PseudoPod 137: The Reign of the Wintergod


The Reign of the Wintergod

by Eugie Foster


The doctors come and ask me questions, but they always ask the _wrong_ questions, so I’m stuck. I can give them the wrong answers or no answer at all. I try to explain, try to teach them what the right question is, but they never listen.

“How are you, today, Carolyn?” they ask. And, “Did you have the nightmares again last night?” And occasionally, “Ready for your medication?” The last question I don’t mind as much. The round blue pills give delicious sleep — sleep without dreams. They just make it harder to sleep without them. But the purple pills, the ones with the jagged edges, they make me numb, detached, and that frightens me.

PseudoPod 136: The Eyes of the Crowd


The Eyes of the Crowd

by Bruce Boston


As rain began to speckle the partitioned windows of the station, an ancient engine groaned into view. Villers soon found himself squeezed into a dingy and narrow car of questionable vintage. Making his way to a window seat, he noted his fellow travelers were exclusively of the lower classes. Peasant women, shapelessly hunched within their shawls. Dark men who drank from bottles concealed in their coats and ate pieces of bread right from the loaf, breaking off the chunks with large, uneven teeth. Scampering children who seemed to belong to no one, or at least recognized no one’s authority.

In his suit and vest, Villers was uncomfortably aware of his relative affluence. He checked his watch chain to make sure it was securely fastened, shifted his billfold so that it was lodged deeply within his breast pocket. As Sophie had once warned him amidst the rumpled sheets of their conjugal bed, “Some people will steal the gold out of your teeth if you give them half a chance!”

The Pseudopod Autopsy: Sunshine


A lone crew struggling to cope with the stress of an impossible mission. A bomb the size of a city and a star whose light is fading. Danny Boyle’s Sunshine is a difficult, spiky film that turns the traditions of spaceship movies on their head. Now, we take a look behind the scenes, examining how it’s structured, what it says about the times and crucially what makes it tick. Welcome to the Pseudopod Autopsy. Now glove up…

PseudoPod 135: The Duel


The Duel

by Michael James McFarland


“A what?! What did you say? A duel?”

“You heard me, Vanderbilt. D-U-E-L. Duel.”

“You mean like with pistols… ten paces, turn and fire? That kind of duel?”

“Something like that,” John Lawrence affirmed, hands planted on his hips, the breeze blowing casually through his stylish hair, making him look like a young Michael Douglas, right down to the ass-shaped cleft in his chin. Twenty years old and living life like it was a goddamn movie. That was Lawrence all right. This was just the latest example of his madness.

A duel.