PseudoPod 561: Better to Curse the Darkness than Light a Candle

by Joseph Cusumano

“Better to Curse the Darkness than Light a Candle” is a PseudoPod original. The story was inspired by the works of Poe and Hawthorne.

JOSEPH CUSUMANO is a physician living in St. Louis. His major hobby, other than writing, is the design and construction of radio controlled airplanes. His piloting skills need a lot of work. His writing in 2016 has been accepted by Crimson Streets, Mystery Weekly, Disturbed Digest, Flash Fiction Press, Heater, and Litmag (University of Missouri).

This week’s reader – Cheyenne Wright is a freelance illustrator and concept artist. He is the color artist on the three-time Hugo Award winning steampunk graphic novel series Girl Genius, and co-creator of many other fine works; Including 50 Fathoms and the Ennie award winning Deadlands Noir for the Savage Worlds RPG. He has also produced graphics for Star Trek Online, the Champions MMO, and t-shirt designs for T.V.’s Alton Brown. He lives in Seattle with his wife, their daughter, and an ever growing stack of unpainted miniatures. In his spare time he is teaching himself animation, and narrates short stories for a variety of audio anthologies where he is known as Podcasting’s Mr. Buttery ManVoice ™


Thanks to our sponsor, ARCHIVOS – a Story Mapping and Development Tool for writers, gamers, and storytellers of all kinds!


Info on Anders Manga’s album (they do our theme music!) can be found here.


Check out PAPERBACKS FROM HELL by Grady Hendrix. Listen to the interview on the Know Fear Podcast with Grady and Will Erikson about the book and the paperback boom of the 70’s and 80’s.

 


They mockingly call me “Diogenes,” believing my lantern is carried merely to illuminate my path each night through the dark streets of Philadelphia. Yet it is not an honest man for whom I search, but a scoundrel, a liar, an adulterer, a thief, a murderer – ideally someone who has been all of these – for I must find a soul darker than my own.

This quest resulted from an earlier and more innocent one, first undertaken while I was a young man blissfully wed to Patience, who brimmed with optimism over what heaven had apparently planned for us. Not content with the considerable success that I enjoyed as the proprietor of Silsbury Shipping Company, I sought more wealth, the respect of Philadelphia’s business and merchant class, and especially the adoration that Patience showered upon me with each step my growing business took. On the occasion of my boasting to her that I now employed upwards of fifty men who labored on my behalf, moving goods from our warehouses to multiple sites hundreds of miles west, she swelled with pride in my accomplishment and even her passions were aroused.

Pseudopod 413: Variations Of Figures Upon The Wall

by Silvia Moreno Garcia

“Variations Of Figures Upon The Wall” was published in Where Thy Dark Eye Glances: Queering Edgar Allan Poe, edited by Steve Berman.

SILVIA MORENO-GARCIA is a Mexican writer now living in Canada. Her first collection, This Strange Way of Dying was released last year. Her debut novel, set in 1980s Mexico City, is called Signal to Noise and will be published next year by Solaris. Silvia is also an editor. She has recently edited Fractured: Tales of the Canadian Post-Apocalypse and Sword and Mythos, an anthology of heroic fantasy and Lovecraftian horror. She blogs at Silvia Moreno Garcia.com .

Your reader is Claudia Smith, a video game translator who reads (and narrates) for fun. She was introduced to Pseudopod by her old university friend, Helen Keeble, and highly recommends reading her two books, Fang Girl and No Angel – especially if, as well as being a fan of the horror genre, you also enjoy a bit of light-hearted teen vampire romance parody.

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“The maid slowly buttoned the dress, her hands inching along Rowena’s back. Rowena looked out the sole window in the room – a great sheet of unbroken, tinted Venetian glass – and across the desolate, green fields.

‘What was the Lady Ligeia like?’ Rowena asked.

The maid’s fingers stilled against Rowena’s back.’

‘She was a harsh mistress,’ the girl said.

‘How so?’

But the girl did not reply.”

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