by Richard E. Dansky
They weren’t even trying to be quiet now. The idea of keeping it down had become a joke, a sort of high-decibel sotto voce. Ian felt red rage bubbling up within him, and hammered on the door with the flat of his hand. “Come on, you assholes, cut it out! I need to get some sleep here.” More pounding, hard enough to hurt now. “Would you please just keep it down, or so help me God, I’m coming in there and I’m going to kick your asses!”
There was no laughter now. No noise. No profanity. Just silence. Ian hit the door once more, mainly out of momentum. His hand made a weak, wet noise, a soft slapping sound. He drew it back, suddenly unsure of what to do next. Keep pounding? Go back to bed? Wait?
A sound came from the other side of the door then, a quiet, rasping noise accompanied by whispers and titters. It took Ian a moment to realize that it was the sound of the chain being pulled off the door on the other side of the wall. The noise from the street seemed to vanish. The door in front of him loomed larger, brighter, and more threatening. Suddenly, he was acutely aware of the weakness of his situation, of why a middle-aged man in his underwear should not threaten multiple obnoxious drunks in the middle of the night.
About the Author
Richard E. Dansky worked for four years as a game developer for White Wolf, Inc. where he worked as developer on games such as Wraith: The Oblivion and Vampire: The Dark Ages. He also worked on the Mind’s Eye Theatre, Kindred of the East, and Orpheus game lines. He has written, designed, or otherwise contributed to over a hundred role-playing sourcebooks. Dansky has published four media tie-in novels through White Wolf, including Clan Novel Lasombra and the Trilogy of the Second Age for Exalted.
About the Narrator
Multi-instrumentalist, singer, songwriter, producer, composer, and heliocentrist George Hrab has written and produced six independent CDs and a concert DVD; published two books; and has recorded hundreds of episodes of The Geologic Podcast. He’s traveled to four continents promoting critical thinking, science, and skepticism through story and song. George is considered one of the preeminent skeptic/science/atheist/geek-culture music icons currently living in his apartment.
The New York City premiere of George’s composition for string quartet and voice called “The Broad Street Score” will be on May 12th, 2016 at NECSS, the North East Conference for Science and Skepticism.