Canal by Everil Worrell – which just so happened to run as episode 648 earlier this year. I loved seeing a shout-out to PodCastle and narrator extraordinaire Dave Robison, and we’re looking forward to bringing some of the stories highlighted here to your ears in the not too distant future.


The Thames Valley Catastrophe

by Grant Allen


It can scarcely be necessary for me to mention, I suppose, at this time of day, that I was one of the earliest and fullest observers of the sad series of events which finally brought about the transference of the seat of Government of these islands from London to Manchester. Nor need I allude here to the conspicuous position which my narrative naturally occupies in the Blue-book on the Thames Valley Catastrophe (vol. ii., part vii ), ordered by Parliament in its preliminary Session under the new regime at Birmingham. But I think it also incumbent upon me, for the benefit of posterity, to supplement that necessarily dry and formal statement by a more circumstantial account of my personal adventures during the terrible period.

I am aware, of course, that my poor little story can possess little interest for our contemporaries, wearied out as they are with details of the disaster, and surfeited with tedious scientific discussions as to its origin and nature. But in after years, I venture to believe, when the crowning calamity of the nineteenth century has grown picturesque and, so to speak, ivy-clad, by reason of its remoteness (like the Great Plague or the Great Fire of London with ourselves), the world may possibly desire to hear how this unparalleled convulsion affected the feelings and fortunes of a single family in the middle rank of life, and in a part of London neither squalid nor fashionable.

(Continue Reading…)

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PseudoPod 664: My Boy Builds Coffins


My Boy Builds Coffins

by Gary McMahon


 

I

Susan found the first one when she was tidying his room.

Chris was at school, and she’d been sprucing up the house before popping off to collect him after the afternoon session. The ground floor was done; the lounge was spick-and-span (as her mother had loved to say) and the kitchen was so clean it belonged in a show home. The downstairs bathroom was clean enough for a royal inspection. The en-suite would do, she supposed, and her and Dan’s bedroom was the best it could be considering they both liked to dump their dirty clothes all over the floor and the furniture.

Now it was time to tackle Chris’s room, which was about as messy as any eight-year-old could hope to achieve.

She pushed open the door, holding her breath, and walked into the chaos. His blow-up punch bag had been moved into the centre of the room and left there. The floor was littered with books, magazines, Top Trumps playing cards, rogue counters from board games, art supplies, and – oddly – old cardboard toilet roll holders.

“Jesus, Chris…” She tiptoed across the room to the window, trying not to step on anything that might break. When she got there, she pushed open the window to let in some fresh air. The room smelled stale, as if it hadn’t been lived in for months.

“Okay,” she murmured. “Let’s get this shit sorted.”

First she tackled the floor. Patiently, she picked up everything and put it away where it belonged – or at least where she thought it belonged, or where it looked like it belonged. After twenty minutes the room was already looking much better. At least she could move around without fear of treading on something.

Next she tidied up the top of his desk – where she found old DVDs without cases, more playing cards, flakes of dried modelling clay, small stones from the garden, bits and pieces of magic tricks, and other sundry boy-items.

The desk was almost clear, and she was looking for a drawer into which she could squeeze yet more art supplies, when she found the coffin. (Continue Reading…)