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PseudoPod 847: On the Isle of Blue Men

Show Notes

This story was later republished in the anthology LIGHTHOUSE HORRORS in 1993, edited by Charles Waugh, in which it was noted that Waugh found the original ending unsatisfying and felt it was originally bowdlerized by the editors of “Ghost Stories Magazine,” and so [quote] ”In this anthology, therefore, we have restored what we believe to have been the author’s original ending.” Well, we at PSEUDOPOD just can’t leave well enough alone and with extra special thanks to the tireless efforts of EA staffer Joshua Tuttle, we were able to obtain a scan of the original for a comparison. Oddly, what we’ve presented here is essentially a third edit (composed by co-editor Shawn Garrett) excising much if not all of the Waugh additions and fixing the small language changes back to their original form, while also stripping out the frame story that encased the original. We hope you enjoyed this previously overlooked tale of fishmen and lighthouse keepers. 



On The Isle of Blue Men

by Robert William Sneddon


Sometimes I sit for hours weighing myself in the balance of reason. Have I dreamed all this? Am I what I am, a castaway? Have I always been the creature, scarce human, whom the fishermen regard with pity and compassion, thinking me mad? Or have I really been John Scott of New York, the painter of pictures which hang in the Metropolitan Museum of New York, the Corcoran Art Gallery of Washington, the Philadelphia Art Gallery, the Luxemburg of Paris? Surely knowing these names indicate my knowledge of art, yet were canvas and palette set before me I would hesitate to touch them. I shall never paint again.

I shrink from the task I have set myself. Can I bear to re-live those days of horror? And yet there is some power stronger than my puny will that prompts me to write, to assure myself I am still capable of sane and ordered thought I have begged pen, ink, and paper from the schoolmaster. He gave them to me as though to a child, and I felt his little eyes follow me with a strange surmise.

And when I have written, what then? What shall I have proved? I do not know— (Continue Reading…)

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PseudoPod 846: Ye Goode Olde Ghoste Storie


Ye Goode Olde Ghoste Storie

by Anthony Boucher


‘‘But there ain’t no sech thing!” said Jed Hoskins’ old man forcefully.

‘‘No such thing as what?” queried the stranger with the black bag, who had justed seated himself near the group.

“Ha’nts,” Jed hastened to explain. ‘‘Grandad Miller there, he says the old Lawrence home’s ha’nt-ed, and my dad, he says it can’t be, ’cause there ain’t no ha’nts.”

“Aren’t there, though?” said the stranger, half to himself. (Continue Reading…)

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PseudoPod 845: 15 Eulogies Scribbled Inside a Hello Kitty Notebook


15 Eulogies Scribbled Inside a Hello Kitty Notebook

By Carlie St. George


February—Liam

I didn’t know him well. Nobody did, really: he was the new kid. But he was funny, and he was cute, and I probably would’ve said yes when he asked me out, except that’s when the gullet-eaters attacked, and he didn’t know not to scream. Stuff like gullet-eaters and werewolves and carnivorous pixies didn’t happen at his old school, I guess. Anyway, they ripped his throat out in seconds. Pulled out his esophagus. Chewed. His body twitched for a long time, arterial spray everywhere. It was a Tuesday, probably.

I think about Liam often, or at least whenever I study physics. The library couldn’t replace my blood-spattered textbook. Budget cuts, you know. (Continue Reading…)

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PseudoPod 844: Gothic Duo: The Oval Portrait & Not More Lovely than Full of Glee


The Oval Portrait

by Edgar Allan Poe

The chateau into which my valet had ventured to make forcible entrance, rather than permit me, in my desperately wounded condition, to pass a night in the open air, was one of those piles of commingled gloom and grandeur which have so long frowned among the Appenines, not less in fact than in the fancy of Mrs. Radcliffe. To all appearance it had been temporarily and very lately abandoned. We established ourselves in one of the smallest and least sumptuously furnished apartments. It lay in a remote turret of the building. Its decorations were rich, yet tattered and antique. Its walls were hung with tapestry and bedecked with manifold and multiform armorial trophies, together with an unusually great number of very spirited modern paintings in frames of rich golden arabesque. In these paintings, which depended from the walls not only in their main surfaces, but in very many nooks which the bizarre architecture of the chateau rendered necessary—in these paintings my incipient delirium, perhaps, had caused me to take deep interest; so that I bade Pedro to close the heavy shutters of the room—since it was already night—to light the tongues of a tall candelabrum which stood by the head of my bed—and to throw open far and wide the fringed curtains of black velvet which enveloped the bed itself. I wished all this done that I might resign myself, if not to sleep, at least alternately to the contemplation of these pictures, and the perusal of a small volume which had been found upon the pillow, and which purported to criticise and describe them.

(Continue Reading…)

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PseudoPod 843: Mother Trucker


Mother Trucker

by Wailana Kalama


My mother hits the moose in the pitch black of 4:32 a.m. There’s almost nothing to see, just a blur of limbs burnt sepia by the headlights of her truck. But it’s the noise that really grinds its hooves in—a startling, thunderous clap that blooms from the moose’s body into the hood, into the steering wheel, shaking the world around my mother with shocks and aftershocks, and all that metal and flesh that make up her and her truck absorb it like a dried-out towel.

But that isn’t the strangest thing that happens that day. (Continue Reading…)

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PseudoPod 842: Palette

Show Notes

All of the ingredients for the woman’s makeup recipes are accurate for medieval Austria.


Palette

By J.L. Kiefer


The line etched across her forehead, deep as a vein, as if a string had been stretched against the skin. She rubbed it, but it would not erase; her young elastic skin would not uncrease.

It remained the next morning, deeper, darker. Fraying at the edges with little bird’s claws. She examined it in her miniature hand mirror. It stretched the length of her index finger. She scratched her nail across it, in the groove, the only mar of her beauty. But she could fix it. (Continue Reading…)

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PseudoPod 841: Corporation


Corporation

by Tyler Jones


Sunlight blooms in the sky, rising up from behind all those glass and steel buildings. It burns away the dark blue. The Windows are still tinted from yesterday when I dimmed them. I touch the tablet to wake it up, then press the office icon. A new menu opens, I push the square with curtains. A control panel appears and I drag the fader down.

The glass grows clearer, lets in more light.

A shudder moves through the building. Framed awards, signed photographs of CEOs and politicians rattle against the walls. A golden apple paperweight shivers across the surface of the desk. The window vibrates, warps my reflection in the glass.

Work here long enough you get used to this, this shivering building.

I’m always the first to arrive because I still have some thing to prove. (Continue Reading…)

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PseudoPod 821 Special Anniversary Episode: THE DIRECTOR’S CUT!


Featuring the story Celestial Shores

by Sarah Day and Tim Pratt


Towards the end of July 2022 we released a special episode to mark Alasdair Stuart’s 15 years as the voice of PseudoPod. It included the story Celestial Shores, written by Sarah Day and Tim Pratt and narrated by Alasdair and his partner, Marguerite Kenner, as well as special tributes to Al and other bits of voice goodness.

But it turned out there were things we hadn’t, quite, managed to squeeze into that release. So now, as a special early holiday gift, we present… THE DIRECTOR’S CUT! There’s some extra introductory chat, there are new, previously unheard tributes, there’s a beautiful selection of samples from the very best of Al’s outro work from across the years, there are even more hilarious out-takes, and the story itself, Celestial Shores, has a fabulous new sound bed.

We hope you enjoy it. And we promise you, it’s all true.


Britt drove silently while Ray gazed past her at the beauty of the rock-strewn ocean, beyond the sheer drop-offs and flimsy guardrails that separated the coast road from the end of the continent. They were farther north than he’d ever been in California, heading for Celestial Shores, a stretch of property that began life in the ‘70s as an intentional community and was now full of wealthy retirees with strong opinions about quiet hours and the evils of artificial light… and a few vacation rentals, one of which he’d snapped up at a reduced price on short notice as a way of apologizing for certain things without having to actually say he was sorry. (Continue Reading…)