Pseudopod 416: Punksnotdead

by Eric Czuleger.

“Punksnotdead” was first published in Eric’s first novel Immortal L.A. which was inspired by listening to Pseudopod in the Albanian Alps for two years. “It makes me uncomfortable to share this story. It was supposed to be one thing and it took a dark turn on me. It was inspired by the nightly walks my best friend and I take by the ocean. We’ve been taking the same walks for years. The coastline never changes but we do. I guess that scares me. That a minute ago we were twelve, a second ago we were twenty, and the coastline never changes.”

ERIC CZULEGER is the author of the novels Immortal L.A. and Eternal L.A. He has collaborated with audio artist Joe Calarco on an audio prequel to this series entitled Ignited L.A. He lives in Los Angeles where he is the resident playwright of The Coeurage Theatre Company as well as a Media Journalist for He writes for screens both big and small as much as he possibly can. He finished Peace Corps service in Northern Albania in 2013 and tries to travel in and out of the states as much as he can. He tweets at @Eczuleger, and you can find his website at Eric If you liked this story, check out the full book, Immortal L.A., it’s sci fi sequel Eternal L.A., the audio prequel Ignited L.A. and the forth coming Farnoosh a stand alone novel about The Iranian Revolution, Genies, and reality television. All are available on Amazon or through his website Eric where you can also purchase collections of Eric’s plays, read his blog, or drop him a line. He’d be happy to hear from you.

Your reader – Joe Calarco – is the associate artistic director of Coeurage Theatre Company in Los Angeles. He can be seen in the extension of Coeurage’s current show, Trey Parker’s “Cannibal! the Musical” mid December. He can also be seen in the West Coast Premiere of “The Pitchfork Disney”, opening late January. People can get tickets at The Coeurage Theatre Company.


“”Punk is Dead. He has twenty-four hours Left.””


Pseudopod 296: The Squat

by Sean Logan

“The Squat” was first published in the 2007 charity anthology THE VAULT OF PUNK HORROR and Sean says “at the time I was thinking about what ‘punk’ means beyond the music and the esthetics. I remembered stories I’d heard about runaway kids living on the streets in San Francisco and the ways they used to take care of each other–the older kids looking out for the younger ones, sometimes prostituting themselves to provide for them. Somehow these acts of kindness and generosity from people who were in desperate situations themselves said ‘punk’ to me more than any loud music or mohawk ever could.”

Sean Logan lives in the San Francisco Bay Area with his lovely wife and a skinny dog that is part piranha. At night he writes unpleasant stories, and in his marketing day job he also writes about scary subjects—like banking software. His stories have appeared in about two dozen publications, including ONE BUCK HORROR, the anthologies VILE THINGS and SICK THINGS, and on an earlier episode of Pseudopod with his story “Tenant’s Rights” (episode #57) and we are glad to welcome him back into the fold.

Your reader this week is the James Trimarco, who has had a few stories of his own appear on ESCAPE POD, including “The Sundial Brigade”.


“The floor underneath him was sticky, as if it was covered in warm honey, and it made the skin on his hands and the side of face sting slightly where he’d touched it. All around him he heard the wet sounds of sliding, a thousand separate sounds, a thousand entities sliding toward him in the darkness. And all of these sounds seemed to echo down through a vast space, along with a deep, distant rumbling.

The sliding noises were closer now, and there was a wet, fleshy slapping against his feet, and creeping up his legs, under the pantlegs, thick coiling muscles, like long slugs or smooth tentacles, up and around his torso and arms, his neck and covering his face.

The old man felt himself being stretched and pulled and smothered, but the panic that had been rising in his mind was melting away. He didn’t remember how he’d gotten himself here, but for the first time in a long, long while he knew exactly where he was going. And he found comfort in that as his body and its extremities were pulled asunder.”