Artemis Rising 2 Has Arrived

Artemis Rising 2 is here! It’s a special month-long event featuring stories by some of the best female and non-binary authors in genre fiction, airing across all the Escape Artists podcasts in February 2016. PodCastle for fantasy, EscapePod for science fiction, and PseudoPod for horror. Cast of Wonders will be joining the Artemis Rising event in 2017.

This year we have commissioned a special art print by legendary illustrator Galen Dara. The print will be available for purchase through Society6 until March 31, 2016. Go buy it now while you can!

Galen likes monsters, mystics, and dead things. She has created art for Uncanny Magazine, 47North publishing, Skyscape Publishing, Fantasy Flight Games, Tyche Books, Fireside Magazine, Lightspeed, Lackington’s, and Resurrection House. She has been nominated for the Hugo, the World Fantasy Award, and the Chesley Award. When Galen is not working on a project you can find her on the edge of the Sonoran Desert, climbing mountains and hanging out with an assortment of human and animal companions. Her website is www.galendara.com plus you can find her on Facebook and Twitter @galendara.

Artemis Rising 2 Logo

Purchase your print here: https://society6.com/escapeartists

Pseudopod 425: ARTEMIS RISING Women In Horror Showcase: Works Of Art

by Nina Kiriki Hoffman.

“Works Of The Art” originally appeared in PULPHOUSE, Fall Issue, 1988, then in THE YEAR’S BEST HORROR STORIES VOLUME 17.

In the past thirty-plus years, NINA KIRIKI HOFFMAN has sold around ten novels and more than three hundred short stories. Her work has been on final ballots for the World Fantasy, Mythopoeic, Endeavour, and other awards, and she has won a Nebula and a Stoker Award. She works on production for the MAGAZINE OF FANTASY & SCIENCE FICTION, teaches a short stories writing class for her local community college, and picks up other odd jobs..

Your reader – The Word Whore – edits the amazing Air Out My Shorts Podcast.

Your Guest Host this week is Mur Lafferty, who you may have heard of…

To find out more about Women In Horror month, please visit WomenInHorrorMonth.com.

Also check out Dreams from the Witch House: Female Voices of Lovecraftian Horror at Indiegogo.

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“Cerveza’s call came four days later.

‘Can we meet you for tea somewhere?’ Sally asked. I watched her face as she listened to his reply. Her blue eyes narrowed, then widened, tear-bright.

‘No, I—’ she said. A pause. She bit her lower lip. ‘You don’t understand. Your art cries out to be preserved.’

She waited. She squeezed her eyes shut and tears spilled out. When she opened her eyes, she stared at the ceiling, twisting the phone’s coiled cord around her wrist and pulled it tight. ‘Denial,’ she whispered. ‘Very well.’ She hung up the phone as though it were an egg and might crack if mishandled.

‘Oh, Lucy,’ she whispered.

I went to her and offered what comfort I could.

When her sobs slowed, she said, ‘He’s coming tomorrow morning, with an ax.'”

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Pseudopod 417: The Blistering

by Johnnie Alward.

“The Blistering” is original to Pseudopod!

JOHNNIE ALWARD hails from a small town in southern Ontario where he lives with his girlfriend, their cat Vincent Price and a vague but omnipresent sense of self-loathing.

Your reader – Matt Haynes – is the artistic director of The Pulp Stage Theatre company in Portland, Oregon. This January, the company will be premiering BOX: A Live Science Fiction Trilogy co-authored by Matt and acclaimed speculative fiction writer Tina Connolly. You can learn more about the show and its current fundraising campaign at The Pulp Stage.

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“‘Try to imagine the human brain as being analogous to the ocean.’

Sam Dillinger snapped his fingers and an enormous map of the world unfurled itself above him.

‘Like the ocean, the human brain is tangible in its theory and physicality. We can touch it, understand its general uses, even map its surface topographically – the Atlantic here, the Pacific there; cognitive processing in this corner, emotional reckoning in that. We’ve studied them – lived with them – since time immemorial, but we still have so much to learn. Man may have stripmined the mountains and scorched the green earth, but he still hasn’t conquered the depths.’

He snapped his fingers again and the map reconfigured itself into a large glass pane. Paul watched as folded in on itself like crystal origami until it had become the Epsilion Prism, a corporate emblem as fiercely lionized as the golden arches or Newton’s apple.

‘Here at Epsilion, we pride ourselves in possessing the most finely detailed cognitive maps that the world has ever seen. In fifteen short years, we’ve gone from a small, speech therapy start-up on 40th street to one of the largest and most relentlessly innovative companies ever founded on American soil. We’ve helped thousands of our clients to access long-forgotten memories, undo crippling mental illnesses, and learn new languages and mathematical skillsets in the space of a few scant minutes. And still, we’ve barely begun to skim the surface of a vast and unknowable space.’

He paused and stared into the crowd – 300-odd painters, writers and musicians who hung on his every syllable.

‘That is, until now.'”

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