“I’ve always struggled with titles, so when submitting work to my creative writing group I had taken to giving my stories temporary headings derived from Latin terms for animals: Ursa (Bear), Haedus (Young Goat), Porcus (Pig). This eventually incurred the wrath of my peers who found it completely pretentious and overblown. Hell hath no fury like writers patronized. Out of sheer stubbornness, I was all set to continue with this practice when submitting my next story, an early draft of this story. “Bos” I was intending on titling it, from the Latin term for cow. So I put the word “Bos” at the top of the document and as soon as it was there I struggled to take my eyes off it. All my other Latin titles felt like placeholders, but this felt right – or very nearly right. It was only after an hour or staring that I finally put the vital ‘y’ between the ‘o’ and the ‘s’, giving myself “Boys”. After I got the title right, everything else with the story fell into place in subsequent drafts, thematically, narratively. In naming it I’d realized something: it wasn’t the cow, the bos, that gave the story its horror. It was the boys; the foul, abhorrent and distressingly relatable boys.”
by Damien Laughlin
It was Ethan’s thirteenth birthday and he had invited me to a sleepover, along with friends from his new school. We were making our way through the forest by his home when he signaled for me to slow down. We allowed the other boys to pull ahead. That’s when he grabbed my arm and uttered a warning in my ear: I wasn’t going to like what he was taking us to see at the river bay.
The Eighth Day Brotherhood is a new novel by Alice M. Phillips that should be of interest to PseudoPod listeners. If you want a novel with the milieu of The Stress of Her Regard but tighter pacing, look no further. Couple this with the sensibility of Fincher’s Se7en and you have a tense and relentless thriller. Alice’s love for the tenebrous portions of the Decadent period glows through Paris while the Eiffel Tower rises on the bank of the Seine and as the city prepares of the Exposition Universelle. It manifests with an abiding love for the period supported by an incredible depth of research. Do yourself a favor and pick up this book from Black Rose Writing.
One August morning, in Paris, 1888, the sunrise reveals the embellished corpse of a young man suspended between the columns of the Panthéon, resembling a grotesque Icarus and marking the first in a macabre series of murders linked to Paris monuments. In the Latin Quarter, occult scholar Rémy Sauvage is informed of his lover’s gruesome death and embarks upon his own investigation to avenge him by apprehending the cult known as the Eighth Day Brotherhood. At a nearby sanitarium, aspiring artist Claude Fournel becomes enamored with a mesmerist’s beautiful patient, Irish immigrant Margaret Finnegan. Resolved to steal her away from the asylum and obtain her for his muse, Claude only finds them both entwined in the Brotherhood’s apocalyptic plot combining magic, mythology, and murder.