Archive for March, 2015

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PseudoPod 431: Twitcher

Show Notes

“Twitcher” is a slang term for a bird watcher – something I only discovered, serendipitously, straight after I’d finished the story under a different title.


Twitcher

by David Tallerman


Lester turned the focus dial the barest fraction, looked wistfully at the nest one last time and lay the binoculars down. The Plummers would wait. They’d have to. The parents were healthy, the eggs undamaged. They had plenty of food nearby, and that was more than he could say himself. They could manage on their own for a few hours.

No one knew they were there; he hadn’t told, not Margie, not anyone.

It was him and them and God, no other players at this table. So they could get by for a few hours while he sorted himself out with the few things he’d need to last the crucial coming days.

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PseudoPod 430: Thing in the Bucket

Show Notes

“The setting is inspired by southwestern Shropshire, and the period by the Elizabethan era. The story concept came from playing around the ideas of the Four Humours and spontaneous generation, although of course the generation I ultimately went with wasn’t really spontaneous.”


Thing in the Bucket

by Eric Esser


‘Are you all right?’ he said.

She whispered, ‘I am bleeding.’

Pritcher dealt in the art of the bleed, so it was unsurprising she had come to him. ‘Can you show me?’

‘From inside.’ She pressed her belly, then brushed at her petticoat.

Pritcher considered Sarah’s young age and air of shame, and then smiled. ‘You mean it is worse than usual? Or at the wrong time?’

‘What do you mean?’

‘The time of month you bleed.’

She stared at him blankly. Was it possible she did not know? Her parents had died some years before, so she’d been raised by the barkeep, Elias Grubbs. He was well-meaning, but not the brightest man, and a widower without daughters of his own. Such subjects were not spoken of in Drumby Hole between young girls; the vicar taught them not to succumb to the corruption of flesh, to focus on God when it tempted them.

Surely someone must have taken an interest. That older barmaid, perhaps. ‘Has Lizzy never mentioned the curse?’

Sarah shook her head. ‘I’m cursed?’ Her voice trembled.

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PseudoPod 429: Flash On The Borderlands XXIV: Femmes Fatales

Show Notes

 

“The Lady With The Lantern” is a PseudoPod original. The lady with the lantern is a nautical folktale. This borrows the name, but re-imagines a very different spectre.

“The Bleeding Game” was first published online in the June 2013 issue of 713 Flash by Kazka Press.

“Making Paint As A Means Of Impermanence” is a PseudoPod original.


I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.

La Belle Dame sans Merci, John Keats


The Lady With The Lantern

by Charlotte Nash


The mine called Callum in his tenth year. One morning, he was walking to school with the other boys; a pair of new shoes, a boiled sweet in his cheek. The next, he found a pick in his soft hand, and his feet followed his father’s to the cold, dark portal. (Continue Reading…)

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PseudoPod 428: When It Ends, He Catches Her

Show Notes

Many thanks to Matthew Foster for sharing this story with us and you.

Music in the outro is “Cylinder Nine” by Chris Zabriskie, from the Free Music Archive.


When It Ends, He Catches Her

by Eugie Foster


The dim shadows were kinder to the theater’s dilapidation. A single candle to aid the dirty sheen of the moon through the rent beams of the ancient roof, easier to overlook the worn and warped floorboards, the tattered curtains, the mildew-ridden walls. Easier as well to overlook the dingy skirt with its hem all ragged, once purest white and fine, and her shoes, almost fallen to pieces, the toes cracked and painstakingly re-wrapped with hoarded strips of linen. Once, not long ago, Aisa wouldn’t have given this place a first glance, would never have deigned to be seen here in this most ruinous of venues. But times changed. Everything changed.

Aisa pirouetted on one long leg, arms circling her body like gently folded wings. Her muscles gathered and uncoiled in a graceful leap, suspending her in the air with limbs outflung, until gravity summoned her back down. The stained, wooden boards creaked beneath her, but she didn’t hear them. She heard only the music in her head, the familiar stanzas from countless rehearsals and performances of Snowbird’s Lament. She could hum the complex orchestral score by rote, just as she knew every step by heart.

Act II, scene III: the finale. It was supposed to be a duet, her as Makira, the warlord’s cursed daughter, and Balege as Ono, her doomed lover, in a frenzied last dance of tragedy undone, hope restored, rebirth. But when the Magistrate had closed down the last theaters, Balege had disappeared in the resultant riots and protests.