PseudoPod 869: Audio Recording Left by the CEO of the Ranvannian Colony to Her Daughter, on the Survival Imperative of Maximising Market Profits
Show Notes
“We didn’t set out to write this as a story: we only really set out to try and gross each other out, exchanging segments in a series of escalations for our own amusement. But then Matt considers it a crime to let any of Cass’ prose go to waste, so it got bashed together into a plot shape, inescapably picking up certain mutual philosophies along the way. In the fullness of time it was published in Diabolical Plots before finally debuting in the home it was always meant to find: Pseudopod, the Sound of Horror.”
Audio Recording Left by the CEO of the Ranvannian Colony to Her Daughter, on the Survival Imperative of Maximising Market Profits
Written by Cassandra Khaw & Matt Dovey
You will just have woken in your bed. Time is short. You are groggy, I’m sure, but it is important you pay attention and do not leave – do not move – until this recording is finished.
Listen: marketing is everything.
Corporations spend trillions to delineate histories that could exist, sculpting nuance and favorable scandals in the service of cultivated intrigue. All press is good press: an ancient koan.
This is why we do what we do in the colony. The mythos of Ranvanni IV, parlaid during prime-time and burbled between mouthfuls of gin, is an essential part of what allows us to command a premium price for our products.
Good marketing saved us all.
After the withdrawal of funding by the Hattani-Weld-Roskin Exploration Company following five successive years of underwhelming mining productivity, the colony had to turn to alternative economic streams to ensure its ongoing viability – in truth, to ensure its survival, so far on the fringes of galactic society. What we lacked in accessible mineral seams, we possessed in a cornucopic ecosystem, rich in life forms unlike anything else the galaxy offers. And after years of subsisting on restricted supplies, we had developed an expert knowledge of how to prepare it.
Less than a decade later, our cuisine is legendary. Consequently, representatives of Hattani-Weld-Roskin are now negotiating to repurchase ownership of the colony, but it is the leadership’s belief that a better bargaining position can be obtained with further discoveries, and thus we must expand our market capitalisation through all available means.
In that spirit, I detail here the history and specifics of some of our more famous dishes, to be instructive to you.
I have left you a snack on your bedside table. Chew carefully. Pay attention to the flavor, that mouthfeel. I taught you to be observant.
Boiled, the tendons of the snow-cow – named for their bovine-like physiognomy, their four stomachs, and the ice that tinsels their horn-buds – develop an enveloping sweetness, meaty, with under-notes of anise. Fried, they secrete neurotoxins. We learned this the hard way in our first year of colonization, when Hjalmar died on livestream. His death took exactly three minutes, forty-two seconds; I counted as I watched, forcing myself to acknowledge my responsibility for the incident. A biohazard crew was required to extract the body. Everything about Hjalmar had been rendered poisonous, unpalatable, even the spit left crusted black on his chin.
After the incident, snow-cows were no longer exsanguinated. Instead, we dumped them wholesale into vats of scalding water. In a quarterly mining report, colony analysts detailed that the change had improved productivity by seven point two percent, a record high. Hattani-Weld-Roskin encouraged further experimentation with local food sources to reduce their long-haul resupply costs.
In accordance with standing colony orders, Edelstein, upon accidentally discovering that a split-open rock contained red meat, scooped these innards out with his fingers (he described the texture as “similar to a warm tar, claggy, but with an added unctuousness reminiscent of the juice of rotted meat”) and sampled the meat raw. He experimented with depositing the meatstones at various points along the shore and in streams and rivers, as it subsists on filtered particles and is thus flavoured by its environment. It remains unclear if the later loss of his hair and nails was a side effect of a primarily-meatstone diet or of the increased solar radiation he was exposed to before appropriate genetic protections were provided to colonists.
The meatstones, one off-world chef later said, are most delicious when cooked into a mousse, folded with double cream and salted egg yolk, a touch of cayenne, some lemon juice. For best effect, serve with ginger-garlic vinaigrette.
Edelstein did not agree. The colony provided no official comment. When dealing with off-worlders, it is critical to remember that the end goal is always profit.
Are you still chewing the sample? Good. Don’t swallow yet. It’s important you savour the layers of taste.
Upon contact with temperatures above forty-two degrees Celsius, the flesh of the swallow-tailed glass mantis becomes edible for precisely seventy-two seconds. Texturally, it has been described as creamy, fatty, tallow-like between the teeth. The taste is more complex: powerfully umami in the beginning before it lightens, inexplicably acquiring a delicate, pleasing milkiness.
After seventy-two seconds, however, the experience sours, both literally and metaphorically. The meat emulsifies into charcoal and vinegar, a taste comparable to someone else’s bile. For that reason, cognoscenti will pay millions to lightskip one of our expert chefs from the edge to the core to serve their corporate banquets. It is a novelty, and our first marketing success. We gambled everything to make it known. Such gambles are the only path to success for those not born to it.
The fact that the glass mantis’ cousin – more populous, more beautiful, fronded with magenta instead of dull shades of peach – comes with all of the flavor but none of the drawbacks is never advertised.
Besides, I would keep them all for you.
We lost Hawkins, de Ruiz and Patel to fits and convulsions, pink spittle foaming on their lips and drying immediately into grotesque structures like clouds at sunset, before we realised the meat of the Ranvannian lamb was poisonous when cooked in individual cuts, having previously roasted them whole on a spit.
I was sitting in the canteen with them when it happened. I have always made a habit of eating in the canteen with the other colonists, so the colony saw I shared the risks. I had a lamb steak upon my own plate. But for a few seconds, you would have been orphaned then, young as you were. You are better prepared now, I hope.
The stomach of the lamb – lamb, of course, shorthand for this creature that has a woollen appearance, though in truth its exterior is filigree bones growing like spiraled feathers from the endoskeleton – is an excessively alkaline environment. Cooked whole, the stomach bursts inside the lamb and these alkaline juices soak through the carcass, breaking down the poisonous enzymes and giving the meat a sharp bite, like horseradish puree gone to mould.
For the purposes of cooking more efficient portions than an entire lamb at once (an inappropriate serving portion for gatherings of less than twenty), a stomach may be kept in the parlour and the juices poured directly onto the steak from the oesophageal opening. Due to the high alkaline content, the stomach is not at risk of rotting, and it ensures the juices maintain more flavour than if decanted into a glass container.
No one outside of the colony knows this, of course. Publicly, we have maintained that the practice of preparing Ranvannian lambs whole is sacrosanct, a religious imperative. The reason is simple: galactic decree states that all cultural practices must be observed without failure. Because of this, we sell the ruminants by the herd.
We do not make salt of our dead. That part is pure gossip.
The boandiu is a tree not unlike the terrestrial banyan, named for the sound it makes in the monsoon season. All parts of the plant are edible, including the roots, the nervous system, and the primitive cerebrum embedded in the heartwood. The shoots are a particular delicacy. Roasted with cashew-butter, seasoned with sea salt and black sugar, they can achieve a taste and texture not unlike the finest meringue.
More adventurous diners, however, prefer to consume the brainstem whole, ungarnished save for some balsamic vinegar, a tang of apple honey. The resultant flavor has been compared to crème brûlée, subtly spiced with garam masala and something ethereal. The process inevitably kills the boandiu. Because of this, we possess legislation outlawing the practice. Because of this, our poachers make millions, assisting tourists with their fantasies of devouring a protected species. Practicality supersedes sentiment, my darling. I hope you understand this applies equally this morning, when you have woken up alone. It is not because I do not love you. Never that.
Of course, in order to maintain appearances we occasionally and without warning dispatch patrols to hunt and kill the poaching parties, though never when the richest clients are in attendance.
The Raptor Albatross is a large bird-analog with a wingspan exceeding ten metres. It feeds on large sea life, plucking it from beneath the surface with its sixteen serrated claws. The natural concentration of alkaline metals through the marine food chain means the Raptor Albatross is unsuitable for human consumption except at one stage: foetal. The eggs are challenging to retrieve from the eroded cliffspires along the coast, a terrain that precludes the use of hover vehicles and requires colonists to climb by hand, exposed to the threat of the parent raptors and their claws. One day, when I return, I will show you the scars I have earned myself. Procurement is made more difficult by the size of the egg, in the region of 12 to 18 pounds, which also necessitates a long cooking process, slowly brought up to boiling over the course of sixteen hours.
This cooking process must be done from fresh; the egg cannot be frozen, as the piquant flavour and smooth, tender texture of the foetus is only brought out by the slow reaction of its enzymes in the steadily rising heat. Freezing the egg kills the foetus and renders the cooked dish brackish and rubbery. More importantly, it divests the dish of its hormonal cocktail – a dead albatross cannot fear, cannot feel its nerves bake, its blood bubble to steam. As such, the foetal albatross would not taste of its final moments. This is unacceptable.
Of course, such a requirement presents an obvious economic challenge, which you will have already noted: if viable eggs are dispatched to customers, they may choose to incubate the egg and begin a breeding program of their own, undercutting our supply. For this reason we only ever sell the eggs singly, though of course we also keep the black market well stocked for those who wish to purchase a second; it will afford them little success, as it is the parents’ diet of Ranvannian fauna that lends the egg its flavour. Divorced from the alkaline biome of the planet, the cuisine becomes quite pedestrian.
Every civilization must have its trademark drink, a beverage representative of its culture, its foibles, its myriad secrets.
Ours is simple: a brandy recalling the flavor of Hungarian pálinka, so saccharine that it must be cut with gulps of red brine. We use real apricots, real pears, mash and meat both, nothing allowed to waste. The taste, while uniformly sweet, can vary depending on the supplier. Some keep it pure. Some add cardamom, pure cocoa, kaffir lime, bold flavors to distract from the way the sugar congeals on your teeth. And some use apomorphines, engineered for tastelessness, to seduce the unwary.
All, however, share a fundamental ingredient: the fermented seminal fluid of the Vacant Shark, matured for 8 months in the harsh sun.
You can see why we are so proud, and why I have never let you drink it. I love you too much for some things to be acceptable.
Did you taste that?
Consider the fat and how it has been flavored by repeated consumption of the boandiu; the crème brûlée texture, its velvetiness. Compare and contrast the taste with the meat itself, succulent umami bomb, underscored with anise and molasses. No livestock in the universe is so tender.
The cuisine of Ranvanni IV derives its unique flavour palette and signature bite from the particular chemistry of the native biome. To a large degree, it is self-perpetuating and connected: the fauna tastes as it does because it eats the other fauna, and if bred off-planet and fed on plain nutrient paste, it loses its unique properties.
There is one species that has, up until this moment, not been sampled and sold. Early specimens had too varied and foreign a diet to titillate the galaxy at large; it is only the second generation of colonists–your generation – that have been raised on a consistent Ranvannian diet, enough to flavour the meat.
And no-one has had a richer, more varied diet than you, my daughter, a fact you must concede. That was a strip from your upper thigh, prepared quickly. Imagine how a better cut might taste: first brined for a day and then roasted with a marinade of brown sugar, cumin, chilli, fermented blue krill.
I have taken your legs before departing on my lightship; you must forgive me for taking yours and not another’s, but successful leadership is built upon shared risks, and I must be willing to sacrifice you for this cause. The proletariat are children, in their way. They subside on the stories we make for them; narrative underpins every aspect of Ranvannian life, in the end. I expect you to inherit the leadership one day, and so this is another gift for you: your own myth; the leader whose very flesh bore the blessing of prosperity.
And oh, daughter of mine, I hope you forgive me for taking both your legs. The rich always want seconds, are inevitably starved for more, more, always more. And we cannot risk this venture failing. We must give them what they want. You understand this. If we can drive a high investment now, the sunk-cost fallacy will ensure our survival even if market economics cannot: we must lure as many bidders as possible to the auction of rights. We will make a success of your sacrifice. You will thank me for it later.
You may not believe there will be a market for human flesh, but if I have learnt anything in two decades of trading food to the rich and indulgent, it is this: there is a customer for every experience.
Besides: what else is power if not an appetite for human flesh?
Host Commentary
PseudoPod
Episode 869
June 9th 2023
Audio Recording Left by the CEO of the Ranvannian Colony to Her Daughter, on the Survival Imperative of Maximising Market Profits by Cass Khaw & Matt Dovey
Welcome to PseudoPod, the weekly horror podcast. I’m Alasdair, your host and this week’s audio production is done by the actually superhuman Chelsea. This week’s story was originally published in Diabolical Plots, October 2021 and comes to us from Matt Dovey and Cassandra Khaw, two of my favourite ever humans.
Cass Khaw CASSANDRA KHAW is an award-winning game writer, and USA Today bestseller. Khaw’s work can be found in places like Fantasy & Science Fiction, Lightspeed, and Tor.com. Khaw’s first original novella, Hammers on Bone, was a British Fantasy award and Locus award finalist and Breakable Things, Cass’ collection of short fiction jut won a Stoker award. Congratulations, buddy!
Matt Dovey is very tall, very British, and most likely drinking a cup of tea right now. He’s the host at PodCastle, has stories coming out all over the place and is, like Cass, a deeply excellent human.
So, tuck in, because we have a story for you and we promise you it’s true.
Okay, first off, here’s what the authors had to say.
. “We didn’t set out to write this as a story: we only really set out to try and gross each other out, exchanging segments in a series of escalations for our own amusement. But then Matt considers it a crime to let any of Cass’ prose go to waste, so it got bashed together into a plot shape, inescapably picking up certain mutual philosophies along the way. In the fullness of time it was published in Diabolical Plots before finally debuting in the home it was always meant to find: Pseudopod, the Sound of Horror.”
Holy shit.
There is so much here. The worldbuilding that’s as precise as it is almost whimsical, these beautiful, nightmarish creatures that are all of a piece, all cogs in the same machine. All unexploded culinary nightmares or delicacies. I was hungry one paragraph, repulsed the next. This is submission food, or it seems that way, an endless theatrical parade of blood-soaked delicacies from a planet self-cannibalizing to survive. This is the type of story where you can stop at that and it will be brilliant and resonant and Cass and Matt did not get that memo. Or perhaps did and burnt it, smoking the meat of their next nightmare with the aromas of expectation and taking us somewhere else entirely.
Somewhere furious. Because rage is what this story is marinated in and it’s the same rage we marinate in. I’m not going to tie this story to a particular news event, because I have no idea when you’re listening to this and honestly, there are three events, TODAY, it speaks to. Instead, I’ll paraphrase no less an authority than John Carpenter’s The Thing, and the line ‘No one trusts anyone anymore. And we are all very tired.’ The desire to bite back, or better, to punish someone for biting you is one a lot of us have felt and the vengeance the colonists carry out here feels subtle and artful at first. Until the bile rises.
And with it, the horror. There is horror baked into this story (That’s my one food gag, promise) at the cellular level and like all truly exceptional cooking it finds complexity in the near elemental.
Okay. Two.
The horror here is abandonment. Until the horror is the casual death waiting in the flora and fauna. Until the horror is the weaponization of that casual death. Until the horror is the commodification of that death. A planet no one views as anything besides a culinary hot spot, sliding knives into throats across countless worlds and industries. The Glass Mantis’ cousin is the key to all this; the easy, the safe, guarded by people who’ve been denied both and don’t see the need to let anyone else have any.
More horror, the final horror, the lingering taste of betrayal. Of your self. Of your past. Of your ethics. Of your future. Children bred as food stock. Their legs, literally taken out from under them to serve the very customers the colony has convinced itself its punishing. Sacrificing the future, to serve the very worst aspects of the present.
A nuanced menu, prepared with meticulous care by four of the finest chefs. My compliments to you all.
We rely on you to pay our authors, staff and cover our costs. It’s tough right now, so if you can
support us, please do. We’ve got Paypal and Patreon subscriptions that start at 5 bucks a month.
Both get you access to our audio archive. The Patreon subscription tiers get you all sorts of goodies
at the higher levels. Please help out if you can. It’s always needed.
If you can’t help financially, please consider talking about us. It helps a lot too. If you liked an
episode, please link to it, or blog about it or leave a review on your podcatcher of choice. It all helps
and with your help we can keep doing this.
PseudoPod is part of the Escape Artists Foundation, a 501(c)(3) non-profit, and this episode is distributed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license.
Join us next week for Nymph of Darkness by CL Moore and Forrest J. Ackerman, with a udio production by Chelsea, hosting from Wilson Fowlie and narration by Rish Outfield.
Join us next time for The Strange Island of Doctor Nork by Robert Bloch, with audio production by Chelsea, hosted by Kat Day and narrated by John Bell
We’ll see you then, but before that PseudoPod wants you to know that at times tonight, you will ingest fat, salt, sugar, protein, bacteria, fungi, various plants and animals, and entire ecosystems.
Cheers:)
About the Authors
Matt Dovey

Matt Dovey is very tall, very British, and most likely drinking a cup of tea right now. He has a scar on his arm from a cruel childhood lesson, though to be fair to his parents that lesson was self-taught and best summarised as “don’t be an idiot”. He lives in a quiet market town in rural England with his wife, children, and a sadly decreasing number of cats.
His surname rhymes with “Dopey” but any other similarities to the dwarf are purely coincidental. He’s the current host over at PodCastle, the best fantasy sibling a horror podcast could have, and he has fiction out and forthcoming all over the place, including all four Escape Artists podcasts.
You can keep up with everything else at mattdovey.com, or follow along on Twitter at @mattdoveywriter, Instagram @mattjdovey and Mastodon @mattdovey@wandering.shop
Cassandra Khaw

Cassandra Khaw is the business developer for Singaporean video games publisher Ysbryd Games. She also writes for Ars Technica UK whenever possible. When not doing either of those things, she practices muay thai, tries to find time to dance, and reads voraciously. She also writes a variety of fiction, and has a novella entitled Rupert Wong, Cannibal Chef out with Abaddon Books.
About the Narrator
Autumn Ivy

Autumn Ivy is a voice actor, model, cosplayer, twitch streamer, and jack of all trades. PseudoPod fans may be interested in listening to the stories she’s narrated for The Bone Collector. Go follow the links in the show notes for more of her work.
