Archive for Stories

ARTEMIS RISING 5

PseudoPod 639: ARTEMIS RISING 5: Of All the Things the Girls Had Ever Said

Show Notes

“This is one of the rare stories I wrote longhand in a fever pitch during a late night ferry crossing between the mainland and Vancouver Island. I don’t tend to write when inspired — I’m more of a work horse. But this came to me in a flash, fully dressed and ready to go. It’s one of my favourites.”


Of All the Things the Girls Had Ever Said

by Melody Wolfe


When Fay said, “This isn’t the first time this has happened to me, you know,” Richard was surprised.

Of all the things the girls had ever said, all the pleas, threats, insults and confessions, this hitchhiker’s calm admission was the strangest. Not just for its content, not just for the tone of its delivery, but also for the fact that she was saying it mere minutes after waking up in the basement.

All he could muster in way of reply was, “Oh?” He hated how weak it sounded, and pale and wan and fragile.

But Fay didn’t seem to notice. She nodded, as if that was the answer, all the details he needed. She absently reached a small hand up to rub the back of her neck, massaging the bruised place where he’d jabbed her with the needle. It was that smallness that had initially attracted him to her. She barely topped five feet, a tiny little thing, slender like a young boy. But Richard quickly shied away from that place, uncomfortable with its implications. (Continue Reading…)

ARTEMIS RISING 5

PseudoPod 638: ARTEMIS RISING 5: A Strange Heart, Set in Feldspar

Show Notes

“I go back to visit Sweden pretty much every summer, staying in my parents’ summer house in the northern part of the country. Mining, and specifically mining for gold and copper, really shaped the economy in that part of the country, and this story was partly inspired by an old abandoned mine site we visited one year. It’s also inspired by the way the land in Sweden rises by about 8 mm every year, and has done ever since the ice melted after the last ice age. It’s a phenomenon called “post-glacial rebound” that causes visible changes in the landscape over time, and means that the coastline was in a very different position centuries and millennia ago. Ultimately though, this story was inspired by motherhood, by the way it binds you to your kids in ways that can be difficult to understand and express.”


Please consider supporting this Kickstarter for a new collection of short stories by Tim Pratt.

Revisit his stories here on PseudoPod:

597: Fools Fire

205: Gulls

172: The Dude Who Collected Lovecraft (with Nick Mamatas)

123: Bone Sigh

…plus oodles more on our sister podcasts.

 

 

 

 

 

 

 


A Strange Heart, Set in Feldspar

by Maria Haskins


Beneath

Alice is kneeling in the darkness, breathing hard, heart thumping behind her ribs.

The kids are gone. She feels it in her cold flesh and aching bones, as surely as she felt them being pulled out of her body at the hospital when she gave birth to each of them all those years ago.

She calls their names anyway: “Anne! Lisa! Eric!”, but they don’t answer.

The guide is nowhere to be found either, but she doesn’t really want to think of him anyway, that smile turned to lips and teeth, the way he shook his head when she asked for help before he sunk into the darkness without a trace.

The tunnels of the old mine seem to throb and twist and shift around her, like the intestine of some strange, gigantic animal; she has to reach out and touch the rough walls on either side to steady herself and stop the world from lurching.

What now? (Continue Reading…)

ARTEMIS RISING 5

PseudoPod 637: ARTEMIS RISING 5: White Noise

Show Notes

“Despite its speculative content, I wrote this story to illustrate the complexities of the immigrant experience. In these current political climes, it’s important to recognize how many people struggle to be heard and understood in more ways than one. My family and I are first-generation immigrants from Taiwan, and growing up I frequently witnessed other people making fun of my parents’ accents or simply ignoring them because they didn’t “sound American”. “White Noise” is my attempt to bring that experience to light, and if it comes with a ghost baby, then so be it.”


White Noise

by Kai Hudson


“It’s a hearing aid,” Nina says, with a careful smile.

Robert frowns at the little device on the table. It’s innocuous-looking enough: a silver teardrop roughly the size of his thumb—not brown? Aren’t hearing aids brown?—with the clear plastic tube part that wraps around the shell of the ear. It looks delicate, and expensive.

He wants to smash it to bits.

(Continue Reading…)

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PseudoPod 636: Hag Ride


Hag Ride

by Eden Royce


Frieda stood in the kitchen’s dull light with a chopping knife clutched in one hand. The dinner on the table lay untouched, ice-cold and bathing in congealing fat. Her cinnamon coloring disguised the angry flare of heat in her cheeks. Still, she knew yelling wouldn’t get her husband’s attention, so she forced a calm tone into her voice.

“Why aren’t you staying for dinner? I made your favorite.”

“I told you, I got to go out.” Henry came out of their bedroom, buttoning up his good shirt and tucking it into slacks she had taken her time to iron that morning. (Continue Reading…)

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PseudoPod 635: Last Week I Was Esther


Last Week I was Esther

by Deborah L. Davitt


Last week, I was Esther. I remember her plump face, pearl earrings, and huge handbag, stuffed with treats for her grandchildren—as stuffed as she was inside, with sweetmeats and perfumed memories of the postwar years. I’ve tended to pursue older people for a while, with their minds full of experiences. Dementia patients don’t work, though. When I’m them, I’m even more confused as to who I am, than I usually feel.

And then we get hungry again. (Continue Reading…)

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PseudoPod 634: Flash On The Borderlands XLVI: The Accursed and the Monstrous

Show Notes

“Ecdysis” was previously published at Kaleidotrope (Spring 2016)

“Viens Jouer Avec Moi” and “End of the Line” are Pseudopod originals.


Music credits for “Viens Jouer Avec Moi”:


“End of the Line”:

Spoiler

In the summer, my daughter and I rode our bikes to the library. She sat on the grass while I returned some books. It only took a moment, but when I came back she was gone, and my heart dropped. I called out her name but couldn’t find her. I shouted louder and she appeared from behind a bush where she was looking at bees. For that brief time however, I felt a terrible, visceral fear. It made me think of how a parent might respond if their child disappeared unexpectedly. Just as she had gone looking for bees, I began to imagine a story where something nefarious tempts the child, spiriting her away and leaving just enough of a lure for the parent to ignore rational thought and to follow her.”

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Ecdysis

by Kurt Hunt

narrated by Hollis Munroe


Only one rule: do not speak to them.

Even when they crawl into your room at night, their claws gripping the floorboards — do not speak to them. Even when their breath is hot on your tightly closed eyes, their double-jointed elbows braced against the headboard above you — do not speak to them. Even when they chitter about their loneliness — do not speak to them. (Continue Reading…)

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PseudoPod 633: Hippocampus

Show Notes

Narration is by Peter Bishop, courtesy of Christopher C. Payne at Journalstone. JournalStone is a small press publishing company focusing on horror/science fiction/fantasy in the adult and young adult markets.

This story can be found in Hasty for the Dark: Selected Horrors. These terrors range from the speculative to supernatural horror, encompass the infernal and the occult, and include stories inspired by H. P. Lovecraft, Robert Aickman, and Ramsey Campbell.

Hasty for the Dark is the second short story collection from the award-winning and widely appreciated British writer of horror fiction, Adam L. G. Nevill. The author’s best horror stories from 2009 to 2015 are collected here for the first time.

The author’s thoughts can be perused here:

Spoiler

I was intrigued by the idea of producing a horror story without characters: a relationship between the reader and an anonymous narrator, with the latter mimicking a roving camera. This roving point-of-view was, in effect, showing the reader a form of found footage: footage of a place in which something terrible had happened. All that was left for the reader was the aftermath and the evidence: the horrors. The reader becomes a witness at a crime scene; the horrors occurred before the story began. This creates a story that only the reader can piece together within their imagination. So instead of using characters as a vicarious medium, I would just show the reader the raw footage with no middle ground. I found this form could not sustain a story much beyond two thousand words and I chose for my subject a vast but derelict container ship. From our local shores and coastal paths, I watch these Leviathans cross the horizon all the time, on their way to Plymouth. Despite their size they have small crew complements. As a location for a horror story, and in my process of getting the sea and coast deeper within my imagination, a container ship was just the ticket.

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Hippocampus

by Adam L.G. Nevill


Walls of water as slow as lava, black as coal, push the freighter up mountainsides, over frothing peaks and into plunging descents. Across vast, rolling waves the vessel ploughs, ungainly. Conjuring galaxies of bubbles around its passage and in its wake, temporary cosmoses appear for moments in the immensity of onyx water, forged then sucked beneath the hull, or are sacrificed, fizzing, to the freezing night air.

On and on the great steel vessel wallops. Staggering up as if from soiled knees before another nauseating drop into a trough. There is no rest and the ship has no choice but to brace itself, dizzy and near breathless, over and over again, for the next great wave. (Continue Reading…)

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PseudoPod 632: The Harbour Master


The Harbour Master

by Robert W. Chambers


Because it all seems so improbable—so horribly impossible to me now, sitting here safe and sane in my own library—I hesitate to record an episode which already appears to me less horrible than grotesque. Yet, unless this story is written now, I know I shall never have the courage to tell the truth about the matter—not from fear of ridicule, but because I myself shall soon cease to credit what I now know to be true. Yet scarcely a month has elapsed since I heard the stealthy purring of what I believed to be the shoaling undertow—scarcely a month ago, with my own eyes, I saw that which, even now, I am beginning to believe never existed. As for the harbor-master—and the blow I am now striking at the old order of things—But of that I shall not speak now, or later; I shall try to tell the story simply and truthfully, and let my friends testify as to my probity and the publishers of this book corroborate them. (Continue Reading…)