Archive for Stories

PseudoPod logo

PseudoPod 898: It Takes Slow Sips

Show Notes

From the author: “The word incel, which means “involuntary celibate,” is never used explicitly in “It Takes Slow Sips,” but this community, to use the term loosely, makes the skin crawl like little else in the world. An unstable mind identifying as such, commiserating online as such, is potentially a step away from creating tragedy, as the news headlines have told us. It’s interesting–and a little horrifying–to step into the mind of the troubled Colin. As a man who almost sociopathically sees women as objects and assumes contact with them is his right, what would horror look like if it intruded into Colin’s life?”


It Takes Slow Sips

by Michael Wehunt


Forty minutes to drive eleven miles, and the daylight was souring over the trees behind the apartments. He had left in the dark and just made it home before the dark. For a moment he sat in his car and watched a white dog being walked in the park across the street, its fur almost shining. People were wearing coats now, but it was only September. It had gotten cold two weeks before his favorite season, the one with her name. (Continue Reading…)

PseudoPod logo

PseudoPod 897: The Red Lady

Show Notes


From the author: “The works of Robert W. Chambers were some of the first horror shorts to get me back into the genre as an adult, so I set out to write a story that elicited that period and atmosphere—cosmic, decadent, and yet decaying. When a group of my friends came together to form the Future Dead Collective and release Collage Macabre: An Exhibition Of Art Horror, it allowed me to explore the darker side of artistic obsession through this lens.

I thoroughly recommend any horror fan check out the full collection, there are a number of stories within I’d consider highlights of this year in horror.

Many thanks to the editors and narrators at Pseudopod for all the work put into their audio adaptation and for giving the story the chance to appear in this format.”


The Red Lady

by Mob


Twelfth bell’s chime,
fairest song, and poppy dew.

For the Red Lady,
‘ fore the Red Lady,
stand anew.

Light flowed through the shutters for many hours, its pale fingers raking the room, yet it was an unexpected delivery that finally roused me.

“Parcel for the young Masters.” A faint voice trickled up from the street.

Henri lolled his head towards me from the chaise-longue. His words tumbled out in a drawl. “I do not possess much by way of mastery this morning, might you get the door?”

“Henri, it is the afternoon already,” I said, but went anyway, trailed by his laughter.

Henri never changed, his languid temperament punctuated by spells of artistic frenzy. Skilled before the canvas, and at a multitude of musical instruments, he formed the beating heart of our little group. Indeed, this master’s house in Montmartre was his.

He promised us a retreat, and retreat we did. From the hustle and bustle of the Academy. From our usual haunts in fair Paris’ cafes and bars. Though we’d met through our music, the quiet decadence of the house let loose our greater pursuits. Henri’s painting, Alec and his never-realised path into sculpture, my own writings. What the Academy instilled in skill and rigour, it stole from us in time and breadth of spirit.

Here, we would steal it back. (Continue Reading…)

PseudoPod logo

PseudoPod 896: Douen

Show Notes

From the author: “This story is set at my Grandmother’s house in Trinidad. The story itself is written in dialect the way I would have spoken it. It poured out of my head that way fully completed. Because I’m part of the diaspora, it is really reflective of how my parents spoke to me as a child and is the most unfiltered story I’ve ever written. “


Douen

By Suzan Palumbo


I see Mama in de cemetery when dey put de white casket in de ground. She was crying so hard she was shaking like when grandma died and Tanty, Mama’s aunt, had to hug Mama up tight, tight, to keep Mama from falling down.

At grandma’s funeral, Tanty say, “Doux doux Shalini, yuh have to hold up yuhself. Yuh have yuh daughter Samantha to bring up. Yuh must be strong fuh she.” Mama wipe she own tears and stop crying den. But she smile was spoil. I try to come first in school and eat all de rice and provision I hate when she cook dem for dinner, but Mama say she heart was broken. Fuh true she eyes didn’t shine full happy like dey did before.

Dis time in de cemetery Tanty didn’t say anything because even she was bawlin’ like a cow with everybody else. Mama was de loudest. She voice was like a cutlass chopping straight through de noise. Daddy stand up stiff next to she and was silent, like a stone.

I know why nobody tell Mama to hold up sheself dis time. It was because it was me dead in de casket in de bottom of de hole. It was my funeral.

Except I wasn’t in de box.

I was standing behind one of de concrete headstone watching Mama and all meh aunties and uncles bawl. I cry too, because I didn’t remember how I get there and I didn’t want to be dead. (Continue Reading…)

PseudoPod logo

PseudoPod 895: The Belsnickel

Show Notes

From the author: ”I loved the stories my German great-grandmother shared about belsnickels – friends and neighbors who dressed in big fur coats and frightful masks and went house to house on the nights around Christmas to sing, visit, play music, and give the kids a little scare. It was a tradition similar to trick-or-treat at Halloween, but the belsnickels often carried switches with them and would jokingly threaten to spank the children who had been “bad” that year. My great-grandmother told me she had been afraid of them and would hide when they visited. I experienced a belsnickel visit only once in my childhood, and it was both festive and terrifying.”


The Belsnickel

by Liz Zimmers


Mary Alice Sherwood disappeared on Halloween night. Every bit of her, right down to her crooked bunny ears and the powder puff tail pinned to her white coat, vanished into the chilly, bonfire-smoky dark of her quiet Woodside suburb. She was eight years old, trick-or-treating with her peers under the relaxed supervision of a young sitter, and she was never seen again. The respectable households of Woodside shrank in upon themselves in shock and disbelief for a time. Neighborhood watches became vigilant once again, and parents confined their children to their yards. Now, as Christmas approached, holiday furor and excitement displaced the sharpest spur of fear. The Sherwoods’ tragedy had faded a bit from the forefront of neighborhood conversations. After all, no one knew them very well. They kept to themselves, in the lonely cul-de-sac of Hemlock Circle. The search continued for little Mary Alice. the police patrol car still made its rounds several times a day. The residents of Woodside would have gathered in sympathy around the Sherwoods had they been welcome. They were not. (Continue Reading…)

PseudoPod logo

PseudoPod 894: Thirteen Ways of Not Looking at a Blackbird


Thirteen Ways of Not Looking at a Blackbird

By Gordon B. White


I.

I am a baby boy. In the bathtub, looking out, past my mother as she cries and holds the already wet washcloth to her eyes. Over her mouth. I am looking into the full-length mirror on the bathroom door.

I see no one.

I do not see my father.

A severed hand floats in the air. Drops of blood fall to the floor, splattering out on both sides of the border between the linoleum and carpet.

No one says, “I’ve sinned again,” as my mother cries.

(Continue Reading…)

Pseudopod Default

PseudoPod 893: The Stringer of Wiltsburg Farm


The Stringer of Wiltsburg Farm

by Eden Royce


Daddy called tobacco a quick and dirty crop. Quick because it was one hundred days from planting to harvest. Dirty because cutting the leaves off the plants released a juicy, dark sap that dried, sticky sweet, on the skin. Mud then clung to the sap, eventually drying to a thick crust that itched and flaked, turning brown skin ghostly gray.

Still didn’t keep him from sending me out in the fields.

“It’s 1949,” I told him, pouring coffee from the pot on the iron stove. “Times are changing.”

Daddy hobbled to the kitchen table with his horn-headed cane, weight on his good leg. He spat a thick wad of tobacco chaw into an old coffee cup and my stomach turned at the yeasty, sickly-sweet smell. Its juice stuck to his beard and he wiped it away with an arm.

“Times don’t change that much, Annie Maggie. Not ’round here.” He looked outside at the sun coming up over the trees, already drying the dew on the crop. “Still got leaves to cut and worms to pull.” (Continue Reading…)

PseudoPod logo

PseudoPod 892: The Body Remembers

Show Notes

From the author: “The idea for this story came from thinking about how even when we heal from physical trauma and no visible scars remain, we can still be haunted by the suffering we endured. This led to the idea of a future in which a new technology can repair even the worst injuries, something that sounds like it would be a good thing, but for the soldiers who signed up to test this tech, the drawbacks quickly become all-too-evident.”


The Body Remembers

By P.A. Cornell


It takes a moment before it hits me that the screaming’s coming from my own mouth. Funny how the mind works. I catch myself debating whether to continue or just shut up. My leg—where it used to be anyway—is nothing but mangled shreds that remind me of pulled pork and I opt for silence. I grit my teeth against the pain and watch the leg reform from those shreds of bloody meat for a moment before I have to look away from the unnatural sight of it. There’s no escaping the metallic scent of blood though. The only thing that can compete with it is the acrid tang of my own sweat. Most people don’t notice sweat smells different when it comes from fear. Stronger. More acidic. Trust me, I’ve been at this long enough to know.

Too damn long, actually, but my tour’s coming to an end. Two more weeks. That’s all I’ve gotta last and I can go home, back to normal life—or to whatever semblance of normal those of us who’ve walked through hell can get. (Continue Reading…)

PseudoPod logo

PseudoPod 891: The Evaluator

Show Notes

From the author:

“I wrote this one for the call as well, and this time I started with the idea of Eddie, the possessed child rather than the gods, although I knew I wanted it to be set in the same ‘real gods’ universe as several other stories. I thought it would be interesting in this one to have them be stricken in some way—replaced by imposters that ordinary people cannot distinguish from the original deities of the land, now killed by human pollution. A not very subtle eco-disaster story, though readers seem to have not minded. This also very much continues my trend of ‘the narrator or the focus of my close third-person narration is not actually the main character’; I hoped there would be a few horrors just out of the corner of the reader’s eye: the new gods, of course, but also the horrors of hopelessness and desperation in a town where the main industry has vanished, and the (in my opinion) mild horror of the opacity or inscrutability of children.”


The Evaluator

by Premee Mohamed


There’s a dish of milk balanced on the trailer’s top step, something dark surfacing in the white like a shark. As I knock and wait, I try to figure it out: a Hostess Cupcake? A Ding-Dong? You leave your best, after all.

Inside, Mrs. Bruinsma makes coffee with the lightly champagne-coloured water from the tap. Mine cools in a chipped and faded Snoopy mug while I explain why I’m here, pushing a business card across the sticky tablecloth.

“Are you with the government?” she finally asks.

“No, ma’am. We’re a private company.”

“Do you have… equipment? Are you going to do tests on her?”

“No. She’ll be fine. You can stay and watch if you want.”

She’s not listening, and nothing I’m saying, I figure, is the deciding factor that gets her up from the table. I follow her outside, careful not to touch the teetering offering. We walk past a dozen trailers, some clearly abandoned, others more ambiguously so, and head through the fence marking the border of Meadow Hill. (Continue Reading…)