About the Author
Ramsey Campbell is a British writer considered by a number of critics to be one of the great masters of horror fiction. T. E. D. Klein has written that “Campbell reigns supreme in the field today,” while S. T. Joshi has said that “future generations will regard him as the leading horror writer of our generation, every bit the equal of Lovecraft or Blackwood.”
Says Campbell: “It can be argued that my timidity or at least my restraint is why I remain. I’ve never gone for broke and tried to write the most horrifying tale I can concoct, because I don’t quite see the point. To quote the critic David Aylward, as I very often do: ‘writers [of horror fiction], who used to strive for awe and achieve fear, now strive for fear and achieve only disgust’ – and it seems to me that too much straining for terror is wont to produce nothing more than a disgusting dump. If I can’t approach awe, I’d rather try for the other quality I value most in dark fiction, not exclusively in generic horror – a lingering disquiet. I may have felt that way ever since I first encountered Herman Melville’s ‘Bartleby’ in the 1957 anthology Best Horror Stories and didn’t feel cheated out of any of the pocket money I’d saved up to buy the book. Soon I found the quality in work such as the novels of Thomas Hinde and Samuel Beckett, not to mention films such as Last Year in Marienbad and Los Olvidados. I see no reason why fiction packaged as horror can’t achieve these effects of disturbance and dislocation. One definition of good art is that it makes you look again at things you’ve taken for granted, and that can certainly be true of horror.” Ramsey blogs at Ramsey Campbell.com.
About the Narrator
Phil Lunt hails from the rain-sodden, North Western wastelands of England, and has dabbled in many an arcane vocation. From rock-star to conveyor-belt scraper at a bread factory, Easter egg wrangler at Woolworths to world’s worst waiter. By the time this goes out he should be settling in to a new role as a Casting Agent/Booker at a leading Manchester agency – unless something went horribly wrong. For his sins he’s Chair of the British Fantasy Society, a role that can be more complicated than herding cats, at times. He’s still considering becoming an astronaut when he grows up. He currently throws words at gameronomy.com but also welcomes folk to check out what they do at the British Fantasy Society because it’s not all about folk trying to shout louder than their neighbour, they do try to do good stuff!
About the Artist
Shawn M. Garrett is the co-editor of PSEUDOPOD and either the dumbest smart man or the smartest dumb man you ever met. Thanks to a youth spent in the company of Richard Matheson, Vincent Price, Carl Kolchak & Jupiter Jones, he has pursued a life-long interest in the thrilling, the horrific and the mysterious – be it in print, film, art or audio. He has worked as a sewerage groundskeeper, audio transcription editor, pornography enabler, insurance letter writer – he was once paid by Marvel Comics to pastiche the voice of Stan Lee in promotional materials and he spends his days converting old pulp fiction into digital form for minimal pay. He now lives near the ocean in a small metal box and he hopes that becoming a Yuggothian brain-in-a-jar is a viable future, as there is NO WAY he will ever read all the books he has on his lists, or listen to all the music he wants to hear. Everything that he is he owes to his late sister Susan, a shining star in the pre-internet world of fan-fiction, who left this world unexpectedly in 2010.