Posts Tagged ‘Haunting’

PseudoPod 389: The House, the Garden, and the Occupants

Show Notes

“I like the concept of ghosts as personalities locked in a never-ending ‘now’. Also, when it comes to haunted houses, one ghost is never enough.”


Links for Jason Arnopp and Mr. B, The Gentleman Rhymer can be found… well, at the links right under their names!

 


The House, the Garden, and the Occupants

by Amanda C. Davis


This is Anne, with shreds of her gown wisping away like the edges of clouds, at the elbow of the grand staircase where the iron-framed window overlooks a patch of garden entombed in briars. She casts a glow onto the wall that reflects faintly but bestows her no shadow. She is riveted to the window; her face is watery, difficult to make out, but her posture reveals her inner workings. A clock chimes midnight. Slowly, she lowers her head. Slowly, she turns from the window. She takes a single step upstairs before she dissipates like fog under the sun.

The first time she took this path she followed it to her bedroom, to a letter-opener strewn on her writing desk, to her bath, to her grave. Now she exists only in a narrow series of moments. She only completed this path once.

Anne comes with the first stroke of midnight and leaves with the last; she knows nothing but midnight, and the word that falls from her ghostly lips, unheard, and those things have composed the full of her existence for over one hundred years. (Continue Reading…)

PseudoPod 387: Nightside Eye

Show Notes

THE QUATERMASS EXPERIMENT Live 2005 Remake Part 1 can be found at DailyMotion


Nightside Eye

by Terry Dowling


‘My camera and sound people will be here soon, Sophie and Craig, my volunteer assistants and official witnesses. It’s six o’clock now. Once we’re set up, we’ll begin at 7pm, the same time Dr Rathcar did fifteen months ago. We’ll do the whole thing twice if we can, put several objects here on the mantel – a plastic bottle, a child’s wooden block, a toy train – and simply record what happens. Second time through, if we are lucky tonight and the phenomenon occurs, the moment they’re moved, disturbed in any way at all, I shift the patch from one eye to the other and see what I get. It shouldn’t take long.’

‘You do that once it happens.’

‘As soon as it happens. As close to. The first time is a control to establish parameters: event frequency and duration, lighting levels, things like that. But the second time round I stand over here by the fireplace and shift the patch, just as Rathcar did.’

‘But the camcorders will only catch your reactions. Not what you see.’

‘Right. But whatever we get may match reactions in the CCTV footage from the Rathcar attempt. Rathcar’s own footage hasn’t been made available yet, but may be released once we do this. Rathcar called out a single word – “Kathy!” – his assistant’s name. We don’t know why now, and of course he can’t tell us.’

‘Or won’t.’

‘Or won’t. But there may be some key detail or other that emerges. Later spectrographic analysis may show even more, who knows?’

‘It’s all very uncertain,’ Susan said, looking at him intently, or possibly at the eye-patch that was to play such a key role in what was about to happen.

PseudoPod 378: The Haunted Spinney


The Haunted Spinney

by Elliott O’Donnell


I

It was a cold night. Rain had been falling steadily not only for hours but days, the ground was saturated. As I walked along the country lane the slush splashed over’ my boots and trousers. To my left was a huge stone wall, behind which I could see the nodding heads of firs, and through them the wind was rushing, making a curious whistling sound, now loud, now soft, roaring and gently murmuring. The sound fascinated me. I fancied it might be the angry voice of a man and the plaintive pleading of a woman, and then a weird chorus of unearthly beings, of grotesque things that stalked along the moors, and crept from behind huge boulders. (Continue Reading…)

PseudoPod 358: Apathetic Flesh


Apathetic Flesh

by Darren O. Godfrey


If you were to stop and think about it, you wouldn’t really be able to say why it is you watch these films; though, as a child, you enjoyed being frightened, and some of the movies did that; and as a teenager you enjoyed being shocked (and perhaps a little revolted) and the “splatter” films fit that bill nicely. But now, at an ancient and creaking twenty-seven years of age, the movies – horror, splatter, or otherwise – no longer seem to have any effect on you. Nil.

But still you watch them.

And think about it is something you never do anyway, so, tonight, you merely chew stale popcorn and gawk at the silver screen where the lead zombie (nicknamed Harley) effortlessly tears a young woman’s head from her quivering white shoulders, delicately tongues one of her eyeballs, sucks it from its socket. Harley chews it, apparently savoring the taste, and the only discomfort you feel is the rock-hard lump against the small of your back, a special feature of all the seats in the Chief Theater. No point in moving. So you don’t.

Until it’s over (completely over; every last credit read and recorded in your junkshop mind), at which time you stand and brush salt and popcorn bits from your jeans.

‘Well, that was fun,’ you say to no one as you step into the aisle and make for the glowing green EXIT.