Archive for Artemis Rising

Artemis Rising 4: Hecate Awakens


During the month of September, PseudoPod seeks submissions to celebrate ARTEMIS RISING, a special month-long event across the Escape Artists podcasts featuring stories by women and nonbinary authors in genre fiction.

Stepping in as guest editors for our fourth annual ARTEMIS RISING event is PseudoPod Assistant Editor Dagny Paul and Mothership Zeta Assistant Editor Karen Bovenmyer.

Summary

  • Payment at $0.06 per word. Please see our general submission guidelines for details of the rights we purchase and our sample contracts.
  • Original stories preferred.
  • Word count: 2000 – 6000 words.
  • Submit using Standard Manuscript Format. We accept files in .odt, .rtf, .docx or .doc format (no PDFs).
  • No multiple submissions.
  • No simultaneous submissions.
  • Submission window runs September 1-30, 2017.

Who Can Submit

  • Anyone who identifies as a woman, to whatever degree that they do. Nonbinary authors are also welcome and encouraged to submit stories.
  • As always, we at PsuedoPod strongly encourage submissions from people of backgrounds that have been historically underrepresented or excluded from legacy markets of fiction, including, but not limited to, people of color, LGBTQIA authors, persons with disabilities, members of religious minorities, and people from outside the United States. Our goal is to publish horror that reflects the diversity of the human race, so we strongly encourage submissions from these or any other underrepresented groups

What to Submit

  • Send in your best original horror fiction between 2000 – 6000 words.
  • You can send PseudoPod one submission for ARTEMIS RISING. If we have another story under consideration already in the general submissions queue, we’d be happy to consider an additional story for ARTEMIS RISING as the separate portals will not constitute multiple submission.
  • While we’ll be accepting a limited number of stories for ARTEMIS RISING, all stories will be considered for regular PseudoPod too.

How to Submit

  • Start writing now, and keep an eye out for a special ARTEMIS RISING Submittable portal. Submissions will be open for the month of September.

ARTEMIS RISING Q&A

Q: If a story has been rejected by PseudoPod in the past, can I submit it to PseudoPod AR?

A: No.

Q: If a story has multiple authors, do they all have to meet the AR criteria?

A: Yes.

Q: If I’ve already submitted an AR story, can I submit another I wrote with a co-author to the same podcast’s AR?

A: No.

Q: If I have a story on submission to a podcast, can I submit a different story to that podcast’s AR while the first one is still in the queue? Or vice versa?

A: Yes.

Q: Can I submit a rejected AR story to the same podcast’s non-AR submissions pile?

A: No, because AR editors may refer your story to the show’s regular editors at their discretion. Otherwise please take a rejection as a rejection of the story from the venue for all purposes.

 

Thanks, and we look forward to your stories.

 

Your Guest Editors:

Karen Bovenmyer earned an MFA in Creative Writing: Popular Fiction from the University of Southern Maine. She teaches and mentors students at Iowa State University and served as the Assistant Editor of Escape Artists’ Mothership Zeta Magazine. She is the 2016 recipient of the Horror Writers Association Mary Wollstonecraft Shelley Scholarship. Her poems, short stories and novellas appear in more than 40 publications and her first novel, SWIFT FOR THE SUN, an LGBT romantic adventure in 1820s Caribbean, debuted from Dreamspinner Press March 27, 2017. http://karenbovenmyer.com/

Dagny Paul is a lapsed English teacher, failed artist, and sometimes writer who lives in New Orleans, Louisiana. She has an unhealthy (but entertaining) obsession with comic books and horror movies, which she consumes whenever her five-year-old son will let her (which isn’t often). Dagny is Assistant Editor of PseudoPod.

PseudoPod 535: ARTEMIS RISING 3: The Lady with the Light


by Mel Kassel

“The Lady with the Light” was published originally in For Mortal Things Unsung in February 2017.

Mel Kassel writes dark speculative fiction and comedy in Chicago. She has a new horror review/writing blog, What Scared Me, as well as a humor-focused twitter account (@MelKassel). Her personal website can be found at www.melkassel.com.

This week’s reader – Jon Padgett is a professional—though lapsed—lesser ventriloquist who lives in New Orleans with his spouse, their daughter, and two cats. Padgett has work out or forthcoming in Pseudopod, The Lovecraft eZine and Xnoybis. Padgett’s chapbook, The Infusorium, was released in spring of 2015, and his first short story collection, The Secret of Ventriloquism, was released by Dunhams Manor Press in Autumn 2016. If you run right now, it’s available as a free eBook. For a few dollars more you can add the audiobook on top of that. Completely worth your time.


YOUR SPECIAL GUEST HOST THIS WEEK – Setsu Uzume spent her formative years in and out of dojos. She also trained in a monastery in rural China, studying Daoism and swordplay.

She is a member of Codex and SFWA and her next story will be available in Grimdark Magazine in a few short weeks. While she has dabbled in many arts, only writing and martial arts seem to have stuck.


PseudoPod wants to draw your attention to an anthology that dovetails nicely with Artemis Rising.

Sycorax’s Daughters, is a new volume of dark fiction and poetry and it is our understanding that this is the first horror anthology written entirely by Black women. It explores the intimate details of cultural nuance, race, and gender. Sycorax’s Daughters mission is to work “as a visionary space where Black women explore horror on their own terms.”

Those familiar with William Shakespeare’s The Tempest may remember Sycorax. She is an African sorceress operating as “the absent presence” throughout the play. While never on the stage, she is influential. She haunts the white male characters. She refuses to be excluded from the story.

 


While we’re talking about anthologies, let’s mention For Mortal Things Unsung.

If you liked “Standard Procedure” by Dagny Paul at the beginning of this month or “The Lady with the Light” by Mel Kassel, you should go pre-order our anthology. Both of those stories were originally published in our 10th anniversary anthology. If you backed our kickstarter, your copy showed up in February. If you missed out, it will be available for purchase at the end of March for your reading pleasure.

 


Info on Anders Manga’s album (they do our theme music!) can be found here.


I’m enthralled when I arrive at the house in Hawaii. I see so many things that my mother would call “wonders”: sea turtles heaving themselves up from the surf, leaving clumsy sandangels; jellyfish dying slowly in the sun; seaweed pods that burp out air, the breaths that they held for years.  

Not everything is a wonder, of course. There are fish bones and dollops of seagull shit and women with floppy hats who coo over shells. But the ocean still surprises me. It coughs up newness now and again for me to discover, usually in the morning, when I leave the cat chewing on his food and walk down to the shore.

I establish a routine to keep myself from seeking out other tourists: wake up, walk along the beach, write for a few hours, eat lunch, watch a movie, go to The Log for dinner and exactly two beers. The people at The Log encourage me to bring in fresh pages for them to read aloud. To them, writing is a grand gesture, the mark of a man who can assemble his thoughts in a secret language. I tell them that the book is bad, and they don’t care. 

The book is bad. It’s worming itself out of me like a mucus. Better to spit it than swallow, but when I look at it, I’m disgusted. The main character is a detective. I’ve never met a detective, but I’m pretending to be Reggie Barns, a person who holds a pistol without wondering what to do with his thumb.

PseudoPod 533: ARTEMIS RISING 3: Drift Right


by Wendy N. Wagner

Drift Right is a Pseudopod original.

Wendy N. Wagner is the author of more than 30 short stories and two novels for the Pathfinder role-playing game. Her 3rd novel, AN OATH OF DOGS, is due out Summer 2017 from Angry Robot. She is also the managing/associate editor of LIGHTSPEED and NIGHTMARE magazines. 

This piece was inspired by a trip to the Columbia River Maritime Museum and the Bumblebee Cannery Museum, both of Astoria, Oregon. Astoria has a long history of fishing and many of its original settlers were Finnish. It was also a hotbed of unionizing activity during the first few decades of the 20th century.

Your Narrator: Wilson Fowlie has been reading stories out loud since the age of 4, and credits any talent he has in this area to his parents, who are both excellent at reading aloud.

He started narrating stories for more than just his own family in late 2008, when he answered a call for readers on the PodCastle forum. Since then, he has gone on to become PodCastle’s most prolific narrator, reading or appearing in over 30 episodes. He’s a member of the EA Home Run club, having narrated for all four casts, and has narrated for many other podcasts, including Beam Me UpCast MacabreDunesteef Audio Fiction magazine and the Journey Into… podcast. He fits in all this narrating between his day job as a web developer in Vancouver, Canada, and being the director of a community show chorus called The Maple Leaf Singers.


Info on Anders Manga’s album (they do our theme music!) can be found here.


The tide was in, and the butter and brine smell of the sea covered the stink of the river. The Kultaseni nosed against the current, keeping to the edge of the shipping channel. Ben kept a tight hold of the tiller and found himself forgetting to blink as he peered ahead into the darkness. Clouds like wool felting wrapped up the sky, and the air was thick with unshed rain.

He risked a quick glance at the man standing in the stern. Arlo Koskis bigness defined him, set him apart from the other men in Astoria. At the Suomi Ladies Auxiliary annual tug of war, Koski was always called to be team captain. At union meetings, even the Seattle organizers shut up for him to talk. Ben could remember sitting at the back of the Suomi Brotherhood Hall with his brother Joe, listening to Koski and wishing he could be something, anything like the man.

PseudoPod 532: Flash On The Borderlands XXXVI: Artemis Rising Showcase


“Nothin’ ever seems to turn out right/I don’t wanna grow up”
Tom Waits


When First He Laid Eyes by Rachael K. Jones

“When First He Laid Eyes” first appeared in Fireside, February 2016. Sometimes what is scariest in the world is what we normalize. This story is for the women who have lived this reality.

RACHAEL K. JONES is a science fiction and fantasy writer living in Athens, GA. Her work has appeared in dozens of venues, including Strange Horizons, Escape Pod, Crossed Genres, Daily Science Fiction, and PodCastle. She is a SFWA member, an editor, and a secret android. Follow her on Twitter @RachaelKJones.

Your narrator – Tatiana Grey is a New York City based actress of stage, screen, and of course, the audio booth. She adores traveling and counts her lucky stars that acting and dancing have taken her all over the United States, to Montreal, Vancouver, Ireland, and Holland… but she loves coming home to New York where it all started. Equally at home speaking heightened language in a corset, in a leather jacket spouting obscenities, and as a dancer she has been compared to such dark, vivacious heroines as Helena Bonham Carter, a young Winona Ryder and Ellen Page. This depth and facility with multiple genres garnered her a New York Innovative Theatre Award Best Featured Actress nomination for her work in The Night of Nosferatu. Her facility with accents has landed her quite a few audiobooks and numerous on-camera roles including the role of Evgenya in the award winning I am A Fat Cat. Tatiana is a proud member of Actor’s Equity Association.

A girl’s first stalker is always a cause for celebration. She will phone her mother with the big news and spill the story in a tangle of words, voice raw with emotion.


Eyes That See Everything by Karen Bovenmyer

“Eyes That See Everything” is a Pseudopod original.

KAREN BOVENMYER earned an MFA in Popular Fiction from the University of Southern Maine’s Stonecoast Program in 2013, and she was awarded the 2016 Mary Shelley Scholarship by the Horror Writers Association.

She spent many hours as a kid among beaten earth and bare roots avoiding predators and whispering to imaginary people of various moralities. She never had a pet rabbit, but she did have a hamster named Chucky Cheeks who wanted to be an astronaut. This story is dedicated to everyone who found animals and inanimate objects easier to communicate with than fellow homo sapiens. Karen is the Nonfiction Assistant Editor for Mothership Zeta, Escape Artists’ new e-zine and has been having a spectacular time helping set up the first issue. Check out book, short story, and movie reviews, a “Story Doctor” article from award-winning science fiction author James Patrick Kelly, and a science column from a real astronomer—as well as plenty of fabulous fresh stories from amazing authors both new and experienced.

Your narrator – Jen R. Albert is an entomologist, writer of science fiction and fantasy, gamer, and all-around geek. She is co-editor at PodCastle and submissions editor at Uncanny Magazine. Her first story appeared in Mad Scientist Journal in June of 2015

“’Back off, retard.’ Jeanne and Stacey block the hallway to the bathroom, arms outstretched, hands knotted together so they make a human chain. ‘This toilet’s for normal kids.’
“Max is angry. I feel him heavy in my pocket, but I don’t want to get in a fight and pee my pants, so I pick Luke instead. I pull him out and his feet get caught so I have to untangle him while they taunt me.”


Standard Procedure by Dagny Paul

“Standard Procedure” first appeared in the anthology For Mortal Things Unsung.

DAGNY PAUL is a teacher, writer, failed artist, and comic book geek living in the middle of nowhere, Louisiana. Follow her for no good reason on Twitter @dagnypaul.

Your narrator – Laurice White – is a recent theater graduate and long time theater student, and has read stories for Podcastle, Pseudopod, and most recently for John Joseph Adams and Hugh Howey on The End is Nigh and The End is Now, the first two volumes of The Apocalypse Triptych.

” When you turn twelve, they take out your teeth. Before that they’re bendy and kind of see-through and can’t do much damage, but after they get hard and brittle. And sharp.
“Today is my twelfth birthday.”


Us, Here by Victoria Winnick.

“Us, Here” is a PseudoPod original. “A while ago I ran a roleplaying event, tabletop style, that explored a character’s dysphoria and body-anxiety through this kind of “meatscape” environment, basically exaggerating and inflating all of the points of greatest unease, making the internal external. I’d been thinking of incorporating that idea into a more discrete story for a while, and this seemed like a great time to do that”.

VICTORIA WINNICK is a writer, editor, and chef, living in Calgary, Alberta. When she’s not doing one of those things, she’s usually making plans about the next time she can. In the past, she’s written educational books for children, and magazine articles on sex, culture, and music, and she’s also an associate editor here at Pseudopod. In lieu of a personal plug, she asks that if you’re enjoying what you’re hearing in this, or any other episode of Pseudopod, that you please consider subscribing and helping to keep these excellent stories from diverse authors coming, week after week.

Your narrator – Jen Roper – lives in Atlanta, GA. She works as a software engineer. Some day she will probably embed SETI on your thermostat and in your car assuming someone else doesn’t beat her to the punch. In the meantime, her hobbies include drinking and knowing things and making pop culture references. She also enjoys long walks after dark and seeking out Eldritch abominations in an alternate reality known as “pocket monsters”.

“We are crawling. The space around us is tight and hot, and beads of muggy condensation run down our face – positive feedback ramping up the heat and the wet until the difference between breath and sweat is lost. Finally we’re out, gulping air and lying sweatslick on flesh that heaves beneath us, skin sticking on skin and apart as we breathe, and the ground breathes beneath us.”