Pseudopod 351: The Blues

by Cameron Suey

“The Blues” appears for the first time here. “The Blues” was my attempt at confronting and ruminating on the limits of our adaptability, something not often addressed in apocalyptic literature.”

CAMERON SUEY is a California native living in San Francisco with his wife (who can occasionally be convinced to edit his work, as long as it’s not too gross) and infant daughter. He works as a writer and producer in the games industry, and along with several other talented writers, won the WGA Award for Videogame Writing in 2009 for Star Wars: The Force Unleashed. He can be found on the web at The Josef K Stories, where he writes about writing, horror, and other influences (and maintains a repository of early drafts and finished pieces), and on twitter as @josefkstories where he promises not to bore you with tales of what he had for breakfast. He is currently working on the first draft of a novel about derelict haunted spaceships, music, and madness, as well a half dozen short stories at any given time.

Your reader this week – Gabriel Diani – wrote and starred in the award-winning supernatural comedy feature film THE SELLING and created THE ADVENTURES OF HUCKLEBERRY FINN [Robotic Edition]. He is currently prepping a Kickstarter campaign for his second feature film called DIANI & DEVINE MEET THE APOCALYPSE. You can follow the movie on twitter @DD_Apocalypse or at DIANI & DEVINE MEET THE APOCALYPSE.

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“The brick edifices lean over me, red canyons of abandoned history. Despite the lingering warmth of the late valley summer, dried leaves are already piling in the gutters. Without a human hand to clean them I imagine them heaping up, year after year, burying the small town in an endless leaf pile, patiently waiting in vain for a child to leap into them.

Spun off on this chain of images and ideas, I drift away from Alex and lean against the boarded windows of a storefront. The leaves are swirling now with the blues in my mind, the cool colors crackling through the warm autumn refuse. Somewhere in the middle of the conceptual whirlwind, I get sick, the bile rising from the back of my throat bringing an unpleasant fungal taste. I spit as my mouth floods with thin and bitter saliva.

‘Tell me if I can help, man.’

Alex is across the street, leaning against a bike rack, watching me. I try to shake my head, to raise an arm, but I am trapped inside the whirlwind, not sure of its boundaries and borders, not sure if I am enjoying this anymore. Leif and King’s distant, muffled voices blend into the spinning vortex.

‘Nope,’ I manage with great effort. Alex nods and looks away.”

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Slusher music is “Green Olives” by Barbacoa from Music Alley

Pseudopod 290: The American Dead

by Jay Lake
“The American Dead” originally appeared in Interzone Issue 203, and was reprinted in several “Year’s Best” volumes, including Stephen Jones’ THE MAMMOTH BOOK OF BEST NEW HORROR Volume 18.

Jay Lake lives in Portland, Oregon, where he works on numerous writing and editing projects. His most recent books are ENDURANCE and KALIMPURA – part of the GREEN series, out in November, 20112 from Tor Books, and LOVE IN THE TIME OF METAL AND FLESH from Prime Books. His short fiction appears regularly in literary and genre markets worldwide. Jay is a past winner of the John W. Campbell Award for Best New Writer, and a multiple nominee for the Hugo and World Fantasy Awards. His blog can be found by clicking the link under his name at the by line.

Your reader this week is Roberto Suarez. An avid film lover, Roberto and his co-hosts review movie trailers every week on Trailerclash: The Movie Trailers Podcast, since they no longer have the time or money to go to the movies like they used to. You can find Trailerclash on iTunes, Stitcher, or directly at the link.

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“When he was very young, Pobrecito found a case of magazines, old ones with bright color pictures of men and women without their clothes. Whoever had made the magazines had an astonishing imagination, because in Pobrecito’s experience most people who fucked seemed to do it either with booze or after a lot of screaming and fighting and being held down. There weren’t very many ways he’d ever seen it gone after. The people in these pictures were smiling, mostly, and arranged themselves more carefully than priests arranging a corpse. And they lived in the most astonishing places.

Pobrecito clips or tears the pictures out a few at a time and sells them on the streets of the colonia. He knows the magazines themselves would just be taken from him, before or after a beating, but a kid with a few slips of paper clutched in his hand is nothing. As long as no one looks too closely. But even if he had a pass for the gates, he dares not take them within the walls, for the priests would hang him in the square.

What he loves most about the magazines is not the nudity or the fucking or the strange combinations and arrangements these people found themselves in. No, what he loves is that these are Americans. Beautiful people in beautiful places doing beautiful things together.

“I will be an American some day,” he tells his friend Lucia. They are in the branches of the dying tree, sharing a bottle of pulque and a greasy bowl of fried plantains in the midday heat. Pobrecito has a secret place up there, a hollow in the trunk where he hides most of his treasures. “