Pseudopod http://pseudopod.org The Sound of Horror. Pseudopod is the world's first audio horror magazine. We deliver bone-chilling stories from today's most talented authors straight to ears. Tue, 23 Aug 2016 05:03:05 +0000 en-US hourly 1 Copyright © Pseudopod 2006-2016 http://creativecommons.org/licenses/by-nc-nd/4.0/ editor@pseudopod.org (Escape Artists, Inc.) editor@pseudopod.org (Escape Artists, Inc.) horror fiction 1440 http://pseudopod.org/wp-content/images/PseudoPod-2000x2000.jpg Pseudopod http://pseudopod.org 144 144 The Sound of Horror The Sound of Horror. Pseudopod is the world's first audio horror magazine. We deliver bone-chilling stories from today's most talented authors straight to ears. horror, short, stories, storytelling, scary, fiction Escape Artists, Inc. Escape Artists, Inc. editor@pseudopod.org no yes PseudoPod 504: Cuernavaca http://pseudopod.org/2016/08/19/pseudopod-504-cuernavaca/ Fri, 19 Aug 2016 04:01:23 +0000 http://pseudopod.org/?p=2224 by John Mile Deisinger

“Cuernavaca” is a Pseudopod Original. “I’d like the audience to ask themselves what ‘belief’ means to them, and whether they think the things we believe in can protect us from a world that doesn’t seem to believe in much at all.”

JOHN M. DEISINGER is a writer from Milwaukee who lives in Michigan. He blogs at JohnMDeisinger.com

Your reader – Luis Moreno – is an actor from New York City. He holds an MFA in acting from Columbia University, and you can learn more about him at his website, luismorenotheactor.com. He loves recording audiobooks, and does so for many publishers; his narration work can be found on Audible and other commercial platforms.

Luis’ audio producer is the impeccable Branan Edgans (whom you last heard reading on Pseudopod in The Influence Of Thomas Glittio. And we would also like to thank Chris and Rob at BrickShop Audio in Industry City, Brooklyn for the recording help!

The CAST OF WONDERS Flash Fiction Contest info can be accessed at the link.

Info on Anders Manga’s album can be found here.

****************************

“Morelos state, as you know, is the crucible of the People’s Revolution. This was where the Grito de Dolores found its most fervent listeners. This was the homeland of Zapata, who I rode with and followed. You should have seen the landlord’s faces when we asked them for the taxes. When we burned their fields of sugar cane, so that the campesinos could plow them fresh and plant corn and peppers. They squealed like pigs in hot grease. How they threatened us, with their army, with their policemen, with their money, with their God. And all of this is to say nothing of the ones whose houses we burned.

But excuse me. My point is, I know the land well. The mountains that separate the city from the Distrito to the north. The patchwork fields, the lakes and small forests, where the peasants trap snakes for meat and smoke little green cigars. You are a peninsulare, of course, yes? You would have been lost, camarada. Your Spanish might serve you well in Monterrey or Madrid, but you’d be lost in the cornfields. The tongue of conquered peoples lives there still, it’s more Nahua than nacionale down there.”

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0:33:42 by John Mile Deisinger “Cuernavaca” is a Pseudopod Original. “I’d like the audience to ask themselves what ‘belief’ means to them, and whether they think the things we believe in can protect us from a world that d[...] by John Mile Deisinger “Cuernavaca” is a Pseudopod Original. “I’d like the audience to ask themselves what ‘belief’ means to them, and whether they think the things we believe in can protect us from a world that doesn’t seem to believe in much at all.” JOHN M. DEISINGER is a writer from Milwaukee who lives in Michigan. He blogs at JohnMDeisinger.com Your reader – Luis Moreno – is an actor from New York City. He holds an MFA in acting from Columbia University, and you can learn more about him at his website, luismorenotheactor.com. He loves recording audiobooks, and does so for many publishers; his narration work can be found on Audible and other commercial platforms. Luis’ audio producer is the impeccable Branan Edgans (whom you last heard reading on Pseudopod in The Influence Of Thomas Glittio. And we would also like to thank Chris and Rob at BrickShop Audio in Industry City, Brooklyn for the recording help! The CAST OF WONDERS Flash Fiction Contest info can be accessed at the link. Info on Anders Manga’s album can be found here. **************************** “Morelos state, as you know, is the crucible of the People’s Revolution. This was where the Grito de Dolores found its most fervent listeners. This was the homeland of Zapata, who I rode with and followed. You should have seen the landlord’s faces when we asked them for the taxes. When we burned their fields of sugar cane, so that the campesinos could plow them fresh and plant corn and peppers. They squealed like pigs in hot grease. How they threatened us, with their army, with their policemen, with their money, with their God. And all of this is to say nothing of the ones whose houses we burned. But excuse me. My point is, I know the land well. The mountains that separate the city from the Distrito to the north. The patchwork fields, the lakes and small forests, where the peasants trap snakes for meat and smoke little green cigars. You are a peninsulare, of course, yes? You would have been lost, camarada. Your Spanish might serve you well in Monterrey or Madrid, but you’d be lost in the cornfields. The tongue of conquered peoples lives there still, it’s more Nahua than nacionale down there.” horror, short, stories, storytelling, scary, fiction Deisinger yes no
Artemis Rising 3 : Return of Hecate http://pseudopod.org/2016/08/18/artemis-rising-3-announcement/ Fri, 19 Aug 2016 02:15:59 +0000 http://pseudopod.org/?p=2228 Artemis-Rising-2-web-300x300

Artemis Rising 3 : Return of Hecate

Artemis Rising returns in March 2017 across all four Escape Artists podcasts! Celebrating its third anniversary, Artemis Rising will be a month-long showcase of stories by women and nonbinary authors in speculative fiction.

PseudoPod is seeking reprint or original (preferred) horror fiction with a length of 2000 – 6000 words and will be open for Artemis Rising submissions during the month of September 2016. Anyone who identifies as a woman, to whatever degree they do, and non-binary authors are welcome and encouraged to submit a story.

Payment, rights, and manuscript format will be the same as specified in our general guidelines, but Artemis Rising will have a dedicated submissions portal.

As always, Escape Artists strongly encourages submissions from people of backgrounds that have been historically underrepresented or excluded from traditional horror, including, but not limited to, people of color, LGBTQ authors, persons with disabilities, members of religious minorities, and people from outside the United States. Our goal is to publish fiction that reflects the diversity of humankind, so we strongly encourage submissions from these or any other underrepresented groups.

The PseudoPod Artemis Rising submissions portal will open on September 1, 2016. We look forward to reading your stories!

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PseudoPod 503: The Horror From The Mound http://pseudopod.org/2016/08/11/pseudopod-503-the-horror-from-the-mound/ Fri, 12 Aug 2016 03:08:07 +0000 http://pseudopod.org/?p=2215 Robert E. Howard

by Robert E. Howard

“The Horror From The Mound” was first published in WEIRD TALES, May 1932.

Most famous for inventing the modern sword & sorcery tale with his Conan stories, ROBERT E. HOWARD (1906-1936) often introduced horror elements as a threat in his short fiction but the evocation of supernatural dread is only incidental in most of his tales; the chronicling of titanic adventure is the primary purpose. When Howard later switched from fantasy to westerns, he made the transition with this story. Howard’s major horror genre reputation rests with three stories (sadly, all of which are a bit too long for the podcast): “Black Canaan” (Weird Tales, 1936) was praised by Lovecraft for its “genuine, regional background and its compelling picture of the horror that stalks through the moss-hung, shadow-cursed, serpent-ridden swamps of the American far south”; “Pigeons from Hell” (Weird Tales, 1938) was praised by Stephen King as “one of the finest horror stories of our century” and “Worms of the Earth” (Weird Tales, 1932) is thought by many Howard fans to be his best story. The Del Rey series of Howard’s collected fiction includes Horror, Historical Adventures and Desert Adventures, in addition to his better known Conan, Kull and Solomon Kane tales. Please see this site. More info on Howard can be found at the REH Foundation and Project Pride, the caretakers of the REH House and Museum in Cross Plains, TX.

Your reader – Anson Mount – should need no introduction, but just in case we hope you’ve been watching him on AMC’s HELL ON WHEELS. He was last heard on Pseudopod in the Artemis Rising episode Carnation, Lily, Lily, Rose by Kelly Link. Anson’s audio producer is the impeccable Branan Edgans (whom you last heard reading on Pseudopod in The Influence Of Thomas Glittio. And we would also like to thank Chris and Rob at BrickShop Audio in Industry City, Brooklyn for the recording help!

The CAST OF WONDERS Flash Fiction Contest info can be accessed at the link.

Info on Anders Manga’s album can be found here.

****************************

“Steve Brill did not believe in ghosts or demons. Juan Lopez did. But neither the caution of the one nor the sturdy skepticism of the other was shield against the horror that fell upon them — the horror forgotten by men for more than three hundred years — a screaming fear monstrously resurrected from the black lost ages.”

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0:53:13 by Robert E. Howard “The Horror From The Mound” was first published in WEIRD TALES, May 1932. Most famous for inventing the modern sword & sorcery tale with his Conan stories, ROBERT E. HOWARD (1906-1936) often introduced horror el[...] by Robert E. Howard “The Horror From The Mound” was first published in WEIRD TALES, May 1932. Most famous for inventing the modern sword & sorcery tale with his Conan stories, ROBERT E. HOWARD (1906-1936) often introduced horror elements as a threat in his short fiction but the evocation of supernatural dread is only incidental in most of his tales; the chronicling of titanic adventure is the primary purpose. When Howard later switched from fantasy to westerns, he made the transition with this story. Howard’s major horror genre reputation rests with three stories (sadly, all of which are a bit too long for the podcast): “Black Canaan” (Weird Tales, 1936) was praised by Lovecraft for its “genuine, regional background and its compelling picture of the horror that stalks through the moss-hung, shadow-cursed, serpent-ridden swamps of the American far south”; “Pigeons from Hell” (Weird Tales, 1938) was praised by Stephen King as “one of the finest horror stories of our century” and “Worms of the Earth” (Weird Tales, 1932) is thought by many Howard fans to be his best story. The Del Rey series of Howard’s collected fiction includes Horror, Historical Adventures and Desert Adventures, in addition to his better known Conan, Kull and Solomon Kane tales. Please see this site. More info on Howard can be found at the REH Foundation and Project Pride, the caretakers of the REH House and Museum in Cross Plains, TX. Your reader – Anson Mount – should need no introduction, but just in case we hope you’ve been watching him on AMC’s HELL ON WHEELS. He was last heard on Pseudopod in the Artemis Rising episode Carnation, Lily, Lily, Rose by Kelly Link. Anson’s audio producer is the impeccable Branan Edgans (whom you last heard reading on Pseudopod in The Influence Of Thomas Glittio. And we would also like to thank Chris and Rob at BrickShop Audio in Industry City, Brooklyn for the recording help! The CAST OF WONDERS Flash Fiction Contest info can be accessed at the link. Info on Anders Manga’s album can be found here. **************************** “Steve Brill did not believe in ghosts or demons. Juan Lopez did. But neither the caution of the one nor the sturdy skepticism of the other was shield against the horror that fell upon them — the horror forgotten by men for more than three hundred years — a screaming fear monstrously resurrected from the black lost ages.” horror, short, stories, storytelling, scary, fiction Howard yes no
PseudoPod 502: The Trauma Box http://pseudopod.org/2016/08/05/pseudopod-502-the-trauma-box/ Fri, 05 Aug 2016 15:43:49 +0000 http://pseudopod.org/?p=2211 D. Morgan Ballmer

by D. Morgan Ballmer

“The Trauma Box” is a PseudoPod Original.

D. MORGAN BALLMER lives in Maple Valley, Washington. His short fiction can be found in “Three-Lobed-Burning-Eye Magazine”, the NOT YOUR AVERAGE MONSTER Anthology, and the upcoming SILENT SCREAMS Anthology. I maintain a small web presence on Facebook.

Your reader – Jairus Durnett – was last heard on Pseudopod in THE SCREWFLY SOLUTION.

The CAST OF WONDERS Flash Fiction Contest info can be accessed at the link.

Info on Anders Manga’s album can be found here.

****************************

“Most everyone in Fairview knows of the Trauma Box. None agree on its origins. Some claim the box was brought in by bootleggers during Prohibition as a place to stash illicit booze. Others claim it was used by the FBI to interrogate suspected communists back in ’50s. The Reverend, should you bump into him, will whisper of a family whose sole heir was a malformed child. The deranged boy was supposedly chained inside the box until his untimely death some eighteen years later (or ‘six-six-six years later’ as the Reverend puts it).”

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0:00:01 by D. Morgan Ballmer “The Trauma Box” is a PseudoPod Original. D. MORGAN BALLMER lives in Maple Valley, Washington. His short fiction can be found in “Three-Lobed-Burning-Eye Magazine”, the NOT YOUR AVERAGE MONSTER Anthology[...] by D. Morgan Ballmer “The Trauma Box” is a PseudoPod Original. D. MORGAN BALLMER lives in Maple Valley, Washington. His short fiction can be found in “Three-Lobed-Burning-Eye Magazine”, the NOT YOUR AVERAGE MONSTER Anthology, and the upcoming SILENT SCREAMS Anthology. I maintain a small web presence on Facebook. Your reader – Jairus Durnett – was last heard on Pseudopod in THE SCREWFLY SOLUTION. The CAST OF WONDERS Flash Fiction Contest info can be accessed at the link. Info on Anders Manga’s album can be found here. **************************** “Most everyone in Fairview knows of the Trauma Box. None agree on its origins. Some claim the box was brought in by bootleggers during Prohibition as a place to stash illicit booze. Others claim it was used by the FBI to interrogate suspected communists back in ’50s. The Reverend, should you bump into him, will whisper of a family whose sole heir was a malformed child. The deranged boy was supposedly chained inside the box until his untimely death some eighteen years later (or ‘six-six-six years later’ as the Reverend puts it).” horror, short, stories, storytelling, scary, fiction Ballmer yes no
PseudoPod 501: Flash on The Borderlands XXXII: Punishments http://pseudopod.org/2016/07/29/pseudopod-501-fotb-xxxii/ Fri, 29 Jul 2016 04:01:17 +0000 http://pseudopod.org/?p=2201 Devils speak of the ways in which she’ll manifest

Angels bleed from the tainted touch of my caress


Rat King by Lia Swope Mitchell

This is a PseudoPod Original. This story takes its inspiration from the phenomenon of the “rat king”: a group of rats whose tails have gotten knotted and stuck, so that the rats all live and die together in a big tangled, biting mass.

Lia Swope Mitchell is a PhD student in French literature at the University of Minnesota in Minneapolis. She studies visual media and speculative fiction in the nineteenth century, teaches grammar, and writes fiction on the sly.

Your narrator – Rish Outfield can be found regularly at The Dunesteef podcast, which he produces with Big Anklevich, and you can hear him pretty much everywhere in the genre story pod-o-sphere. And for good reason!

Listen. This is just a free consultation. We’re just two men in a bar, you and I. Respectably dressed with respectable drinks, talking business, like everyone else. But I can see it on your face, written underneath your eyes. I can smell it. Underneath the bourbon, underneath the cigarettes and lies. Something’s in there, crawling around inside. You’ve got a secret. And you want to do business, I can tell.


Dead Alive Imagine by David Murphy

This is a PseudoPod Original.

David Murphy’s latest book Walking on Ripples was published by the Liffey Press in Dublin, Ireland, in 2014. His previous books includes a contemporary fantasy novella Bird of Prey (2011), Arkon Chronicles (also a novella, 2003) and the well received novel Longevity City (2005), each of which was published in the USA. His award-winning short fiction has been published and translated worldwide; over one hundred appearances including magazines and anthologies, two chapbooks and a short story collection brought out first in Dublin in 2004 and re-issued in 2013. The title story of that collection, Lost Notes, won the inaugural Maurice Walsh Award for short stories.

Your narrator – Siobhan Gallichan, is a voice-over artist available for work at macfadyan-at-gmail.com. Listen to Siobhan’s podcast at The Flashing Blade or watch the show on YouTube.

Incisions are made within the clinical white surrounds of the operating lab; incisions in space and time in the operating theatre itself – and incisions into the flesh of the patient. These cuts and alterations take place in a lab so pristine that ceiling, walls and floor blend in a haze that fuses dimensions of distance, height and depth; a shining cleanliness so all-pervasive that light and surface intermingle, making it difficult to distinguish what is vertical from what is horizontal. Concentration and precision are of vital importance in this facility. All tables are smooth, all medical equipment sharp. Follow the instruction manual carefully. Do not – repeat: do not – attempt any ancillary procedures beyond those outlined in this manual.


Christopher Fowler and Pigeons from Hell

The Cages by Christopher Fowler

This story originally appeared in PERSONAL DEMONS in 1998.

Author: Christopher Fowler is the award-winning author of many novels and short story collections, and the Bryant & May mystery novels, which record the adventures of two Golden Age detectives investigating impossible London crimes. His latest books are the Dubai-set thriller ‘The Sand Men’ and the Bryant & May novel ‘Strange Tide’. Other recent work includes a graphic novel, ‘The Casebook of Bryant & May’, and a Hammer horror radio play under the Hammer Chillers label.

Your narrator is Jon Grilz. Jon is mystery writer as well as the creator of the Small Town Horror podcast who isn’t entirely sure which day of the week it is, but is pretty happy every time the sun rises. Most of the time you can find him wandering somewhere between the line dividing reality and wherever that laughter is coming from.

‘Look,’ said Albert, ‘they’re beating up Mrs Tremayne.’

‘She’s not done anything wrong, has she?’ asked Dr Figgis. ‘No. Perhaps that’s why they’re beating her up.’

‘Doesn’t follow, does it? God, she’s making a lot of noise.’ He shouted through the bars. ‘Hey, keep it down!’

‘This thing’s hard on my arse.’ Albert fidgeted on the rungs. After a few hours they cut into your buttocks and forced you to change position. At least, that was the effect they had on Albert. He noticed that many of the others never seemed to move at all.


Your guest host this week is Associate Editor Dagny Paul. Dagny is an 8th-grade English teacher who lives in Baton Rouge with her husband and four-year-old son. She has an unhealthy (but entertaining) obsession with comic books and horror movies. There’s a small but nonzero chance she was sent here from the future to stave off the awakening of an AI.

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0:34:14 Devils speak of the ways in which she’ll manifest Angels bleed from the tainted touch of my caress Rat King by Lia Swope Mitchell This is a PseudoPod Original. This story takes its inspiration from the phenomenon of the “rat king”: a grou[...] Devils speak of the ways in which she’ll manifest Angels bleed from the tainted touch of my caress Rat King by Lia Swope Mitchell This is a PseudoPod Original. This story takes its inspiration from the phenomenon of the “rat king”: a group of rats whose tails have gotten knotted and stuck, so that the rats all live and die together in a big tangled, biting mass. Lia Swope Mitchell is a PhD student in French literature at the University of Minnesota in Minneapolis. She studies visual media and speculative fiction in the nineteenth century, teaches grammar, and writes fiction on the sly. Your narrator – Rish Outfield can be found regularly at The Dunesteef podcast, which he produces with Big Anklevich, and you can hear him pretty much everywhere in the genre story pod-o-sphere. And for good reason! Listen. This is just a free consultation. We’re just two men in a bar, you and I. Respectably dressed with respectable drinks, talking business, like everyone else. But I can see it on your face, written underneath your eyes. I can smell it. Underneath the bourbon, underneath the cigarettes and lies. Something’s in there, crawling around inside. You’ve got a secret. And you want to do business, I can tell. Dead Alive Imagine by David Murphy This is a PseudoPod Original. David Murphy’s latest book Walking on Ripples was published by the Liffey Press in Dublin, Ireland, in 2014. His previous books includes a contemporary fantasy novella Bird of Prey (2011), Arkon Chronicles (also a novella, 2003) and the well received novel Longevity City (2005), each of which was published in the USA. His award-winning short fiction has been published and translated worldwide; over one hundred appearances including magazines and anthologies, two chapbooks and a short story collection brought out first in Dublin in 2004 and re-issued in 2013. The title story of that collection, Lost Notes, won the inaugural Maurice Walsh Award for short stories. Your narrator – Siobhan Gallichan, is a voice-over artist available for work at macfadyan-at-gmail.com. Listen to Siobhan’s podcast at The Flashing Blade or watch the show on YouTube. Incisions are made within the clinical white surrounds of the operating lab; incisions in space and time in the operating theatre itself – and incisions into the flesh of the patient. These cuts and alterations take place in a lab so pristine that ceiling, walls and floor blend in a haze that fuses dimensions of distance, height and depth; a shining cleanliness so all-pervasive that light and surface intermingle, making it difficult to distinguish what is vertical from what is horizontal. Concentration and precision are of vital importance in this facility. All tables are smooth, all medical equipment sharp. Follow the instruction manual carefully. Do not – repeat: do not – attempt any ancillary procedures beyond those outlined in this manual. The Cages by Christopher Fowler This story originally appeared in PERSONAL DEMONS in 1998. Author: Christopher Fowler is the award-winning author of many novels and short story collections, and the Bryant & May mystery novels, which record the adventures of two Golden Age detectives investigating impossible London crimes. His latest books are the Dubai-set thriller ‘The Sand Men’ and the Bryant & May novel ‘Strange Tide’. Other recent work includes a graphic novel, ‘The Casebook of Bryant & May’, and a Hammer horror radio play under the Hammer Chillers label. Your narrator is Jon Grilz. Jon is mystery writer as well as the creator of the Small Town Horror podcast who isn’t entirely sure which day of the week it is, but is pretty happy every time the sun rises. Most of the time you can find him wandering somewhere between the line dividing reality and wherever that laughter is coming from. ‘Look,’ said Albert, ‘they’re beating up Mrs Tremayne.’ ‘She’s not done anything wrong, has she?’ asked Dr Figgis. ‘No. Perhaps that’s why they’re beat[...] Flash, Podcasts, Stories Mitchell, Murphy, and Fowler yes no
PseudoPod 500: A Bit Of The Dark World http://pseudopod.org/2016/07/24/pseudopod-500-a-bit-of-the-dark-world/ Sun, 24 Jul 2016 11:50:58 +0000 http://pseudopod.org/?p=2195 Fritz Leiber

by Fritz Leiber

“A Bit Of The Dark World” originally appeared in Fantastic Stories of Imagination, February 1962. It is presented here as the 7th part of our 10 episode “A CENTURY OF HORROR” celebration – with 9 other episodes made available only to subscribers!

FRITZ REUTER LEIBER JR. (1910-1992) was an American writer of fantasy, horror, and science fiction. He was also a poet, actor in theater and films, playwright and chess expert. With writers such as Robert E. Howard and Michael Moorcock, Leiber can be regarded as one of the fathers of sword and sorcery fantasy, having in fact created the term. Leiber was heavily influenced by H. P. Lovecraft and Robert Graves in the first two decades of his career. Beginning in the late 1950s, he was increasingly influenced by the works of Carl Jung, particularly by the concepts of the anima and the shadow. From the mid-1960s onwards, he began incorporating elements of Joseph Campbell’s THE HERO WITH A THOUSAND FACES into his work.

Your Reader – Norm Sherman – did a heroic reading job for this extra-long story! Give him a hand!

****************************

“… and then one of the last rays of the sun must have struck a mirror-surface in the summit-crag, perhaps an outcropping of quartz, for it struck back at me like a golden rapier, making me blink, and then for an instant the beam was glitteringly black and I thought I saw (though nothing as clearly as I’d seen the black all-knowing spider-centipede on the pinnacle) a black shape — black with the queer churning blackness you see only at night with your eyes dosed. The shape coiled rapidly down the crag, into the cavern gullies and around the rocks and finally and utterly into the undergrowth above the fold and disappeared.”

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1:36:25 by Fritz Leiber “A Bit Of The Dark World” originally appeared in Fantastic Stories of Imagination, February 1962. It is presented here as the 7th part of our 10 episode “A CENTURY OF HORROR” celebration – with 9 other [...] by Fritz Leiber “A Bit Of The Dark World” originally appeared in Fantastic Stories of Imagination, February 1962. It is presented here as the 7th part of our 10 episode “A CENTURY OF HORROR” celebration – with 9 other episodes made available only to subscribers! FRITZ REUTER LEIBER JR. (1910-1992) was an American writer of fantasy, horror, and science fiction. He was also a poet, actor in theater and films, playwright and chess expert. With writers such as Robert E. Howard and Michael Moorcock, Leiber can be regarded as one of the fathers of sword and sorcery fantasy, having in fact created the term. Leiber was heavily influenced by H. P. Lovecraft and Robert Graves in the first two decades of his career. Beginning in the late 1950s, he was increasingly influenced by the works of Carl Jung, particularly by the concepts of the anima and the shadow. From the mid-1960s onwards, he began incorporating elements of Joseph Campbell’s THE HERO WITH A THOUSAND FACES into his work. Your Reader – Norm Sherman – did a heroic reading job for this extra-long story! Give him a hand! **************************** “… and then one of the last rays of the sun must have struck a mirror-surface in the summit-crag, perhaps an outcropping of quartz, for it struck back at me like a golden rapier, making me blink, and then for an instant the beam was glitteringly black and I thought I saw (though nothing as clearly as I’d seen the black all-knowing spider-centipede on the pinnacle) a black shape — black with the queer churning blackness you see only at night with your eyes dosed. The shape coiled rapidly down the crag, into the cavern gullies and around the rocks and finally and utterly into the undergrowth above the fold and disappeared.” horror, short, stories, storytelling, scary, fiction Leiber yes no
PseudoPod 499: The Tooth Fairy http://pseudopod.org/2016/07/15/pseudopod-499-the-tooth-fairy/ Fri, 15 Jul 2016 13:27:48 +0000 http://pseudopod.org/?p=2189 Russel McLean

by Russel McLean

“The Tooth Fairy” is a PseudoPod Original. “I hope the story works on its own without needing to know too much. But I’ve always been fascinated by the fascination that people have with serial killers, and how our perception is affected by both the fiction and the mythologizing of fact. To say much more would of course be to give away some of the story. Its also an unusual piece for me in that its one of very few stories I’ve written set in the US. I’ve always wanted to write more US based fiction as that is mostly what I read, although I’m known for writing about Scotland and, more generally, the city of Dundee. It was refreshing to be able to write about a subject matter and location that was new to me, and the enthusiasm of Pseudopod for the story has been a great reward for taking that risk.”

RUSSEL MCLEAN is the author of five novels featuring Scottish private investigator J McNee. His debut, THE GOOD SON, was shortlisted for a Shamus Award for Best First Novel by the Private Eye Writers Association of America. Russel’s short fiction has appeared in several anthologies and magazines including Alfred Hitchcock’s Mystery Magazine and the recent anthology, THE ADVENTURES OF MORIARTY. He spent over a decade as a bookseller before writing full time. His reviews and interviews with writers have appeared in The Herald, The Independent on Sunday, The Skinny and the TLS, and he frequently interviews writers for literary festivals and library events. When not writing his own fiction, he also works as a freelance editor. He lives in Glasgow with his partner and three cats: Moriarty, Mycroft and Magwitch. His latest book out in the UK and US from Severn House is CRY UNCLE, the fifth in the J McNee series.

Jon Padgett lives in New Orleans with his spouse, their daughter, and two cats. Padgett has work out or forthcoming in Pseudopod, The Lovecraft eZine and Xnoybis. Padgett’s chapbook, THE INFUSORIUM, was released in spring of 2015, and his first short story collection, The Secret of Ventriloquism, is forthcoming from Dunhams Manor Press, Autumn 2016. Also later in 2016, Padgett–along with a team of editors and the artistic wizardry of Dave Felton–will be releasing the first issue of Vastarien: a source of critical study and creative response to the corpus of Thomas Ligotti and the authors who influenced and are influenced by him.

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“The package, when it arrives, is innocuous. Plain envelope. Bubble wrap. A little box inside. Black cardboard. Red ribbon.

Could be anything.

Anything at all.

It comes standard delivery. Anything else would provoke suspicion. Signing for packages, someone, somewhere has to say what’s inside.

How would you explain the contents of that black box?

I sit it, for a while, on the black onyx stone of the kitchen worktop. I look at it. I anticipate opening the box. Think of Schrodinger’s Cat.

Dead?

Alive?

Present?

Gone?

I won’t know. Until I open the box.”

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0:45:14 by Russel McLean “The Tooth Fairy” is a PseudoPod Original. “I hope the story works on its own without needing to know too much. But I’ve always been fascinated by the fascination that people have with serial killers, and ho[...] by Russel McLean “The Tooth Fairy” is a PseudoPod Original. “I hope the story works on its own without needing to know too much. But I’ve always been fascinated by the fascination that people have with serial killers, and how our perception is affected by both the fiction and the mythologizing of fact. To say much more would of course be to give away some of the story. Its also an unusual piece for me in that its one of very few stories I’ve written set in the US. I’ve always wanted to write more US based fiction as that is mostly what I read, although I’m known for writing about Scotland and, more generally, the city of Dundee. It was refreshing to be able to write about a subject matter and location that was new to me, and the enthusiasm of Pseudopod for the story has been a great reward for taking that risk.” RUSSEL MCLEAN is the author of five novels featuring Scottish private investigator J McNee. His debut, THE GOOD SON, was shortlisted for a Shamus Award for Best First Novel by the Private Eye Writers Association of America. Russel’s short fiction has appeared in several anthologies and magazines including Alfred Hitchcock’s Mystery Magazine and the recent anthology, THE ADVENTURES OF MORIARTY. He spent over a decade as a bookseller before writing full time. His reviews and interviews with writers have appeared in The Herald, The Independent on Sunday, The Skinny and the TLS, and he frequently interviews writers for literary festivals and library events. When not writing his own fiction, he also works as a freelance editor. He lives in Glasgow with his partner and three cats: Moriarty, Mycroft and Magwitch. His latest book out in the UK and US from Severn House is CRY UNCLE, the fifth in the J McNee series. Jon Padgett lives in New Orleans with his spouse, their daughter, and two cats. Padgett has work out or forthcoming in Pseudopod, The Lovecraft eZine and Xnoybis. Padgett’s chapbook, THE INFUSORIUM, was released in spring of 2015, and his first short story collection, The Secret of Ventriloquism, is forthcoming from Dunhams Manor Press, Autumn 2016. Also later in 2016, Padgett–along with a team of editors and the artistic wizardry of Dave Felton–will be releasing the first issue of Vastarien: a source of critical study and creative response to the corpus of Thomas Ligotti and the authors who influenced and are influenced by him. **************************** “The package, when it arrives, is innocuous. Plain envelope. Bubble wrap. A little box inside. Black cardboard. Red ribbon. Could be anything. Anything at all. It comes standard delivery. Anything else would provoke suspicion. Signing for packages, someone, somewhere has to say what’s inside. How would you explain the contents of that black box? I sit it, for a while, on the black onyx stone of the kitchen worktop. I look at it. I anticipate opening the box. Think of Schrodinger’s Cat. Dead? Alive? Present? Gone? I won’t know. Until I open the box.” horror, short, stories, storytelling, scary, fiction McLean yes no
PseudoPod 498: The Only Ending We Have http://pseudopod.org/2016/07/08/pseudopod-498-only-ending-we-have/ Fri, 08 Jul 2016 20:09:55 +0000 http://pseudopod.org/?p=2175 Kim Newman

by Kim Newman

“The Only Ending We Have” was first printed in Psycho-Mania! in October 2013, edited by Stephen Jones, then in a Year’s Best edited by Ellen Datlow. Have a biscuit (US: cookie) every time you clock a reference to an Alfred Hitchcock title.

Kim Newman is a novelist, critic and broadcaster. His fiction includes the Anno Dracula series, Life’s Lottery, Professor Moriarty: The Hound of the D’Urbervilles and An English Ghost Story; his non-fiction includes Nightmare Movies and BFI Classics studies of Cat People, Doctor Who and Quatermass and the Pit. He co-wrote the comic miniseries Witchfinder: Mysteries of Unland and the plays The Hallowe’en Sessions and The Ghost Train Doesn’t Stop Here Any More. He is a contributing editor to Sight & Sound and Empire magazines. His latest novel is The Secrets of Drearcliff Grange School. He is on Twitter as @AnnoDracula.

Your narrator – Christiana Ellis is an award-winning writer and podcaster, currently living in Cambridge, Massachusetts. Her podcast novel, Nina Kimberly the Merciless was both an inaugural nominee for the 2006 Parsec Award for Best Speculative Fiction: Long Form, as well as a finalist for a 2006 Podcast Peer Award. Nina Kimberly the Merciless is available in print from Dragon Moon Press. Christiana is also the writer, producer and star of Space Casey, a 10-part audiodrama miniseries which won the Gold Mark Time Award for Best Science Fiction Audio Production by the American Society for Science Fiction Audio and the 2008 Parsec Award for Best Science Fiction Audio Drama. In between major projects, Christiana is also the creator and talent of many other podcast productions including Talking About Survivor; Hey, Want to Watch a Movie? and Christiana’s Shallow Thoughts.

****************************

“The windshield wipers squeaked … like shrilling fiddles, scraped nerves, the ring of an unanswered phone. Another reason to trade in her ‘57 Ford Custom. For 1960, she’d like something with fins. Not that she could afford next year’s showroom model.

Unless Hitch coughed up the ransom.

For the thing it was all about. The mcguffin.

The thing the audience doesn’t care about, but the characters do.

‘Good eeeev-ning,’ Hitch said, every goddamn morning … like in his TV show with that nursery/graveyard tune burbling in the background. ‘Funeral March of the Marionettes’. Dump-da- dumpity-dump- da-dump…”

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1:09:33 by Kim Newman “The Only Ending We Have” was first printed in Psycho-Mania! in October 2013, edited by Stephen Jones, then in a Year’s Best edited by Ellen Datlow. Have a biscuit (US: cookie) every time you clock a reference to an Alfred[...] by Kim Newman “The Only Ending We Have” was first printed in Psycho-Mania! in October 2013, edited by Stephen Jones, then in a Year’s Best edited by Ellen Datlow. Have a biscuit (US: cookie) every time you clock a reference to an Alfred Hitchcock title. Kim Newman is a novelist, critic and broadcaster. His fiction includes the Anno Dracula series, Life’s Lottery, Professor Moriarty: The Hound of the D’Urbervilles and An English Ghost Story; his non-fiction includes Nightmare Movies and BFI Classics studies of Cat People, Doctor Who and Quatermass and the Pit. He co-wrote the comic miniseries Witchfinder: Mysteries of Unland and the plays The Hallowe’en Sessions and The Ghost Train Doesn’t Stop Here Any More. He is a contributing editor to Sight & Sound and Empire magazines. His latest novel is The Secrets of Drearcliff Grange School. He is on Twitter as @AnnoDracula. Your narrator – Christiana Ellis is an award-winning writer and podcaster, currently living in Cambridge, Massachusetts. Her podcast novel, Nina Kimberly the Merciless was both an inaugural nominee for the 2006 Parsec Award for Best Speculative Fiction: Long Form, as well as a finalist for a 2006 Podcast Peer Award. Nina Kimberly the Merciless is available in print from Dragon Moon Press. Christiana is also the writer, producer and star of Space Casey, a 10-part audiodrama miniseries which won the Gold Mark Time Award for Best Science Fiction Audio Production by the American Society for Science Fiction Audio and the 2008 Parsec Award for Best Science Fiction Audio Drama. In between major projects, Christiana is also the creator and talent of many other podcast productions including Talking About Survivor; Hey, Want to Watch a Movie? and Christiana’s Shallow Thoughts. **************************** “The windshield wipers squeaked … like shrilling fiddles, scraped nerves, the ring of an unanswered phone. Another reason to trade in her ‘57 Ford Custom. For 1960, she’d like something with fins. Not that she could afford next year’s showroom model. Unless Hitch coughed up the ransom. For the thing it was all about. The mcguffin. The thing the audience doesn’t care about, but the characters do. ‘Good eeeev-ning,’ Hitch said, every goddamn morning … like in his TV show with that nursery/graveyard tune burbling in the background. ‘Funeral March of the Marionettes’. Dump-da- dumpity-dump- da-dump…” horror, short, stories, storytelling, scary, fiction Kim Newman yes no
PseudoPod 497: Killer http://pseudopod.org/2016/07/01/pseudopod-497-killer/ Fri, 01 Jul 2016 10:05:32 +0000 http://pseudopod.org/?p=2166 Sean Ganus

by Sean Ganus

“Killer” is a PseudoPod Original. “Killer” is the second sequence of “The Murderer Cycle,” a loosely connected set of stories written to deconstruct the near-mythic portrayal of killers in modern horror.

Sean Ganus lives and work in Macon, Georgia. He’s a struggling writer and graduate student, currently working on his Master’s in School Psychology, though with any luck he’ll have wrapped that up by the time this story is released. He passes the time by working in a coffee shop. He’s previously written book reviews for the UK-based Horrifically Horrifying Horror Blog, and he’s tremendously thankful to its founder Emma Audsley for giving him the opportunity to be a part of her amazing website. His only other published (or, rather, produced) work is the short story “Write Away,” featured on the October 24, 2014 episode of “Tales to Terrify.” He posts original writings on his blog, “Writing Myself Into a Hole,” at seanganus.wordpress.com, and run ongoing horror serials from his Twitter handle, @TweetTheHorror. He’s in the process of revising his first novel, and a small film company he runs with a close friend has just finished production on two independent horror films: “The Last Haunted House” and “The Rabbits.”

Your narrator is Jen R. Albert. Jennifer Albert is an entomologist, writer of science fiction and fantasy, gamer, and (in her own words) all around geek. She is co-editor at PodCastle and submissions editor at Uncanny.

Her first story appeared in Mad Scientist Journal in June 2015.

****************************

There’s a killer in my kitchen. I don’t know how long he’s been here, sitting in the dark. I didn’t notice him until I was already six steps inside, obliviously hitting the light and grabbing a pear from the basket by the stove. He’s sitting at the little wooden table I keep by the window. He looks like he’s waiting for dinner. His elbows hang over the edge and his hands rest on top of each other. One hand clenches the handle of a machete. The tool sports a fresh, gleaming edge. It was sharpened with obvious care. It’s wet and glistening in the fluorescent light.

He’s massive, so unbelievably *big*. He’s a heavy chunk of muscle and bone, tied off in a mechanic’s jumpsuit. Clumps of drying mud peel from his boots.

I know him. I mean…I know who he is. Velstrom. Robert Velstrom. Robby’s been dead and buried for thirteen years, but he’s sitting here now.

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0:24:20 by Sean Ganus “Killer” is a PseudoPod Original. “Killer” is the second sequence of “The Murderer Cycle,” a loosely connected set of stories written to deconstruct the near-mythic portrayal of killers in modern ho[...] by Sean Ganus “Killer” is a PseudoPod Original. “Killer” is the second sequence of “The Murderer Cycle,” a loosely connected set of stories written to deconstruct the near-mythic portrayal of killers in modern horror. Sean Ganus lives and work in Macon, Georgia. He’s a struggling writer and graduate student, currently working on his Master’s in School Psychology, though with any luck he’ll have wrapped that up by the time this story is released. He passes the time by working in a coffee shop. He’s previously written book reviews for the UK-based Horrifically Horrifying Horror Blog, and he’s tremendously thankful to its founder Emma Audsley for giving him the opportunity to be a part of her amazing website. His only other published (or, rather, produced) work is the short story “Write Away,” featured on the October 24, 2014 episode of “Tales to Terrify.” He posts original writings on his blog, “Writing Myself Into a Hole,” at seanganus.wordpress.com, and run ongoing horror serials from his Twitter handle, @TweetTheHorror. He’s in the process of revising his first novel, and a small film company he runs with a close friend has just finished production on two independent horror films: “The Last Haunted House” and “The Rabbits.” Your narrator is Jen R. Albert. Jennifer Albert is an entomologist, writer of science fiction and fantasy, gamer, and (in her own words) all around geek. She is co-editor at PodCastle and submissions editor at Uncanny. Her first story appeared in Mad Scientist Journal in June 2015. **************************** There’s a killer in my kitchen. I don’t know how long he’s been here, sitting in the dark. I didn’t notice him until I was already six steps inside, obliviously hitting the light and grabbing a pear from the basket by the stove. He’s sitting at the little wooden table I keep by the window. He looks like he’s waiting for dinner. His elbows hang over the edge and his hands rest on top of each other. One hand clenches the handle of a machete. The tool sports a fresh, gleaming edge. It was sharpened with obvious care. It’s wet and glistening in the fluorescent light. He’s massive, so unbelievably *big*. He’s a heavy chunk of muscle and bone, tied off in a mechanic’s jumpsuit. Clumps of drying mud peel from his boots. I know him. I mean…I know who he is. Velstrom. Robert Velstrom. Robby’s been dead and buried for thirteen years, but he’s sitting here now. Podcasts, Stories Sean Ganus yes no
PseudoPod 496: Nothing is Truly Yours http://pseudopod.org/2016/06/23/pseudopod-496-nothing-is-truly-yours/ Fri, 24 Jun 2016 02:09:13 +0000 http://pseudopod.org/?p=2162 Sam J. Miller

by Sam J. Miller

“Nothing is Truly Yours” is a PseudoPod Original. “This story is an homage to the work of Julio Cortazar, a brilliant amazing writer who wrote horror, fantasy, science fiction that a lot of genre readers miss because people think of “magical realism” as lit-fic with ghosts, instead of a unique Latin American evolution of all that is wonderful about SF/F/H. He also translated the complete stories of Edgar Allan Poe into Spanish, and those translations are magnificent. So if folks like this story they should seek him out – “House Taken Over” is the spiritual antecedent to this story, but “Axolotl” & “We Love Glenda So Much” and “Blow Up” and “The Southern Highway” and tons of his other stories, and his novel “Hopscotch” are all genius. And if you DON’T like this story, you should still seek him out, because it just means I horribly botched my homage.”

SAM J. MILLER is a writer and a community organizer. His fiction is in Lightspeed, Asimov’s, Clarkesworld, and The Minnesota Review, among others. He is a nominee for the Nebula and Theodore Sturgeon Awards, a winner of the Shirley Jackson Award, and a graduate of the Clarion Writer’s Workshop. His debut dark, edgy, fucked-up young adult science fiction novel THE ART OF STARVING is forthcoming from HarperCollins. He lives in New York City, and at Sam J. Miller where you can find a whole bunch of his stories.

Your narrator – Karen Bovenmyer – earned an MFA in Popular Fiction from the University of Southern Maine’s Stonecoast Program in 2013. She spent many hours as a kid among beaten earth and bare roots avoiding predators and whispering to imaginary people of various moralities. She never had a pet rabbit, but she did have a hamster named Chucky Cheeks who wanted to be an astronaut. Karen is the Nonfiction Assistant Editor for Mothership Zeta, Escape Artists’ new e-zine and has been having a spectacular time helping set up the first issue. Check out book, short story, and movie reviews, a “Story Doctor” article from award-winning science fiction author James Patrick Kelly, and a science column from a real astronomer—as well as plenty of fabulous fresh stories from amazing authors both new and experienced.

This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON

The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you.

9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine

“eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk

“Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus

Unequivocal Recommendation – ShockTotem

“True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast

“Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace

“Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval)

4 out of 5 – Scream Magazine

4 out of 5 – Hungry Monster Review

****************************

“It started in the room you call your studio, the spare bedroom at the end of the hall, where you keep the tools of your creative trade, the room you swear you’ll start making better use of—just as soon as this work project or upcoming event is over, or your brother’s current life crisis settles down. It started late at night, in the long dark dead hours of the morning when the call of the toilet summons you from sleep, and you stagger to the bathroom in a haze of fury and fear, terrified you’ll never fall back to sleep, convinced that here, now, is the beginning of the end, of your brain and your body conspiring to finally kill you. It started in the instant after you flushed, in the space of white noise where the ear is especially sensitive to possibly-imagined sounds. What was this one: a breath sucked in? A cough stifled? No. Nothing so concrete. But a house feels different when you are not alone. Sound echoes distinctly in an empty apartment. You had felt this before. Vague blurry feelings, indistinct impressions when drunk or depressed, knowledge that came from somewhere other than reason or the senses. Adrenaline unspooled in your abdomen. Tiny hairs along your neck and arms quivered, then stood up straight.

And in that moment you knew: someone was in there. Someone was in your home, sitting at the cluttered desk of your studio, silently, perfectly still but not asleep, in darkness, eyes open, looking in your direction. And you stood at the door—put your fingers against the cold firm real non-nightmare wood—and turned and hurried back to bed.”

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0:25:01 by Sam J. Miller “Nothing is Truly Yours” is a PseudoPod Original. “This story is an homage to the work of Julio Cortazar, a brilliant amazing writer who wrote horror, fantasy, science fiction that a lot of genre readers miss beca[...] by Sam J. Miller “Nothing is Truly Yours” is a PseudoPod Original. “This story is an homage to the work of Julio Cortazar, a brilliant amazing writer who wrote horror, fantasy, science fiction that a lot of genre readers miss because people think of “magical realism” as lit-fic with ghosts, instead of a unique Latin American evolution of all that is wonderful about SF/F/H. He also translated the complete stories of Edgar Allan Poe into Spanish, and those translations are magnificent. So if folks like this story they should seek him out – “House Taken Over” is the spiritual antecedent to this story, but “Axolotl” & “We Love Glenda So Much” and “Blow Up” and “The Southern Highway” and tons of his other stories, and his novel “Hopscotch” are all genius. And if you DON’T like this story, you should still seek him out, because it just means I horribly botched my homage.” SAM J. MILLER is a writer and a community organizer. His fiction is in Lightspeed, Asimov’s, Clarkesworld, and The Minnesota Review, among others. He is a nominee for the Nebula and Theodore Sturgeon Awards, a winner of the Shirley Jackson Award, and a graduate of the Clarion Writer’s Workshop. His debut dark, edgy, fucked-up young adult science fiction novel THE ART OF STARVING is forthcoming from HarperCollins. He lives in New York City, and at Sam J. Miller where you can find a whole bunch of his stories. Your narrator – Karen Bovenmyer – earned an MFA in Popular Fiction from the University of Southern Maine’s Stonecoast Program in 2013. She spent many hours as a kid among beaten earth and bare roots avoiding predators and whispering to imaginary people of various moralities. She never had a pet rabbit, but she did have a hamster named Chucky Cheeks who wanted to be an astronaut. Karen is the Nonfiction Assistant Editor for Mothership Zeta, Escape Artists’ new e-zine and has been having a spectacular time helping set up the first issue. Check out book, short story, and movie reviews, a “Story Doctor” article from award-winning science fiction author James Patrick Kelly, and a science column from a real astronomer—as well as plenty of fabulous fresh stories from amazing authors both new and experienced. This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you. 9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine “eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk “Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus Unequivocal Recommendation – ShockTotem “True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast “Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace “Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval) 4 out of 5 – Scream Magazine 4 out of 5 – Hungry Monster Review **************************** “It started in the room you call your studio, the spare bedroom at the end [...] horror, short, stories, storytelling, scary, fiction Miller yes no
PSEUDOPOD SUMMER 2016 – THE DREADFUL PART! http://pseudopod.org/2016/06/22/pseudopod-summer-2016-the-dreadful-part/ Wed, 22 Jun 2016 14:43:56 +0000 http://pseudopod.org/?p=2157 seamonsters

Ahoy, Summer hoves into view and we here at the Towers have quite a line-up planned for you, dear listeners! We’ve got punishments (existential & real), Mexican Vampires, teen terrors and a 3 week showcase on the mad killer in 3 different forms. Oh, and a bit of cosmic horror for our 500th episode – speaking of which, those wanting to take full advantage of the PSEUDOPOD feed, and who are not subscribers, are directed to consider subscribing soon – as all EA subscribers will be receiving extra episode links in the mail!

“Out through that window, three years ago to a day, her husband and her two young brothers went off for their day’s shooting. They never came back. In crossing the moor to their favourite snipe-shooting ground they were all three engulfed in a treacherous piece of bog. It had been that dreadful wet summer, you know, and places that were safe in other years gave way suddenly without warning. Their bodies were never recovered. That was the dreadful part of it.” – Saki

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PseudoPod 495: Shut The Final Door http://pseudopod.org/2016/06/22/pseudopod-495-shut-the-final-door-by-joe-l-hensley/ Wed, 22 Jun 2016 13:44:34 +0000 http://pseudopod.org/?p=2149 Joe L. Hensley

by Joe L. Hensley

“Shut The Final Door” was first published in Alchemy and Academe in November 1970. It is presented with permission from the estate through the assistance of the Virginia Kidd Agency..

JOE L. HENSLEY (1926 – 2007) was a lawyer, prosecuting attorney, member of the Indiana General Assembly, circuit court judge, science fiction fan, and writer of science fiction and mysteries. While working as a law student, lawyer, legislator and judge, Hensley wrote science fiction and crime fiction (and at least one auto-racing story for a pulp magazine) as Joe L. Hensley and Louis J. A. Adams. His first fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. His first published novel was The Color of Hate in 1960. He had 20 more novels and collections published (over half of them in the series featuring Indiana circuit judge Donald Robak, which began with 1971’s Deliver Us to Evil) and around 100 short stories. His collaborators in science fiction included Alexei Panshin and Harlan Ellison; he co-wrote one mystery novel (Loose Coins) with fellow Indiana prosecuting attorney Guy M. Townsend. His last novel, Snowbird’s Blood, was published in February 2008. Many of his mystery novels were set in the fictitious Bington, a place which combined aspects of Madison and Bloomington. Hensley remained active in science fiction fandom throughout his life; the Hensleys were familiar faces at science fiction conventions such as Rivercon and Midwestcon. Hensley was a First Fandom “Dinosaur” (which meant he had been active in fandom prior to July 4, 1939), and received the First Fandom Hall of Fame Award in 2006.

Your narrator – Patrick “The Voice” Bazile – Patrick is an American Actor/Voice Over Talent and a fresh sound in the voice over industry. Born and raised in Chicago, Illinois, Patrick has voiced everything from PSA’s to major product brands. With a deep, powerful voice often referred to as “The Voice of God” he commands attention.? Check Outr: Patrick “The Voice” Bazile“.

This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON

The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you.

9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine

“eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk

“Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus

Unequivocal Recommendation – ShockTotem

“True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast

“Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace

“Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval)

4 out of 5 – Scream Magazine

4 out of 5 – Hungry Monster Review

****************************

“The night was gentle and so Willie sat out on the combination fire escape and screened play area that hung in zigzags from the north side of the government-built, low-rent apartment building. He stayed out there in his wheelchair for a long time watching the world of lights from the other buildings around him. He liked the night. It softened the savage world, so that he could forget the things he saw and did in the day. Those things still existed, but darkness fogged them.”

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0:27:02 by Joe L. Hensley “Shut The Final Door” was first published in Alchemy and Academe in November 1970. It is presented with permission from the estate through the assistance of the Virginia Kidd Agency.. JOE L. HENSLEY (1926 – 2007) was [...] by Joe L. Hensley “Shut The Final Door” was first published in Alchemy and Academe in November 1970. It is presented with permission from the estate through the assistance of the Virginia Kidd Agency.. JOE L. HENSLEY (1926 – 2007) was a lawyer, prosecuting attorney, member of the Indiana General Assembly, circuit court judge, science fiction fan, and writer of science fiction and mysteries. While working as a law student, lawyer, legislator and judge, Hensley wrote science fiction and crime fiction (and at least one auto-racing story for a pulp magazine) as Joe L. Hensley and Louis J. A. Adams. His first fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. His first published novel was The Color of Hate in 1960. He had 20 more novels and collections published (over half of them in the series featuring Indiana circuit judge Donald Robak, which began with 1971’s Deliver Us to Evil) and around 100 short stories. His collaborators in science fiction included Alexei Panshin and Harlan Ellison; he co-wrote one mystery novel (Loose Coins) with fellow Indiana prosecuting attorney Guy M. Townsend. His last novel, Snowbird’s Blood, was published in February 2008. Many of his mystery novels were set in the fictitious Bington, a place which combined aspects of Madison and Bloomington. Hensley remained active in science fiction fandom throughout his life; the Hensleys were familiar faces at science fiction conventions such as Rivercon and Midwestcon. Hensley was a First Fandom “Dinosaur” (which meant he had been active in fandom prior to July 4, 1939), and received the First Fandom Hall of Fame Award in 2006. Your narrator – Patrick “The Voice” Bazile – Patrick is an American Actor/Voice Over Talent and a fresh sound in the voice over industry. Born and raised in Chicago, Illinois, Patrick has voiced everything from PSA’s to major product brands. With a deep, powerful voice often referred to as “The Voice of God” he commands attention.? Check Outr: Patrick “The Voice” Bazile“. This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you. 9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine “eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk “Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus Unequivocal Recommendation – ShockTotem “True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast “Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace “Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval) 4 out of 5 – Scream Magazine 4 out of 5 – Hungry Monster Review **************************** “The night was gentle and so Willie sat out on the combination fire escape and screened play area that hung in zigzags from the north side of the government-built, low-rent apartment building. He stayed out there in his wheelchair for a long time watching the world of lights from th[...] horror, short, stories, storytelling, scary, fiction Hensley yes no
PSEUDOPOD DELAYED THIS WEEK! http://pseudopod.org/2016/06/17/pseudopod-delayed-this-week/ Fri, 17 Jun 2016 23:19:23 +0000 http://pseudopod.org/?p=2146 Sorry folks, but it may be after the weekend before this week’s episode appears!

Go back and listen to a favorite!

C.1800 by George Shaw

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PseudoPod Submissions – Closure Schedule http://pseudopod.org/2016/06/10/pseudopod-submissions-closure-schedule/ Fri, 10 Jun 2016 23:54:37 +0000 http://pseudopod.org/?p=2140 As announced in January of this year, we have adjusted our submissions schedule. After moving to pro rates for original fiction and the Submittable system, we’ve received a humbling number of stories! Our goal is to move to a three-month-on three-month-off schedule.

Here is our working schedule:

From To Status
1 June 2016 31 July 2016 Closed
1 September 2016 30 September 2016 Open Call for Artemis Rising Submissions
1 August 2016 31 October 2016 General Submissions Open
1 November 2016 31 January 2017 All Submissions Closed
1 February 2017 30 April 2017 General Submissions Open
1 May 2017 31 July 2017 All Submissions Closed
15 July 2017 15 August 2017 Open Call for Artemis Rising Submissions
1 August 2017 31 October 2017 General Submissions Open

As with all plans they are subject to change. But we wanted to pull back the curtain a bit and let you know what we generally have in mind.

Edited August 2016 to correct Artemis Rising 3 submissions window.

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PseudoPod 494: The Voyage & The Ship http://pseudopod.org/2016/06/10/pseudopod-494-the-voyage-the-ship/ Fri, 10 Jun 2016 15:08:43 +0000 http://pseudopod.org/?p=2135 Tim W. Burke

by Tim W. Burke

“The Voyage & The Ship” originally appeared in THE FLESH SUTRA.

TIM W. BURKE grew up a mile from the most notorious prisons in the U.S. He produced movies found on Netflix and wrote comedy sketches about the brains of the Kennedy Brothers playing touch football. Currently, he finds horror to be more emotionally satisfying. His novel “The Flesh Sutra” earned a place on the preliminary ballot for the 2015 Stoker Awards. Read his advice and inspirations at timwburke.com.

In THE FLESH SUTRA body horror and mysticism entwine under gaslight. We find ourselves in Fin de siècle Boston, where the mystic healer Alecsandri Keresh falls into the desperate embrace of his lover, Mrs. Olivia Spaulding, only to be shot dead in her arms. Alecsandri’s rage at her husband’s murderous action transforms his power and he returns to life – as an abomination. Recognizing each other as soul mates, Olivia and Alecsandri resolve to atone for their sins by helping humanity. But their jealousies mar their works – often with hideous results. And, to further warp their efforts, a vengeful spirit stalks them. One that grows more powerful at every turn. Will the depraved lovers succeed? Or will they mutilate mankind for love? Alasdair Stuart and Shawn Garrett agree and THE FLESH SUTRA earned its way to the preliminary ballot of the 2015 Stoker Awards

Your narrator – Paul Jenkins – has narrated for Escape Pod, Pseudopod and PodCastle a number of times (he was honoured to be asked to narrate the very first PodCastle episode!). His science fiction podcast novel THE PLITONE REVISIONIST is available for free at Podiobooks.com at the link. His skeptical blog “Notes from an Evil Burnee” and his skeptical podcast “Skepticule” (aka “The Three Pauls Podcast“) can also be found at their links.

This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON

The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you.

9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine

“eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk

“Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus

Unequivocal Recommendation – ShockTotem

“True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast

“Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace

“Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval)

4 out of 5 – Scream Magazine

4 out of 5 – Hungry Monster Review

****************************

“At night, the city dock was empty of travelers and oriental immigrants, so I was able to note the activities of the policemen. Dock policemen were sharp-eyed in normal circumstances. But from my vantage point at the top of our luggage, I saw the police stop every young white man for additional scrutiny.

Otherwise Matthew would not have stood out. The scruffy, brown-haired youth struggled along the dock looking like any other American looking to make his mark in the Orient or the Yukon.

He muttered with relief when we saw “S.S. Queensland Beach” on a ship’s hull. The low-slung tramp steamer waited, having unloaded its burden of migrants and freight from the South China Sea. Its crew of Europeans and Islanders were busy using the ship’s cranes to load cargo into its hold. Their destination, and ours, was Hong Kong.”

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0:42:01 by Tim W. Burke “The Voyage & The Ship” originally appeared in THE FLESH SUTRA. TIM W. BURKE grew up a mile from the most notorious prisons in the U.S. He produced movies found on Netflix and wrote comedy sketches about the brains[...] by Tim W. Burke “The Voyage & The Ship” originally appeared in THE FLESH SUTRA. TIM W. BURKE grew up a mile from the most notorious prisons in the U.S. He produced movies found on Netflix and wrote comedy sketches about the brains of the Kennedy Brothers playing touch football. Currently, he finds horror to be more emotionally satisfying. His novel “The Flesh Sutra” earned a place on the preliminary ballot for the 2015 Stoker Awards. Read his advice and inspirations at timwburke.com. In THE FLESH SUTRA body horror and mysticism entwine under gaslight. We find ourselves in Fin de siècle Boston, where the mystic healer Alecsandri Keresh falls into the desperate embrace of his lover, Mrs. Olivia Spaulding, only to be shot dead in her arms. Alecsandri’s rage at her husband’s murderous action transforms his power and he returns to life – as an abomination. Recognizing each other as soul mates, Olivia and Alecsandri resolve to atone for their sins by helping humanity. But their jealousies mar their works – often with hideous results. And, to further warp their efforts, a vengeful spirit stalks them. One that grows more powerful at every turn. Will the depraved lovers succeed? Or will they mutilate mankind for love? Alasdair Stuart and Shawn Garrett agree and THE FLESH SUTRA earned its way to the preliminary ballot of the 2015 Stoker Awards Your narrator – Paul Jenkins – has narrated for Escape Pod, Pseudopod and PodCastle a number of times (he was honoured to be asked to narrate the very first PodCastle episode!). His science fiction podcast novel THE PLITONE REVISIONIST is available for free at Podiobooks.com at the link. His skeptical blog “Notes from an Evil Burnee” and his skeptical podcast “Skepticule” (aka “The Three Pauls Podcast“) can also be found at their links. This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you. 9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine “eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk “Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus Unequivocal Recommendation – ShockTotem “True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast “Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace “Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval) 4 out of 5 – Scream Magazine 4 out of 5 – Hungry Monster Review **************************** “At night, the city dock was empty of travelers and oriental immigrants, so I was able to note the activities of the policemen. Dock policemen were sharp-eyed in normal circumstances. But from my vantage point at the top of our luggage, I saw the police stop every young white man for additional scrutiny. Otherwise Matthew would not have stood out. The scruffy, brown-haired youth struggled along the dock looking like any other American looking to make his mark in the Orient or the Yukon. He muttered with relief when we [...] horror, short, stories, storytelling, scary, fiction Burke yes no
PseudoPod 493: The Last Escapement http://pseudopod.org/2016/06/07/pseudopod-493-the-last-escapement/ Tue, 07 Jun 2016 16:10:42 +0000 http://pseudopod.org/?p=2125 James Smythe

by James Smythe

“The Last Escapement” was first published in Irregularity in 2014, by Jurassic London – an anthology about the enlightenment, a 16th and 17th movement of invention that resulted in John Harrison discovering the concept of Maritime longitude – the true story of which being the inspiration for “The Last Escapement.” Clocks used to be a very different thing, and our notions of time were somewhat sloppier. For years, people tried to build a clock that didn’t lose time when traveling the oceans – this is my contribution to the many tales about those endeavors.

JAMES SMYTHE is the winner of the Wales Fiction Book of the Year 2013, and was shortlisted for the Arthur C. Clarke Award 2014. He is the author of, amongst other things, The Machine, The Explorer, No Harm Can Come To A Good Man, and the Australia trilogy, a series for Young Adult readers. His most recent book released in the US is No Harm, and in October of this year, Way Down Dark will be published in the US by Quercus.

Your narrator – Paul Jenkins – has narrated for Escape Pod, Pseudopod and PodCastle a number of times (he was honoured to be asked to narrate the very first PodCastle episode!). His science fiction podcast novel THE PLITONE REVISIONIST is available for free at Podiobooks.com at the link. His skeptical blog “Notes from an Evil Burnee” and his skeptical podcast “Skepticule” (aka “The Three Pauls Podcast“) can also be found at their links.

This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON

The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you.

9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine

“eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk

“Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus

Unequivocal Recommendation – ShockTotem

“True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast

“Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace

“Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval)

4 out of 5 – Scream Magazine

4 out of 5 – Hungry Monster Review

****************************

“I do not know how many times I am to try this: to create a time-keeping device that will hold its measure on a journey across the sea. Every day, the same thing: a task as simple as steadying a pendulum, the rock of left to right; of making it sturdy, able to take the yoke of a storm and hold it still. Time is regular, this is the crux of the problem, and when travelling the seas, time is lost. It evaporates, like salt-water from a deck — though time, of course, leaves no trace. It is such an intangible thing that we try to measure.”

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0:51:07 by James Smythe “The Last Escapement” was first published in Irregularity in 2014, by Jurassic London – an anthology about the enlightenment, a 16th and 17th movement of invention that resulted in John Harrison discovering the con[...] by James Smythe “The Last Escapement” was first published in Irregularity in 2014, by Jurassic London – an anthology about the enlightenment, a 16th and 17th movement of invention that resulted in John Harrison discovering the concept of Maritime longitude – the true story of which being the inspiration for “The Last Escapement.” Clocks used to be a very different thing, and our notions of time were somewhat sloppier. For years, people tried to build a clock that didn’t lose time when traveling the oceans – this is my contribution to the many tales about those endeavors. JAMES SMYTHE is the winner of the Wales Fiction Book of the Year 2013, and was shortlisted for the Arthur C. Clarke Award 2014. He is the author of, amongst other things, The Machine, The Explorer, No Harm Can Come To A Good Man, and the Australia trilogy, a series for Young Adult readers. His most recent book released in the US is No Harm, and in October of this year, Way Down Dark will be published in the US by Quercus. Your narrator – Paul Jenkins – has narrated for Escape Pod, Pseudopod and PodCastle a number of times (he was honoured to be asked to narrate the very first PodCastle episode!). His science fiction podcast novel THE PLITONE REVISIONIST is available for free at Podiobooks.com at the link. His skeptical blog “Notes from an Evil Burnee” and his skeptical podcast “Skepticule” (aka “The Three Pauls Podcast“) can also be found at their links. This episode is sponsored by J.R. HAMANTASCHEN (who podcasts at The Horror Of Nachos And Hamantaschen) and his new story collection WITH A VOICE THAT IS OFTEN STILL CONFUSED BUT IS BECOMING EVER LOUDER AND CLEARER (which can be ordered here from AMAZON The follow-up to his critically acclaimed collection, YOU SHALL NEVER KNOW SECURITY, J.R. Hamantaschen returns with another collection of his inimitable brand of weird, dark fiction. At turns despairing, resonant, macabre and insightful, these nine stories intend to stay with you. 9 out of 10 – “there are nine tales in this collection, each of satisfying length and immediately striking, from first page to last . . . stories that will grip you for their humanity and soul.” – Starburst Magazine “eclectic, poignant, thought provoking .. . too awesome to pass up” – HorrorTalk “Perturbing, anomalous stories that will bore into readers’ minds.” – Kirkus Unequivocal Recommendation – ShockTotem “True, great horror. I love this book.” – Chris Lackey, HP Lovecraft Literary Podcast “Those who an artistic approach, psychological depth and small details are going to read through this collection and remember it for days to come.” — HorrorPalace “Resonating, delectably weird and spooky collection, thoroughly enjoyable” – IndieReader (received Official IndieReader Stamp of Approval) 4 out of 5 – Scream Magazine 4 out of 5 – Hungry Monster Review **************************** “I do not know how many times I am to try this: to create a time-keeping device that will hold its measure on a journey across the sea. Every day, the same thing: a task as simple as steadying a pendulum, the rock of left to right; of making it sturdy, able to take the yoke of a storm and hold it still. Time is regular, this is the crux of the problem, and when travelling the seas, time is lost. It evaporates, like salt-water from a deck — though time, of course, leaves no trace. It is such an intangible thing that we try to measure.” horror, short, stories, storytelling, scary, fiction Smythe yes no
PseudoPod 492: The Fisher Queen http://pseudopod.org/2016/05/27/pseudopod-492-the-fisher-queen/ Fri, 27 May 2016 21:45:36 +0000 http://pseudopod.org/?p=2103 Alyssa Wong

by Alyssa Wong

“The Fisher Queen” was first published in The Magazine of Fantasy & Science Fiction, May/June 2014. It is available to read free online at fu-GEN.org. “The Fisher Queen” was on the shortlist for the 2014 Nebula along with Eugie Foster’s last story, “When It Ends, He Catches Her” which ran last year on Pseudopod. It has been translated into Chinese, French, and German. “The Fisher Queen” is set up in the fashion of traditional oral storytelling, where truth and myth blend together. However, it’s about the very real effects of societal, systematic violence against women.

Alyssa Wong is a Shirley Jackson-, and World Fantasy Award-nominated author, shark aficionado, and 2013 graduate of the Clarion Writers’ Workshop. She made the shortlist for the 2015 Stoker Award and won the 2015 Nebula Award for “Hungry Daughters of Starving Mothers” which you should go check out at Nightmare Magazine. Her work has appeared in The Magazine of Fantasy & Science Fiction, Strange Horizons, Tor.com, Uncanny Magazine, Lightspeed Magazine, and Black Static, among others. She is an MFA candidate at North Carolina State University and a member of the Manhattan-based writing group Altered Fluid, and can be found on Twitter @crashwong. Alyssa Wong has been deservedly shortlisted for the Joseph W. Campbell Award for New Writers this year, and “The Fisher Queen” is part of why she made it to the list.

Your narrator – Mae Heaney is originally from Manila, Philippines and currently lives in Melbourne, Australia with her Irish husband, 2 young children and Parmi the Chook. She is an IT professional who once briefly dabbled in theater, and loves to bake to tame the voices in her head. She is very successful in changing nappies under five minutes, but fails miserably in trying to read her toddler’s mind and in updating her blog celticpinaymom.blogspot.com.

Your guest host this week is Associate Editor Dagny Paul. Dagny is an 8th-grade English teacher who lives in New Orleans with her husband and four-year-old son. She has an unhealthy (but entertaining) obsession with comic books and horror movies.

****************************

MY MOTHER WAS A FISH. That’s why I can swim so well, according to my father, who is a plain fisherman with a fisherman’s plain logic, but uncanny flair for the dramatic. And while it’s true that I can cut through the water like a minnow, or a hand dipped over the edge of a speedboat, I personally think it’s because no one can grow up along the Mekong without learning two things: how to swim, and how to avoid the mermaids.

Mermaids, like my father’s favorite storytale version of my mother, are fish. They aren’t people. They are stupid like fish, they eat your garbage like fish, they sell on the open market like fish. Keep your kids out of the water, keep your trash locked up, and if they come close to land, scream a lot and bang pots together until they startle away. They’re pretty basic.

My sisters tried to talk to a mermaid once. It was caught up in one of Dad’s trammel nets, and when they went to check the net out back behind the house, they found this mermaid tangled in it. It was a freshwater one, a bottom-feeder, with long, sparse hair whose color my sisters still argue about to this day. Iris, the oldest, felt bad for it and made May splash some water on its fluttery gills with her red plastic pail. She asked the mermaid if it was okay, what its name was. But it just stared at her with its stupid sideways fish eyes, mouth gaping open and closed with mud trickling out over its whiskers. Then Dad came home and yelled at Iris and May for bringing in the nets too early and touching the mermaid, which probably had sea lice and all kinds of other diseases.

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0:50:14 by Alyssa Wong “The Fisher Queen” was first published in The Magazine of Fantasy & Science Fiction, May/June 2014. It is available to read free online at fu-GEN.org. “The Fisher Queen” was on the shortlist for the 2014 N[...] by Alyssa Wong “The Fisher Queen” was first published in The Magazine of Fantasy & Science Fiction, May/June 2014. It is available to read free online at fu-GEN.org. “The Fisher Queen” was on the shortlist for the 2014 Nebula along with Eugie Foster’s last story, “When It Ends, He Catches Her” which ran last year on Pseudopod. It has been translated into Chinese, French, and German. “The Fisher Queen” is set up in the fashion of traditional oral storytelling, where truth and myth blend together. However, it’s about the very real effects of societal, systematic violence against women. Alyssa Wong is a Shirley Jackson-, and World Fantasy Award-nominated author, shark aficionado, and 2013 graduate of the Clarion Writers’ Workshop. She made the shortlist for the 2015 Stoker Award and won the 2015 Nebula Award for “Hungry Daughters of Starving Mothers” which you should go check out at Nightmare Magazine. Her work has appeared in The Magazine of Fantasy & Science Fiction, Strange Horizons, Tor.com, Uncanny Magazine, Lightspeed Magazine, and Black Static, among others. She is an MFA candidate at North Carolina State University and a member of the Manhattan-based writing group Altered Fluid, and can be found on Twitter @crashwong. Alyssa Wong has been deservedly shortlisted for the Joseph W. Campbell Award for New Writers this year, and “The Fisher Queen” is part of why she made it to the list. Your narrator – Mae Heaney is originally from Manila, Philippines and currently lives in Melbourne, Australia with her Irish husband, 2 young children and Parmi the Chook. She is an IT professional who once briefly dabbled in theater, and loves to bake to tame the voices in her head. She is very successful in changing nappies under five minutes, but fails miserably in trying to read her toddler’s mind and in updating her blog celticpinaymom.blogspot.com. Your guest host this week is Associate Editor Dagny Paul. Dagny is an 8th-grade English teacher who lives in New Orleans with her husband and four-year-old son. She has an unhealthy (but entertaining) obsession with comic books and horror movies. **************************** MY MOTHER WAS A FISH. That’s why I can swim so well, according to my father, who is a plain fisherman with a fisherman’s plain logic, but uncanny flair for the dramatic. And while it’s true that I can cut through the water like a minnow, or a hand dipped over the edge of a speedboat, I personally think it’s because no one can grow up along the Mekong without learning two things: how to swim, and how to avoid the mermaids. Mermaids, like my father’s favorite storytale version of my mother, are fish. They aren’t people. They are stupid like fish, they eat your garbage like fish, they sell on the open market like fish. Keep your kids out of the water, keep your trash locked up, and if they come close to land, scream a lot and bang pots together until they startle away. They’re pretty basic. My sisters tried to talk to a mermaid once. It was caught up in one of Dad’s trammel nets, and when they went to check the net out back behind the house, they found this mermaid tangled in it. It was a freshwater one, a bottom-feeder, with long, sparse hair whose color my sisters still argue about to this day. Iris, the oldest, felt bad for it and made May splash some water on its fluttery gills with her red plastic pail. She asked the mermaid if it was okay, what its name was. But it just stared at her with its stupid sideways fish eyes, mouth gaping open and closed with mud trickling out over its whiskers. Then Dad came home and yelled at Iris and May for bringing in the nets too early and touching the mermaid, which probably had sea lice and all kinds of other diseases. Podcasts, Stories Alyssa Wong yes no
Pseudopod 428 Replay & The Eugie Award http://pseudopod.org/2016/05/27/pp-428-replay-and-the-eugie-award/ Fri, 27 May 2016 21:07:20 +0000 http://pseudopod.org/?p=2110 Eugie Foster

Pseudopod would like to draw your attention to a fantastic announcement this week, the Eugie Foster Memorial Award for Short Fiction. The Eugie Award will celebrate the best in innovative fiction. This annual award will be presented for the first time in 2016—for works published in 2015—at Dragon Con, the nation’s largest fan-run convention.

The Eugie Award honors stories that are irreplaceable, that inspire, enlighten, and entertain. It will shine the spotlight stories that are beautiful, thoughtful, and passionate. That change us and the field. The recipient will be a story that is unique and will become essential to speculative fiction readers. We look forward to seeing the list of finalists, which will be announced in the not too distant future.

This award reflects what Eugie gave to us. She was inspiring, enlightening, and entertaining. Words fail to convey how much she meant to us as a creator and as a human.

To remember how irreplaceable Eugie is to us all, we are re-running episode 428, “When It Ends, He Catches Her” which includes the Escape Artists memoriam at the end. It was a Nebula finalist along with this week’s story, “The Fisher Queen” by Alyssa Wong. For those of you who are new to the podcast, this is an essential part of the back catalog not to be missed. For those of you who have stuck around these parts, I encourage you to give it another listen.

We look forward to celebrating Eugie and other authors and their unforgettable stories through this new award.

To find out more about and keep track of this new juried award, please check out the award page: http://www.eugiefoster.com/eugieaward

Pseudopod 428: “When It Ends, He Catches Her” by Eugie Foster

“When It Ends, He Catches Her” was originally published in Daily Science Fiction in September 2014. Many thanks to Matthew Foster for sharing this story with us and you.

Eugie Foster was an American short story writer, columnist, and editor. Her stories have been published in a number of magazines and book anthologies, including Fantasy Magazine, Realms of Fantasy, Orson Scott Card’s InterGalactic Medicine Show, and Interzone. Her collection of short stories, Returning My Sister’s Face and Other Far Eastern Tales of Whimsy and Malice, was published in 2009. After receiving her master’s degree in psychology, she retired from academia to pen flights of fancy.  She also edited legislation for the Georgia General Assembly, which from time to time she suspected were another venture into flights of fancy. She was also a director for Dragon Con and edited their onsite newsletter, the Daily Dragon.

Eugie received the 2009 Nebula Award for Best Novelette for “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” which you can listen to over on EscapePod. There are over twelve hours of Eugie Foster’s stories and narrations here at Escape Artists. We encourage you to (re) listen to them.

She’s also been a finalist for the Hugo, Washington Science Fiction Association Small Press, and British Science Fiction Association awards. Foster died at Emory University Hospital on September 27, 2014 from respiratory failure, a complication of treatments for Large B-Cell Lymphoma. The day Foster died, Daily Science Fiction published her last story, “When it Ends, He Catches Her.” This story was short listed for the Nebula Award.

Check out all her fiction showcased on Escape Artists here: http://escape-artists.wikia.com/wiki/Eugie_Foster

Your reader – Tina Connolly is the author of the Ironskin trilogy from Tor Books, and the Seriously Wicked series, from Tor Teen. Ironskin, her first fantasy novel, was a Nebula finalist. Her stories have appeared in Women Destroy SF, Lightspeed, Tor.com, Strange Horizons, Beneath Ceaseless Skies, and many more. Her narrations have appeared in audiobooks and podcasts including Podcastle, Pseudopod, Beneath Ceaseless Skies, John Joseph Adams’ The End is Nigh series, and more. She runs the Parsec-winning flash fiction podcast Toasted Cake. SERIOUSLY WICKED for Tor Teen will be released May 5, 2015.

Music in the outro is “Cylinder Nine” by Chris Zabriskie, from the Free Music Archive.

****************************

“The dim shadows were kinder to the theater’s dilapidation. A single candle to aid the dirty sheen of the moon through the rent beams of the ancient roof, easier to overlook the worn and warped floorboards, the tattered curtains, the mildew-ridden walls. Easier as well to overlook the dingy skirt with its hem all ragged, once purest white and fine, and her shoes, almost fallen to pieces, the toes cracked and painstakingly re-wrapped with hoarded strips of linen. Once, not long ago, Aisa wouldn’t have given this place a first glance, would never have deigned to be seen here in this most ruinous of venues. But times changed. Everything changed.

Aisa pirouetted on one long leg, arms circling her body like gently folded wings. Her muscles gathered and uncoiled in a graceful leap, suspending her in the air with limbs outflung, until gravity summoned her back down. The stained, wooden boards creaked beneath her, but she didn’t hear them. She heard only the music in her head, the familiar stanzas from countless rehearsals and performances of Snowbird’s Lament. She could hum the complex orchestral score by rote, just as she knew every step by heart.

Act II, scene III: the finale. It was supposed to be a duet, her as Makira, the warlord’s cursed daughter, and Balege as Ono, her doomed lover, in a frenzied last dance of tragedy undone, hope restored, rebirth. But when the Magistrate had closed down the last theaters, Balege had disappeared in the resultant riots and protests.”

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0:40:44 Pseudopod would like to draw your attention to a fantastic announcement this week, the Eugie Foster Memorial Award for Short Fiction. The Eugie Award will celebrate the best in innovative fiction. This annual award will be presented for the first t[...] Pseudopod would like to draw your attention to a fantastic announcement this week, the Eugie Foster Memorial Award for Short Fiction. The Eugie Award will celebrate the best in innovative fiction. This annual award will be presented for the first time in 2016—for works published in 2015—at Dragon Con, the nation’s largest fan-run convention. The Eugie Award honors stories that are irreplaceable, that inspire, enlighten, and entertain. It will shine the spotlight stories that are beautiful, thoughtful, and passionate. That change us and the field. The recipient will be a story that is unique and will become essential to speculative fiction readers. We look forward to seeing the list of finalists, which will be announced in the not too distant future. This award reflects what Eugie gave to us. She was inspiring, enlightening, and entertaining. Words fail to convey how much she meant to us as a creator and as a human. To remember how irreplaceable Eugie is to us all, we are re-running episode 428, “When It Ends, He Catches Her” which includes the Escape Artists memoriam at the end. It was a Nebula finalist along with this week’s story, “The Fisher Queen” by Alyssa Wong. For those of you who are new to the podcast, this is an essential part of the back catalog not to be missed. For those of you who have stuck around these parts, I encourage you to give it another listen. We look forward to celebrating Eugie and other authors and their unforgettable stories through this new award. To find out more about and keep track of this new juried award, please check out the award page: http://www.eugiefoster.com/eugieaward Pseudopod 428: “When It Ends, He Catches Her” by Eugie Foster “When It Ends, He Catches Her” was originally published in Daily Science Fiction in September 2014. Many thanks to Matthew Foster for sharing this story with us and you. Eugie Foster was an American short story writer, columnist, and editor. Her stories have been published in a number of magazines and book anthologies, including Fantasy Magazine, Realms of Fantasy, Orson Scott Card’s InterGalactic Medicine Show, and Interzone. Her collection of short stories, Returning My Sister’s Face and Other Far Eastern Tales of Whimsy and Malice, was published in 2009. After receiving her master’s degree in psychology, she retired from academia to pen flights of fancy.  She also edited legislation for the Georgia General Assembly, which from time to time she suspected were another venture into flights of fancy. She was also a director for Dragon Con and edited their onsite newsletter, the Daily Dragon. Eugie received the 2009 Nebula Award for Best Novelette for “Sinner, Baker, Fabulist, Priest; Red Mask, Black Mask, Gentleman, Beast” which you can listen to over on EscapePod. There are over twelve hours of Eugie Foster’s stories and narrations here at Escape Artists. We encourage you to (re) listen to them. She’s also been a finalist for the Hugo, Washington Science Fiction Association Small Press, and British Science Fiction Association awards. Foster died at Emory University Hospital on September 27, 2014 from respiratory failure, a complication of treatments for Large B-Cell Lymphoma. The day Foster died, Daily Science Fiction published her last story, “When it Ends, He Catches Her.” This story was short listed for the Nebula Award. Check out all her fiction showcased on Escape Artists here: http://escape-artists.wikia.com/wiki/Eugie_Foster Your reader – Tina Connolly is the author of the Ironskin trilogy from Tor Books, and the Seriously Wicked series, from Tor Teen. Ironskin, her first fantasy novel, was a Nebula finalist. Her stories have appeared in Women Destroy SF, Lightspeed, Tor.com, Strange Horizons, Beneath Ceaseless Skies, and many more. Her narrations have appeared in audiobooks and podcasts including Podcastle, Pseudopod, Beneath Ceaseless Skies, John Joseph[...] Announcements, Podcasts, Stories Eugie Foster yes no
PseudoPod 491: The Second Act http://pseudopod.org/2016/05/22/pseudopod-491-the-second-act/ Sun, 22 May 2016 12:50:04 +0000 http://pseudopod.org/?p=2099 by Nicolas Escobar

“The Second Act” is a Pseudopod original. “It’s important to remember that not everything in life can or should be understood.”

NICOLAS ESCOBAR is a Registered Nurse in Seattle Washington. When he’s not working the night shift he’s at home with his wonderful wife Emily. He developed a passion for writing after attending a meeting of “The Notion Club” run by Professor Will Mari of Northwest University. Nicolas believes in spooks and thinks you should too. He is currently working on a horror novel called THE EMPEROR OF SEATTLE, which should be out in December 2016..

Your narrator – John Meagher – is the writer and narrator of Tales of the Left Hand, an ongoing fantasy series offering “swashbuckling, intrigue and a dash of magic.” His books are available in paperback, eBook and audio versions, and links to all three can be found at Tales Of The Left Hand.com. In his secret identity, he lives in Northern Virginia with his wife, daughter and two cats.

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He was wearing a torn up jacket and soggy blue jeans. Corralled beneath a frayed baseball cap, his hair spilled out in all directions. Both arms clutched a thin yellow book to his chest. He held it tight, as if at any moment someone might snatch it from him. Wild eyed, he slammed the book down in front of me but left his hand on top.

“I’d like to exchange this please” he said.

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0:29:12 by Nicolas Escobar “The Second Act” is a Pseudopod original. “It’s important to remember that not everything in life can or should be understood.” NICOLAS ESCOBAR is a Registered Nurse in Seattle Washington. When he’s not wor[...] by Nicolas Escobar “The Second Act” is a Pseudopod original. “It’s important to remember that not everything in life can or should be understood.” NICOLAS ESCOBAR is a Registered Nurse in Seattle Washington. When he’s not working the night shift he’s at home with his wonderful wife Emily. He developed a passion for writing after attending a meeting of “The Notion Club” run by Professor Will Mari of Northwest University. Nicolas believes in spooks and thinks you should too. He is currently working on a horror novel called THE EMPEROR OF SEATTLE, which should be out in December 2016.. Your narrator – John Meagher – is the writer and narrator of Tales of the Left Hand, an ongoing fantasy series offering “swashbuckling, intrigue and a dash of magic.” His books are available in paperback, eBook and audio versions, and links to all three can be found at Tales Of The Left Hand.com. In his secret identity, he lives in Northern Virginia with his wife, daughter and two cats. **************************** He was wearing a torn up jacket and soggy blue jeans. Corralled beneath a frayed baseball cap, his hair spilled out in all directions. Both arms clutched a thin yellow book to his chest. He held it tight, as if at any moment someone might snatch it from him. Wild eyed, he slammed the book down in front of me but left his hand on top. “I’d like to exchange this please” he said. horror, short, stories, storytelling, scary, fiction Escobar yes no
PseudoPod 490: Murmurs of a Voice Foreknown http://pseudopod.org/2016/05/12/pseudopod-490-murmurs-of-a-voice-foreknown/ Fri, 13 May 2016 03:01:52 +0000 http://pseudopod.org/?p=2090 by Jon Padgett

“Murmurs of a Voice Foreknown” is a Pseudopod original. “As an adult human being, I’m an odd misfit, but I was truly a ghoulish child—small and rail thin with a large, square face capable of making the most hideous expressions (usually only for my own amusement in the bathroom mirror). I’m sure my dark humor and morbid bent are due in no small measure to an older brother who delighted in telling me scary stories almost every night of my early childhood. My brother pathologically despised me when we were kids and actively (and creatively) fed my fears and doubts when he wasn’t physically causing me discomfort or pain. My earliest memories are filled with his threats, creepy lies and bizarre, improvised stories. Many years later, they still haunt my imagination, and I wrote “Murmurs of a Voice Foreknown” with these childhood memories in mind.”

JON PADGETT lives in New Orleans with his spouse, their daughter, and two cats. Padgett has work out or forthcoming in Pseudopod, The Lovecraft eZine and Xnoybis. Padgett’s chapbook, THE INFUSORIUM, was released in spring of 2015, and his first short story collection, The Secret of Ventriloquism, is forthcoming from Dunhams Manor Press, Autumn 2016. Also later in 2016, Padgett–along with a team of editors and the artistic wizardry of Dave Felton–will be releasing the first issue of Vastarien: a source of critical study and creative response to the corpus of Thomas Ligotti and the authors who influenced and are influenced by him.

Your narrator – Paul Cram – is a scrappy actor who’s character in movies always seems to be the one that dies. His latest role in at Anniversary as him awake at night seeing things that no one wants to admit are happening. While Paul still considers his voice to be somewhat new to the world of audio books, he has a few full-length novels under his belt, including the love story Flirting With Death set against the beauty of Lake Michigan & the Zombie Apocalypse. When not acting, Paul can be found out in the woods of Minnesota, arguing pop-culture with his little brother. Check out Paul’s website at PaulCramActor.

****************************

I was seven years old the first time my brother tried to kill me.

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0:40:17 by Jon Padgett “Murmurs of a Voice Foreknown” is a Pseudopod original. “As an adult human being, I’m an odd misfit, but I was truly a ghoulish child—small and rail thin with a large, square face capable of making the most hideous e[...] by Jon Padgett “Murmurs of a Voice Foreknown” is a Pseudopod original. “As an adult human being, I’m an odd misfit, but I was truly a ghoulish child—small and rail thin with a large, square face capable of making the most hideous expressions (usually only for my own amusement in the bathroom mirror). I’m sure my dark humor and morbid bent are due in no small measure to an older brother who delighted in telling me scary stories almost every night of my early childhood. My brother pathologically despised me when we were kids and actively (and creatively) fed my fears and doubts when he wasn’t physically causing me discomfort or pain. My earliest memories are filled with his threats, creepy lies and bizarre, improvised stories. Many years later, they still haunt my imagination, and I wrote “Murmurs of a Voice Foreknown” with these childhood memories in mind.” JON PADGETT lives in New Orleans with his spouse, their daughter, and two cats. Padgett has work out or forthcoming in Pseudopod, The Lovecraft eZine and Xnoybis. Padgett’s chapbook, THE INFUSORIUM, was released in spring of 2015, and his first short story collection, The Secret of Ventriloquism, is forthcoming from Dunhams Manor Press, Autumn 2016. Also later in 2016, Padgett–along with a team of editors and the artistic wizardry of Dave Felton–will be releasing the first issue of Vastarien: a source of critical study and creative response to the corpus of Thomas Ligotti and the authors who influenced and are influenced by him. Your narrator – Paul Cram – is a scrappy actor who’s character in movies always seems to be the one that dies. His latest role in at Anniversary as him awake at night seeing things that no one wants to admit are happening. While Paul still considers his voice to be somewhat new to the world of audio books, he has a few full-length novels under his belt, including the love story Flirting With Death set against the beauty of Lake Michigan & the Zombie Apocalypse. When not acting, Paul can be found out in the woods of Minnesota, arguing pop-culture with his little brother. Check out Paul’s website at PaulCramActor. **************************** I was seven years old the first time my brother tried to kill me. Podcasts, Stories Escape Artists, Inc. yes no
PseudoPod 489: The Devil In Rutledge County http://pseudopod.org/2016/05/06/pseudopod-489-the-devil-in-rutledge-county/ Fri, 06 May 2016 13:00:37 +0000 http://pseudopod.org/?p=2080 by Victoria Hoke

“The Devil In Rutledge County” first appeared in LORE Vol. 2, #4, December 2013.

VICTORIA HOKE writes, draws, and codes in Los Angeles. Her stories have appeared in Strange Horizons, Drabblecast, and Three-lobed Burning Eye. She grew up in North Carolina and still gets cravings for hush puppies and butterscotch candy. She’s editor-in-chief of sub-Q, a new online magazine for interactive fantasy, science fiction, and horror. If you like stories that get under your skin, or you’d like to create some yourself, visit sub-Q for resources, submissions details, and a look at what they publish.

Your narrator – Laura Hobbs – works in infosec by day and is a random crafter by night. Twitter is her social media of choice, and she despises the word “cyber”. When asked nicely, she sometimes reads things for people on the internet. You can find her online at SOAPTURTLE.NET

****************************

It was my fault. It happened ’cause I prayed to the Devil.

Of course I prayed to God first. I prayed every night since I realized Pa was a drunk. Not a joker or a hothead or a layabout — a drunk. I prayed God would make him quit drinking. I prayed God would turn him back to the easy-laughing man who took us fishing on Saturdays.

I prayed whenever I heard Pa retching in the backyard at dawn.

I prayed whenever the constable’s boys dragged him home at midnight.

I prayed when Essie got bit on the heel by a copperhead, and Pa was face-down in bed, and there was only one other person we could turn to.

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0:38:26 by Victoria Hoke “The Devil In Rutledge County” first appeared in LORE Vol. 2, #4, December 2013. VICTORIA HOKE writes, draws, and codes in Los Angeles. Her stories have appeared in Strange Horizons, Drabblecast, and Three-lobed Burning [...] by Victoria Hoke “The Devil In Rutledge County” first appeared in LORE Vol. 2, #4, December 2013. VICTORIA HOKE writes, draws, and codes in Los Angeles. Her stories have appeared in Strange Horizons, Drabblecast, and Three-lobed Burning Eye. She grew up in North Carolina and still gets cravings for hush puppies and butterscotch candy. She’s editor-in-chief of sub-Q, a new online magazine for interactive fantasy, science fiction, and horror. If you like stories that get under your skin, or you’d like to create some yourself, visit sub-Q for resources, submissions details, and a look at what they publish. Your narrator – Laura Hobbs – works in infosec by day and is a random crafter by night. Twitter is her social media of choice, and she despises the word “cyber”. When asked nicely, she sometimes reads things for people on the internet. You can find her online at SOAPTURTLE.NET **************************** It was my fault. It happened ’cause I prayed to the Devil. Of course I prayed to God first. I prayed every night since I realized Pa was a drunk. Not a joker or a hothead or a layabout — a drunk. I prayed God would make him quit drinking. I prayed God would turn him back to the easy-laughing man who took us fishing on Saturdays. I prayed whenever I heard Pa retching in the backyard at dawn. I prayed whenever the constable’s boys dragged him home at midnight. I prayed when Essie got bit on the heel by a copperhead, and Pa was face-down in bed, and there was only one other person we could turn to. horror, short, stories, storytelling, scary, fiction Hoke yes no
PseudoPod 488: A Thing Of Terrible Beauty http://pseudopod.org/2016/04/28/pseudopod-488-a-thing-of-terrible-beauty/ Fri, 29 Apr 2016 02:26:19 +0000 http://pseudopod.org/?p=2065 by Roger Zelazny

“A Thing Of Terrible Beauty” was first published in Fantastic Stories of Imagination, April 1963.

Roger Zelazny (1937 – 1995) was an American poet and writer of fantasy and science fiction short stories and novels, best known for The Chronicles of Amber. He won the Nebula award three times and the Hugo award six times. In his stories, Roger Zelazny frequently portrayed characters from myth, depicted in the modern world. Zelazny was also apt to include numerous anachronistic present-day elements and references to various drama classics into his fantasy and science-fiction works. His crisp, minimalistic dialogue also seems to be somewhat influenced by the style of wisecracking hardboiled crime authors, such as Raymond Chandler or Dashiell Hammett. The tension between the ancient and the modern, surreal and familiar was what drove most of his work. He has a crustacean named after him! Many thanks to Trent Zelazny for working with us to share this story with you. While you’re in the mood for fiction, check out some of his work. We recommend starting with his excellent collection “The Day the Leash Gave Way and Other Stories“.

Your narrator – Ben Kohanski initially became interested in voice work thanks to Pseudopod. He has been an avid listener since all the way back in 2006, and having developed a love of audio fiction, decided to pursue narration. He has since professionally recorded and produced one audiobook, as well as a previous story for Pseudopod, and is available for contract on ACX (hint hint). Though he hails from the grim primordial forests of northwestern Connecticut, he currently lives in Niigata, Japan where he teaches English.

****************************

How like a god of the Epicureans is the audience, at a time like this! Powerless to alter the course of events, yet better informed than the characters, they might rise to their feet and cry out, “Do not!”—but the blinding of Oedipus would still ensue, and the inevitable knot in Jocasta’s scarlet would stop her breathing still.

But no one rises, of course. They know better. They, too, are inevitably secured by the strange bonds of the tragedy. The gods can only observe and know, they cannot alter circumstance, nor wrestle with ananke.

My host is already anticipating the thing he calls “catharsis.” My search has carried me far, and my choice was a good one. Phillip Devers lives in the theater like a worm lives in an apple, a paralytic in an iron lung. It is his world.

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0:23:08 by Roger Zelazny “A Thing Of Terrible Beauty” was first published in Fantastic Stories of Imagination, April 1963. Roger Zelazny (1937 – 1995) was an American poet and writer of fantasy and science fiction short stories and novels, best [...] by Roger Zelazny “A Thing Of Terrible Beauty” was first published in Fantastic Stories of Imagination, April 1963. Roger Zelazny (1937 – 1995) was an American poet and writer of fantasy and science fiction short stories and novels, best known for The Chronicles of Amber. He won the Nebula award three times and the Hugo award six times. In his stories, Roger Zelazny frequently portrayed characters from myth, depicted in the modern world. Zelazny was also apt to include numerous anachronistic present-day elements and references to various drama classics into his fantasy and science-fiction works. His crisp, minimalistic dialogue also seems to be somewhat influenced by the style of wisecracking hardboiled crime authors, such as Raymond Chandler or Dashiell Hammett. The tension between the ancient and the modern, surreal and familiar was what drove most of his work. He has a crustacean named after him! Many thanks to Trent Zelazny for working with us to share this story with you. While you’re in the mood for fiction, check out some of his work. We recommend starting with his excellent collection “The Day the Leash Gave Way and Other Stories“. Your narrator – Ben Kohanski initially became interested in voice work thanks to Pseudopod. He has been an avid listener since all the way back in 2006, and having developed a love of audio fiction, decided to pursue narration. He has since professionally recorded and produced one audiobook, as well as a previous story for Pseudopod, and is available for contract on ACX (hint hint). Though he hails from the grim primordial forests of northwestern Connecticut, he currently lives in Niigata, Japan where he teaches English. **************************** How like a god of the Epicureans is the audience, at a time like this! Powerless to alter the course of events, yet better informed than the characters, they might rise to their feet and cry out, “Do not!”—but the blinding of Oedipus would still ensue, and the inevitable knot in Jocasta’s scarlet would stop her breathing still. But no one rises, of course. They know better. They, too, are inevitably secured by the strange bonds of the tragedy. The gods can only observe and know, they cannot alter circumstance, nor wrestle with ananke. My host is already anticipating the thing he calls “catharsis.” My search has carried me far, and my choice was a good one. Phillip Devers lives in the theater like a worm lives in an apple, a paralytic in an iron lung. It is his world. Podcasts, Stories Roger Zelazny yes no
Welcome to Pseudopod! http://pseudopod.org/2016/04/23/welcome-to-pseudopod-2/ Sat, 23 Apr 2016 15:20:29 +0000 http://pseudopod.org/?p=2070 You’ve found the world’s premier horror fiction podcast. For a decade, Pseudopod has been bringing you the best short horror in audio form, to take with you anywhere. We pay our authors professional rates for original fiction and we reach more people every week than any other short fiction horror market.

We’re celebrating our 10th Anniversary this year. For details, check out our Year10 page.

Are you new to Pseudopod? Don’t let our decade of content daunt you. We’ve assembled a list of stories that show the strength and diversity of our offerings. Check it out here (or at the “New to Pseudopod?” link on the left side of the page).

WARNING: This is a podcast of horror fiction. The stories presented here are intended to disturb. They are likely to contain death, graphic violence, explicit sex (including sexual violence), hate crimes, blasphemy, or other themes and images that hook deep into your psyche. We do not promise to provide ratings or specific content warnings. We assume by your listening that you wish to be disturbed for your entertainment. If there are any themes that you cannot deal with in fiction, that are too strongly personal to you, please do not listen.

Pseudopod is for mature audiences only. Hardly any story on Pseudopod is suitable for children. We mean this very seriously.

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PseudoPod 487: Inky, Blinky, Pinky, Nyarlathotep http://pseudopod.org/2016/04/22/pseudopod-487-inky-blinky-pinky-nyarlathotep/ Fri, 22 Apr 2016 11:28:17 +0000 http://pseudopod.org/?p=2061 by Nick Mamatas

NICK MAMATAS is the author of several novels, including the Bukowskiesque zombie novel THE LAST WEEKEND and the murder-mystery at a Lovecraft convention title I AM PROVIDENCE. His short fiction has appeared in Best American Mystery Stories, Lovecraft’s Monsters, BLACK WINGS II, FUTURE LOVECRAFT, and FUNGI, the journal of revolutionary letters known as SALVAGE, and many other venues. He is also published by Wildside Press – check them out!

“Inky, Blinky, Pinky, Nyarlathotep” originally appeared in FUTURE LOVECRAFT, by Innsmouth Free Press and later when Prime Books reprinted the entire anthology.

Cheyenne Wright is a freelance illustrator and concept artist. He is the color artist on the three-time Hugo Award winning steampunk graphic novel series Girl Genius, and co-creator of many other fine works; Including 50 Fathoms and the Ennie award winning Deadlands Noir for the Savage Worlds RPG. He has also produced graphics for Star Trek Online, the Champions MMO, and t-shirt designs for T.V.’s Alton Brown.

Cheyenne lives in Seattle with his wife, their daughter, and an ever growing stack of unpainted miniatures. In his spare time he is teaching himself animation, and narrates short stories for a variety of audio anthologies where he is known as Podcasting’s Mr. Buttery ManVoice ™

****************************

Newspace was a lot like old space. Well, posters of old space stacked atop one another and constantly shuffled and re-shuffled. In the little waffle-iron spacecraft was the thunderous Niagara, any number of mansions on emerald hills, all piled up in a corner with Escheresque staircases going downwise and anti-spinward, marmalade skies and airships in the shape of giant, open-mouthed fish, the Pyramids of Egypt poking out from every horizon, and long, dark hallways in blue-and-purple neon everywhere, absolutely everywhere, as this is what the New Ones thought VR would look like, back when they were all children.

And the New Ones had fun playing like children. As it turns out, virtually all problems faced by Humanity, save the million-year war with the Old Ones, were resource problems. No Old Ones, no resources, no problems. Virtually no problems, anyway, which is an awful pun, it’s true. So, the New Ones spent their days naked and immortal, writing songs no fleshy ear could comprehend, inventing new languages to describe disembodied emotional states, engaging in virtual nucleic exchange and reproducing wildly to the humming databases, with beings unheard of and indescribable.

The waffle iron was busy, too. Zipping around space and whatnot, eating dark matter and printing copies of itself, in case something happened to it. And oh, yes, something was happening to it. Naturally, the poor little waffle iron didn’t quite understand that the something happening was the drive to laze-lathe meteoroids into replicas of itself. Oh, and then, within the guts of the waffle iron, ghosts started showing up everywhere, upsetting and terrifying the New Ones with their googly eyes and their siren howls. And they loved to eat the New Ones. Beautiful, tow-headed, pink children with cloth diapers and bows in their wispy hair. Lovely children with rich, brown skin and smiles to light up a room. Obnoxious children who sat on the couch all day, pretending to kill with their minds for fun. Children who flailed their hands about and slammed their heads against the wall because they saw the wrong kind of penny. Ghosts were indiscriminate—the ugly and the exquisite both were consumed, leaving naught but wrinkled husks behind.

You have to realize that words like eyes and children, and even husks, make little sense; it’s being dumbed down for you and the quaint bag of chemical reactions you keep in that bone bowl. We’re talking a density matrix, here. So, when a character is introduced, as one is about to be, understand that you’d be just as accurate, were you to imagine her as a blurry, yellow ball of light floating around in a black field, instead of as a person. Which is to say, you’d be much more accurate, after all.

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0:25:41 by Nick Mamatas NICK MAMATAS is the author of several novels, including the Bukowskiesque zombie novel THE LAST WEEKEND and the murder-mystery at a Lovecraft convention title I AM PROVIDENCE. His short fiction has appeared in Best American Mystery [...] by Nick Mamatas NICK MAMATAS is the author of several novels, including the Bukowskiesque zombie novel THE LAST WEEKEND and the murder-mystery at a Lovecraft convention title I AM PROVIDENCE. His short fiction has appeared in Best American Mystery Stories, Lovecraft’s Monsters, BLACK WINGS II, FUTURE LOVECRAFT, and FUNGI, the journal of revolutionary letters known as SALVAGE, and many other venues. He is also published by Wildside Press – check them out! “Inky, Blinky, Pinky, Nyarlathotep” originally appeared in FUTURE LOVECRAFT, by Innsmouth Free Press and later when Prime Books reprinted the entire anthology. Cheyenne Wright is a freelance illustrator and concept artist. He is the color artist on the three-time Hugo Award winning steampunk graphic novel series Girl Genius, and co-creator of many other fine works; Including 50 Fathoms and the Ennie award winning Deadlands Noir for the Savage Worlds RPG. He has also produced graphics for Star Trek Online, the Champions MMO, and t-shirt designs for T.V.’s Alton Brown. Cheyenne lives in Seattle with his wife, their daughter, and an ever growing stack of unpainted miniatures. In his spare time he is teaching himself animation, and narrates short stories for a variety of audio anthologies where he is known as Podcasting’s Mr. Buttery ManVoice ™ **************************** Newspace was a lot like old space. Well, posters of old space stacked atop one another and constantly shuffled and re-shuffled. In the little waffle-iron spacecraft was the thunderous Niagara, any number of mansions on emerald hills, all piled up in a corner with Escheresque staircases going downwise and anti-spinward, marmalade skies and airships in the shape of giant, open-mouthed fish, the Pyramids of Egypt poking out from every horizon, and long, dark hallways in blue-and-purple neon everywhere, absolutely everywhere, as this is what the New Ones thought VR would look like, back when they were all children. And the New Ones had fun playing like children. As it turns out, virtually all problems faced by Humanity, save the million-year war with the Old Ones, were resource problems. No Old Ones, no resources, no problems. Virtually no problems, anyway, which is an awful pun, it’s true. So, the New Ones spent their days naked and immortal, writing songs no fleshy ear could comprehend, inventing new languages to describe disembodied emotional states, engaging in virtual nucleic exchange and reproducing wildly to the humming databases, with beings unheard of and indescribable. The waffle iron was busy, too. Zipping around space and whatnot, eating dark matter and printing copies of itself, in case something happened to it. And oh, yes, something was happening to it. Naturally, the poor little waffle iron didn’t quite understand that the something happening was the drive to laze-lathe meteoroids into replicas of itself. Oh, and then, within the guts of the waffle iron, ghosts started showing up everywhere, upsetting and terrifying the New Ones with their googly eyes and their siren howls. And they loved to eat the New Ones. Beautiful, tow-headed, pink children with cloth diapers and bows in their wispy hair. Lovely children with rich, brown skin and smiles to light up a room. Obnoxious children who sat on the couch all day, pretending to kill with their minds for fun. Children who flailed their hands about and slammed their heads against the wall because they saw the wrong kind of penny. Ghosts were indiscriminate—the ugly and the exquisite both were consumed, leaving naught but wrinkled husks behind. You have to realize that words like eyes and children, and even husks, make little sense; it’s being dumbed down for you and the quaint bag of chemical reactions you keep in that bone bowl. We’re talking a density matrix, here. So, when a character is introduced, as one is about to be, understand that you’d be just as accurate, were you to imagine her as a blurry, yellow ball of light fl[...] Podcasts, Stories Nick Mamatas yes no
Pseudopod 486: Hinterlands http://pseudopod.org/2016/04/15/pseudopod-486-hinterlands/ Fri, 15 Apr 2016 11:13:06 +0000 http://pseudopod.org/?p=2056 by William Gibson

William Ford Gibson is an American-Canadian speculative fiction novelist and essayist who has been called the “noir prophet” of the cyberpunk subgenre. Gibson coined the term “cyberspace” in his short story “Burning Chrome” (1982) and later popularized the concept in his debut novel, Neuromancer (1984). In envisioning cyberspace, Gibson created an iconography for the information age before the ubiquity of the Internet in the 1990s. He is also credited with predicting the rise of reality television and with establishing the conceptual foundations for the rapid growth of virtual environments such as video games and the World Wide Web. Needless to say, Gibson is a major influencer to the existence of Escape Artists. “Hinterlands” originally appeared in Omni Magazine, October 1981

Multi-instrumentalist, singer, songwriter, producer, composer, and heliocentrist George Hrab has written and produced six independent CDs and a concert DVD; published two books; and has recorded hundreds of episodes of Geologic Podcast. George Hrab has traveled to four continents promoting critical thinking, science, and skepticism through story and song. George is considered one of the preeminent skeptic/science/atheist/geek-culture music icons currently living in his apartment.

The New York City premiere of George’s composition for string quartet and voice called “The Broad Street Score” will be on May 12th, 2016 at NECSS, the North East Conference for Science and Skepticism.

****************************

When Hiro hit the switch, I was dreaming of Paris, dreaming of wet, dark streets in winter. The pain came oscillating up from the floor of my skull, exploding behind my eyes in wall of blue neon; I jackknifed up out of the mesh hammock, screaming. I always scream; I make a point of it. Feedback raged in my skull. The pain switch is an auxiliary circuit in the bonephone implant, patched directly into the pain centers, just the thing for cutting through a surrogate’s barbiturate fog. It took a few seconds for my life to fall together, icebergs of biography looming through the fog: who I was, where I was, what I was doing there, who was waking me.

Hiro’s voice came crackling into my head through the bone-conduction implant. “Damn, Toby. Know what it does to my ears, you scream like that?”

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0:47:49 by William Gibson William Ford Gibson is an American-Canadian speculative fiction novelist and essayist who has been called the “noir prophet” of the cyberpunk subgenre. Gibson coined the term “cyberspace” in his short story[...] by William Gibson William Ford Gibson is an American-Canadian speculative fiction novelist and essayist who has been called the “noir prophet” of the cyberpunk subgenre. Gibson coined the term “cyberspace” in his short story “Burning Chrome” (1982) and later popularized the concept in his debut novel, Neuromancer (1984). In envisioning cyberspace, Gibson created an iconography for the information age before the ubiquity of the Internet in the 1990s. He is also credited with predicting the rise of reality television and with establishing the conceptual foundations for the rapid growth of virtual environments such as video games and the World Wide Web. Needless to say, Gibson is a major influencer to the existence of Escape Artists. “Hinterlands” originally appeared in Omni Magazine, October 1981 Multi-instrumentalist, singer, songwriter, producer, composer, and heliocentrist George Hrab has written and produced six independent CDs and a concert DVD; published two books; and has recorded hundreds of episodes of Geologic Podcast. George Hrab has traveled to four continents promoting critical thinking, science, and skepticism through story and song. George is considered one of the preeminent skeptic/science/atheist/geek-culture music icons currently living in his apartment. The New York City premiere of George’s composition for string quartet and voice called “The Broad Street Score” will be on May 12th, 2016 at NECSS, the North East Conference for Science and Skepticism. **************************** When Hiro hit the switch, I was dreaming of Paris, dreaming of wet, dark streets in winter. The pain came oscillating up from the floor of my skull, exploding behind my eyes in wall of blue neon; I jackknifed up out of the mesh hammock, screaming. I always scream; I make a point of it. Feedback raged in my skull. The pain switch is an auxiliary circuit in the bonephone implant, patched directly into the pain centers, just the thing for cutting through a surrogate’s barbiturate fog. It took a few seconds for my life to fall together, icebergs of biography looming through the fog: who I was, where I was, what I was doing there, who was waking me. Hiro’s voice came crackling into my head through the bone-conduction implant. “Damn, Toby. Know what it does to my ears, you scream like that?” Podcasts, Stories William Gibson yes no
Pseudopod 485: Softly into the Morning http://pseudopod.org/2016/04/08/pseudopod-485-softly-into-the-morning/ Fri, 08 Apr 2016 19:44:11 +0000 http://pseudopod.org/?p=2045 by Liz Colter

Your guest host this week is S. B. Divya the new Assistant Editor of Escape Pod.

Softly into the Morning is a Pseudopod Original. The title and the story were inspired by Sarah McLachlan’s song “Answer.” The line “Cast me gently into morning, for the night has been unkind” struck her as especially powerful. Being a speculative fiction writer, it inspired thoughts of what might constitute a truly “unkind” night and what the morning might bring. From there, the story took its own twists and turns as she wrote it.

Liz Colter lives in rural Colorado and spends her time off with her husband, dogs, horses and writing. She is a winner of the Writers of the Future contest and has also had stories published in places like Galaxy’s Edge Magazine, Urban Fantasy Magazine, as well as a story “Penance” here in Pseudopod. In longer works she has three completed fantasy novels. A full list of her publications and news of her writing can be found at lizcolter.com and you can check out some of her other stories as well as ones by S. B. Divya in the free ebook Up and Coming: Stories by the 2016 Campbell-Eligible Authors.

Your narrator is Devin McLaughlin. Devin is a man from South-western Ontario who has a harder-than-normal time of writing about himself from the third-person perspective. This seemingly simple task utterly baffles him. Also, he sometimes narrates things. Devin has a few narrations upcoming on the podcast Tales to Terrify. Should you be interested, you can follow his narration work by carefully peering into his bedroom window at night. Devin just asks that you please keep it down, as people inside are trying to sleep.

****************************

The shimmering glow of Sol appeared at the edge of Mercury. Jack watched the growing crescent of fiery gold from the best seat in the house, the center console of the large forward window. The privilege had been coincidental, the consequence of a flight engineer needing less space for screens than the captain or navigator.

The window tinting wasn’t keeping pace with the increasing light and Jack’s eyes watered from the intensely focused brightness. Still, he couldn’t turn away from that life-giving light amidst all this vast darkness. Dawn had always affected Jack. Even at home in the Florida Keys he never failed to be up in time to see the sunrise. And today he was closer to the sun than any human in history.

“Time to earn our pay,” Wainwright said. The captain had been standing at Jack’s left to watch the spectacle, but tugged himself now into his chair and snapped his harness into place. A muscle twitching below one eye was the only telltale that the unflappable Edward Wainwright was as tense as his crew.

Earning their pay was the least of their worries, Jack knew; if the sails didn’t deploy, it was doubtful any of them would live to see Earth again.

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0:46:35 by Liz Colter Your guest host this week is S. B. Divya the new Assistant Editor of Escape Pod. Softly into the Morning is a Pseudopod Original. The title and the story were inspired by Sarah McLachlan’s song “Answer.” The line [...] by Liz Colter Your guest host this week is S. B. Divya the new Assistant Editor of Escape Pod. Softly into the Morning is a Pseudopod Original. The title and the story were inspired by Sarah McLachlan’s song “Answer.” The line “Cast me gently into morning, for the night has been unkind” struck her as especially powerful. Being a speculative fiction writer, it inspired thoughts of what might constitute a truly “unkind” night and what the morning might bring. From there, the story took its own twists and turns as she wrote it. Liz Colter lives in rural Colorado and spends her time off with her husband, dogs, horses and writing. She is a winner of the Writers of the Future contest and has also had stories published in places like Galaxy’s Edge Magazine, Urban Fantasy Magazine, as well as a story “Penance” here in Pseudopod. In longer works she has three completed fantasy novels. A full list of her publications and news of her writing can be found at lizcolter.com and you can check out some of her other stories as well as ones by S. B. Divya in the free ebook Up and Coming: Stories by the 2016 Campbell-Eligible Authors. Your narrator is Devin McLaughlin. Devin is a man from South-western Ontario who has a harder-than-normal time of writing about himself from the third-person perspective. This seemingly simple task utterly baffles him. Also, he sometimes narrates things. Devin has a few narrations upcoming on the podcast Tales to Terrify. Should you be interested, you can follow his narration work by carefully peering into his bedroom window at night. Devin just asks that you please keep it down, as people inside are trying to sleep. **************************** The shimmering glow of Sol appeared at the edge of Mercury. Jack watched the growing crescent of fiery gold from the best seat in the house, the center console of the large forward window. The privilege had been coincidental, the consequence of a flight engineer needing less space for screens than the captain or navigator. The window tinting wasn’t keeping pace with the increasing light and Jack’s eyes watered from the intensely focused brightness. Still, he couldn’t turn away from that life-giving light amidst all this vast darkness. Dawn had always affected Jack. Even at home in the Florida Keys he never failed to be up in time to see the sunrise. And today he was closer to the sun than any human in history. “Time to earn our pay,” Wainwright said. The captain had been standing at Jack’s left to watch the spectacle, but tugged himself now into his chair and snapped his harness into place. A muscle twitching below one eye was the only telltale that the unflappable Edward Wainwright was as tense as his crew. Earning their pay was the least of their worries, Jack knew; if the sails didn’t deploy, it was doubtful any of them would live to see Earth again. Podcasts, Stories Liz Colter yes no
PseudoPod 484: Flash On The Borderlands XXXI: WEIRD SCIENCE HORROR! http://pseudopod.org/2016/04/01/pseudopod-484-fotb-xxxi/ Fri, 01 Apr 2016 11:58:27 +0000 http://pseudopod.org/?p=2037 Unspeakable Horrors From Outer Space Paralyze The Living And Resurrect The Dead!

************************************************************************

The Masters by Theodore Cogswell

The Masters originally appeared in Thrilling Wonder Stories, Summer 1954. Theodore Rose Cogswell (1918 – 1987) was an American science fiction author. During the Spanish Civil War, he served as an ambulance driver for the Republicans as part of the Abraham Lincoln Brigade. Cogswell wrote almost 40 science fiction stories, most of them humorous. Many thanks to John Betancourt and the Cogswell estate for working with us to share this story with you.

Your narrator – John Bell who runs the Bells in the Batfry podcast at thebatfry.com. For those who want to use his services, please reach out to him at jbellvoice@gmail.com

“So heavy!” groaned the last earth-man to himself as he laboriously pried up a heavy flagstone with the butt of an old halberd. “So very, very, heavy.”

As the flat rock finally toppled over, he bent down, with all the speed his complaining back would permit, and grabbed a centipede that was scuttling for safety. Grimacing slightly, he bit off its head and sucked out its little ration of unsatisfying juices.

While he did so, he nearsightedly scanned the moist ground the flagstone had covered, to see if there was anything else. But that section of his larder was empty. With a weary grunt he moved over to the next paving stone. When he had it halfway up, he saw a fine Wiggling underneath. Before he could do anything about it, there was a sudden shattering of the night silence, as something exploded in the high distance. Startled, he let the halberd drop—almost smashing a toe in the process—and looked up. As he watched, there came another thundering, and, with the harsh explosions, a flickering light flood. The ragged mountains that cupped his tiny signory jumped in and out of darkness. By the time he recovered his vision the sound was almost overhead. He squinted upward into the darkness as the flashes came again, less bright this time. Then he saw a strange something descending toward him on spouting pillars of emerald flame.

“Company!” he chortled happily to himself as he tottered down the winding stairs that led to his chambers. “After all these years, real live company!”

************************************************************************

The Stainless Steel Leech by Roger Zelazny.

The Stainless Steel Leech originally appeared in Amazing Stories, April 1963.

Roger Zelazny (1937 – 1995) was an American poet and writer of fantasy and science fiction short stories and novels, best known for The Chronicles of Amber. He won the Nebula award three times and the Hugo award six times. He has a crustacean named after him! Many thanks to Trent Zelazny for working with us to share this story with you. While you’re in the mood for fiction, check out some of his work. We recommend starting with his excellent collection “The Day the Leash Gave Way and Other Stories“.

Speaking of crustaceans, your narrator is Norm Sherman. Norm lives on a small ship circling Phobos with his Nigerian princess Tinunbu. He landed long enough to read this story for us.

I, the unjunked, am legend. Once out of a million assemblies a defective such as I might appear and go undetected, until too late.

At will, I could cut the circuit that connected me with Central Control, and be a free ’bot, and master of my own movements. I liked to visit the cemeteries, because they were quiet and different from the maddening stamp-stamp of the presses and the clanking of the crowds; I liked to look at the green and red and yellow and blue things that grew about the graves. And I did not fear these places, for that circuit, too, was defective. So when I was discovered they removed my vite-box and threw me on the junk heap.

But the next day I was gone, and their fear was great.

************************************************************************

And Not Quite Human by Joe L. Hensley

Joe L. Hensley (1926 – 2007) was a lawyer, prosecuting attorney, member of the Indiana General Assembly, circuit court judge, science fiction fan, and writer of science fiction and mysteries. Many of his mystery novels were set in the fictitious Bington, a place which combined aspects of Madison and Bloomington. His first fiction sale was the short story “And Not Quite Human,” published in the September 1953 issue of Beyond Fantasy Fiction. Make sure to check out his story, Argent Blood, over on Podcastle. Many thanks to the Hensley estate and Vaughne at the Virginia Kidd Agency for working with us to bring this to you.

Your narrator is Spencer DiSparti, who is a poet, writer, and voice actor from Phoenix, Arizona. He is the host of The Green Magick Podcast and is available to read things for you at thegreenmagickpodcast@yahoo.com

They won of course. One ship against a world, but they won easily.

The Regents would be pleased. Another planet for colonization-—even a few specimens for the labs. Earthmen, who had incredibly lived through the attack.

Forward, in a part of the great ship where the complex control panels whirred and clicked, two of the Arcturians conferred together.

“How are the Earth specimens, Doctor?” the older one asked, his voice indifferent. He touched his splendid purple pants, straightening the already precise creases.

“They stare at the walls, Captain. They do not eat what we give them. They seem to look through the guards, say very little and use their bodies feebly. I do not think that all of them will live through the trip.”

“They are weak. It only shows the laboratories are wrong. Our people are not related to them—despite the similarity in appearance. No, we are cast in a stronger mold than that.” He drummed his desk with impatient fingers. “Well—we can’t let them die. Force-feed them if necessary. Our scientists demand specimens; we are lucky that some of them lived through the attack. I don’t see how it was possible—it was such a splendid attack.”

“They have no real sickness, not even a radiation burn in the lot of them,” the doctor said. “But they are weak and morose.”

“Keep them alive and well, Doctor.”

************************************************************************

One week left! Push them over the finishing line! Support our friends at 01 Publishing get Whispers from the Abyss 2 into print.

Preorder John C Foster’s upcoming novel at DoNotSpeakHisName.com

Theremin courtesy of Freesound and Thereminvox.

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0:59:07 Unspeakable Horrors From Outer Space Paralyze The Living And Resurrect The Dead! ************************************************************************ The Masters by Theodore Cogswell The Masters originally appeared in Thrilling Wonder Stories, S[...] Unspeakable Horrors From Outer Space Paralyze The Living And Resurrect The Dead! ************************************************************************ The Masters by Theodore Cogswell The Masters originally appeared in Thrilling Wonder Stories, Summer 1954. Theodore Rose Cogswell (1918 – 1987) was an American science fiction author. During the Spanish Civil War, he served as an ambulance driver for the Republicans as part of the Abraham Lincoln Brigade. Cogswell wrote almost 40 science fiction stories, most of them humorous. Many thanks to John Betancourt and the Cogswell estate for working with us to share this story with you. Your narrator – John Bell who runs the Bells in the Batfry podcast at thebatfry.com. For those who want to use his services, please reach out to him at jbellvoice@gmail.com “So heavy!” groaned the last earth-man to himself as he laboriously pried up a heavy flagstone with the butt of an old halberd. “So very, very, heavy.” As the flat rock finally toppled over, he bent down, with all the speed his complaining back would permit, and grabbed a centipede that was scuttling for safety. Grimacing slightly, he bit off its head and sucked out its little ration of unsatisfying juices. While he did so, he nearsightedly scanned the moist ground the flagstone had covered, to see if there was anything else. But that section of his larder was empty. With a weary grunt he moved over to the next paving stone. When he had it halfway up, he saw a fine Wiggling underneath. Before he could do anything about it, there was a sudden shattering of the night silence, as something exploded in the high distance. Startled, he let the halberd drop—almost smashing a toe in the process—and looked up. As he watched, there came another thundering, and, with the harsh explosions, a flickering light flood. The ragged mountains that cupped his tiny signory jumped in and out of darkness. By the time he recovered his vision the sound was almost overhead. He squinted upward into the darkness as the flashes came again, less bright this time. Then he saw a strange something descending toward him on spouting pillars of emerald flame. “Company!” he chortled happily to himself as he tottered down the winding stairs that led to his chambers. “After all these years, real live company!” ************************************************************************ The Stainless Steel Leech by Roger Zelazny. The Stainless Steel Leech originally appeared in Amazing Stories, April 1963. Roger Zelazny (1937 – 1995) was an American poet and writer of fantasy and science fiction short stories and novels, best known for The Chronicles of Amber. He won the Nebula award three times and the Hugo award six times. He has a crustacean named after him! Many thanks to Trent Zelazny for working with us to share this story with you. While you’re in the mood for fiction, check out some of his work. We recommend starting with his excellent collection “The Day the Leash Gave Way and Other Stories“. Speaking of crustaceans, your narrator is Norm Sherman. Norm lives on a small ship circling Phobos with his Nigerian princess Tinunbu. He landed long enough to read this story for us. I, the unjunked, am legend. Once out of a million assemblies a defective such as I might appear and go undetected, until too late. At will, I could cut the circuit that connected me with Central Control, and be a free ’bot, and master of my own movements. I liked to visit the cemeteries, because they were quiet and different from the maddening stamp-stamp of the presses and the clanking of the crowds; I liked to look at the green and red and yellow and blue things that grew about the graves. And I did not fear these places, for that circuit, too, was defective. So when I was discovered they removed my vite-box and threw me on the junk heap. But the next day I was gone, and their fear was great. *****************************************************************[...] Flash, Podcasts, Stories Cogswell, Zelazny, Hensley yes no
Pseudopod 483: Jenny (A Fairytale) http://pseudopod.org/2016/03/26/pseudopod-483-jenny-a-fairytale/ Sat, 26 Mar 2016 04:01:58 +0000 http://pseudopod.org/?p=2025 by Michael Byrne.

Jenny (A Fairytale)” has only been published on my own blog (Static Culture) and fewer people than I realised (when sent out to critique) are aware of the legend of ‘Jenny Greenteeth’ . I am unsure whether giving some intro into the legend will lessen the story or accentuate it but for reference ‘Jenny Greenteeth’ is a Lancashire legend of a river hag who would eat children. The below website offer a nice brief description: Fairyist: Jenny Greenteeth.

MICHAEL BYRNE a London based Writer/ Film Maker originally from Rochdale in Lancashire. He writes for his own blog, Static Culture and is currently seeking representation. He says he never truly sets out to write dark or subversive stories but for whatever reason they usually end up that way. His previous work, ‘Gast’, received wonderful reviews from readers of Scribble Magazine, coming second in their quarterly competition. ‘Gast’ can also be found at Static Culture. His film work people can be viewed at Cracked Films.

Your narrator – Donna Scott – remains an enigma wrapped in a reader…

Support our friends at 01 Publishing get Whispers from the Abyss 2 into print.

Preorder John C Foster’s upcoming novel at DoNotSpeakHisName.com

****************************

In the past she had had many names, each one having evolved into legend and folklore, each a variation on a theme of children keeping away from the water’s edge. For the most part the stories’ graphic content seemed to work but there were always one or two younglings that would wander too far, out of bravado or curiosity, to the edge of their known world. Over the years she had noted how the bravery and stupidity of humans skated a fine line and that children seemed inherently prone to both attributes. Waltzing jovially into her watery embrace, unknowingly of course until the last moment. Never seeing her glide under the still waters without making a ripple. Black shark eyes absorbing every movement above the water until, in an explosion of sound she would berth, clasping her leathery reed-encumbered arms around her prey and pulling them effortlessly below. Families would search, siblings would scream, mothers would weep. So it was for centuries that the children of the upper world would become unwilling food for the preternatural. It was a gruesome system but a system none the less. Then the industrial revolution conquered the minds of man and development slowly began to leak its influence into the world. The pond became a functional device for a red keep of steam and smog, the inhabitants of the town growing in number and brood, encroaching ever closer to her domain. With five or six litters per homestead, it was expected that some could not return from their labour at the mill, their unwilling sacrifice keeping her belly full. These golden days were short lived however, a century of feasting slowing down to feeds twice or so a week. But her appetite was a patient one, being able to go weeks without food like a snake or a scorpion in torpor. Still they would come, alone or in cavorting pairs; the missing posters of yesterday littering the park with saturnine confetti that they failed to take heed of. So it was that times changed and thus she changed with them. The world adapted and she in turn adapted her hunt…

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0:31:53 by Michael Byrne. “Jenny (A Fairytale)” has only been published on my own blog (Static Culture) and fewer people than I realised (when sent out to critique) are aware of the legend of ‘Jenny Greenteeth’ . I am unsure whether [...] by Michael Byrne. “Jenny (A Fairytale)” has only been published on my own blog (Static Culture) and fewer people than I realised (when sent out to critique) are aware of the legend of ‘Jenny Greenteeth’ . I am unsure whether giving some intro into the legend will lessen the story or accentuate it but for reference ‘Jenny Greenteeth’ is a Lancashire legend of a river hag who would eat children. The below website offer a nice brief description: Fairyist: Jenny Greenteeth. MICHAEL BYRNE a London based Writer/ Film Maker originally from Rochdale in Lancashire. He writes for his own blog, Static Culture and is currently seeking representation. He says he never truly sets out to write dark or subversive stories but for whatever reason they usually end up that way. His previous work, ‘Gast’, received wonderful reviews from readers of Scribble Magazine, coming second in their quarterly competition. ‘Gast’ can also be found at Static Culture. His film work people can be viewed at Cracked Films. Your narrator – Donna Scott – remains an enigma wrapped in a reader… Support our friends at 01 Publishing get Whispers from the Abyss 2 into print. Preorder John C Foster’s upcoming novel at DoNotSpeakHisName.com **************************** In the past she had had many names, each one having evolved into legend and folklore, each a variation on a theme of children keeping away from the water’s edge. For the most part the stories’ graphic content seemed to work but there were always one or two younglings that would wander too far, out of bravado or curiosity, to the edge of their known world. Over the years she had noted how the bravery and stupidity of humans skated a fine line and that children seemed inherently prone to both attributes. Waltzing jovially into her watery embrace, unknowingly of course until the last moment. Never seeing her glide under the still waters without making a ripple. Black shark eyes absorbing every movement above the water until, in an explosion of sound she would berth, clasping her leathery reed-encumbered arms around her prey and pulling them effortlessly below. Families would search, siblings would scream, mothers would weep. So it was for centuries that the children of the upper world would become unwilling food for the preternatural. It was a gruesome system but a system none the less. Then the industrial revolution conquered the minds of man and development slowly began to leak its influence into the world. The pond became a functional device for a red keep of steam and smog, the inhabitants of the town growing in number and brood, encroaching ever closer to her domain. With five or six litters per homestead, it was expected that some could not return from their labour at the mill, their unwilling sacrifice keeping her belly full. These golden days were short lived however, a century of feasting slowing down to feeds twice or so a week. But her appetite was a patient one, being able to go weeks without food like a snake or a scorpion in torpor. Still they would come, alone or in cavorting pairs; the missing posters of yesterday littering the park with saturnine confetti that they failed to take heed of. So it was that times changed and thus she changed with them. The world adapted and she in turn adapted her hunt… horror, short, stories, storytelling, scary, fiction Byrne yes no
Pseudopod 482: The Box Wife http://pseudopod.org/2016/03/18/pseudopod-482-the-box-wife/ Fri, 18 Mar 2016 23:36:11 +0000 http://pseudopod.org/?p=2021 by Emma Osborne.

The Box Wife” was first published in Shock Totem: Curious Tales of the Macabre and Twisted issue 9, edited by K. Allen Wood.

Emma Osborne is a fiction writer and poet from Melbourne, Australia. Her short stories can be found in Aurealis, Bastion Science Fiction and Shock Totem. Her poetry has been featured in Star*Line and has appeared in Apex Magazine. Emma comes from a long line of dance floor starters and was once engaged in a bear hug so epic that both parties fell over. She can be found on Twitter as @redscribe and her website is A Practical Crown

Your narrator – Eve Upton – is huddled in the darkness of the cupboard…she appears to be scratching words into the floor… what does that say? “nolite the bastardes carborundorum”.

****************************

If you run your hands over me you’ll be pulling splinters from your palms for days.

I am in a room bare and dark.

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0:21:26 by Emma Osborne. “The Box Wife” was first published in Shock Totem: Curious Tales of the Macabre and Twisted issue 9, edited by K. Allen Wood. Emma Osborne is a fiction writer and poet from Melbourne, Australia. Her short stories can be [...] by Emma Osborne. “The Box Wife” was first published in Shock Totem: Curious Tales of the Macabre and Twisted issue 9, edited by K. Allen Wood. Emma Osborne is a fiction writer and poet from Melbourne, Australia. Her short stories can be found in Aurealis, Bastion Science Fiction and Shock Totem. Her poetry has been featured in Star*Line and has appeared in Apex Magazine. Emma comes from a long line of dance floor starters and was once engaged in a bear hug so epic that both parties fell over. She can be found on Twitter as @redscribe and her website is A Practical Crown Your narrator – Eve Upton – is huddled in the darkness of the cupboard…she appears to be scratching words into the floor… what does that say? “nolite the bastardes carborundorum”. **************************** If you run your hands over me you’ll be pulling splinters from your palms for days. I am in a room bare and dark. Podcasts, Stories Escape Artists, Inc. yes no
Pseudopod 481: Unheil http://pseudopod.org/2016/03/11/pseudopod-481-unheil/ Fri, 11 Mar 2016 05:02:30 +0000 http://pseudopod.org/?p=2014 by Kathryn Allen.

Unheil” was first published in Pantheon Magazine. It also appears in Typhon: A Monster Anthology which is currently available from Amazon, Barnes and Noble, and Createspace.

Kathryn Allen lives in Yorkshire and sometimes writes fiction about facts which make her angry.

Your narrator – Elie Hirschman: Following his whirlwind world tour for athelete’s foot awareness, Elie has returned to his native Zimbabwe to unwind, make his mind one with the cosmos and seek a cure for his lifelong struggle as a pathological liar. He’s currently still active in all EA podcasts (including Cast of Wonders) and also appearing semi-regularly in the Nosleep Podcast.

****************************

South-West Africa. 1909.

I came south because I was hungry and the same-old-same-old of drought and famine, which generation after generation encourages young men to seek a different future, made hiring myself out to the Germans seem like a good thing. Everyone was doing it. If Father had been ten years younger… Or so he said to Mother when she complained about how far away I would be. As if I would not return home as soon as the rains came. As if I would not write. She shed a few tears the morning I left, but not as many as she would have if she’d believed I was never coming back.

To their great surprise, as they looked before and found nothing, the Germans had discovered diamonds in the deserts of the Skeleton Coast. Or rather a man from Cape Town, who’d dug for many years in the Kimberley mines, picked up a raw stone whilst working on the railway line to Lüderitz. I suspect he did not get to keep it, though, as he was black.

You see, I was not innocent of the ways of Europeans. I did not go south expecting to make myself a fortune but because the Germans were hiring labourers to make theirs. I knew I would have to work hard for only a modest reward. Even so, the men who came to the Owambo Kingdoms, promising bed-and-board, money to send home, and a few coins to spend, said nothing of chains or beatings. There was no mention of day upon day spent on hands and knees, crawling across every inch of every desert hill and valley, fingers cracked and bloody from combing through the burning sands, the overseers never content with either pace or productivity. I was not innocent, but I was too trusting.

Hunger drew me south and hunger killed me.

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0:00:01 by Kathryn Allen. “Unheil” was first published in Pantheon Magazine. It also appears in Typhon: A Monster Anthology which is currently available from Amazon, Barnes and Noble, and Createspace. Kathryn Allen lives in Yorkshire and sometim[...] by Kathryn Allen. “Unheil” was first published in Pantheon Magazine. It also appears in Typhon: A Monster Anthology which is currently available from Amazon, Barnes and Noble, and Createspace. Kathryn Allen lives in Yorkshire and sometimes writes fiction about facts which make her angry. Your narrator – Elie Hirschman: Following his whirlwind world tour for athelete’s foot awareness, Elie has returned to his native Zimbabwe to unwind, make his mind one with the cosmos and seek a cure for his lifelong struggle as a pathological liar. He’s currently still active in all EA podcasts (including Cast of Wonders) and also appearing semi-regularly in the Nosleep Podcast. **************************** South-West Africa. 1909. I came south because I was hungry and the same-old-same-old of drought and famine, which generation after generation encourages young men to seek a different future, made hiring myself out to the Germans seem like a good thing. Everyone was doing it. If Father had been ten years younger… Or so he said to Mother when she complained about how far away I would be. As if I would not return home as soon as the rains came. As if I would not write. She shed a few tears the morning I left, but not as many as she would have if she’d believed I was never coming back. To their great surprise, as they looked before and found nothing, the Germans had discovered diamonds in the deserts of the Skeleton Coast. Or rather a man from Cape Town, who’d dug for many years in the Kimberley mines, picked up a raw stone whilst working on the railway line to Lüderitz. I suspect he did not get to keep it, though, as he was black. You see, I was not innocent of the ways of Europeans. I did not go south expecting to make myself a fortune but because the Germans were hiring labourers to make theirs. I knew I would have to work hard for only a modest reward. Even so, the men who came to the Owambo Kingdoms, promising bed-and-board, money to send home, and a few coins to spend, said nothing of chains or beatings. There was no mention of day upon day spent on hands and knees, crawling across every inch of every desert hill and valley, fingers cracked and bloody from combing through the burning sands, the overseers never content with either pace or productivity. I was not innocent, but I was too trusting. Hunger drew me south and hunger killed me. Podcasts, Stories Kathryn Allen yes no
Pseudopod 480: Servant Of The Aswang http://pseudopod.org/2016/03/04/pseudopod-480-servant-of-the-aswang/ Fri, 04 Mar 2016 13:35:16 +0000 http://pseudopod.org/?p=2008 by Samuel Marzioli.

Servant of the Aswang” was first published in Penumbra eMag Vol. 3, #6, March 2014

Samuel Marzioli is an Italian-Filipino writer, currently living in Oregon with his family. His stories have appeared or are forthcoming in various publications, including Apex Magazine, Intergalactic Medicine Show, Shock Totem, and Penumbra eMag. His blog, marzioli.blogspot.com, featuring updates on his current projects, releases and sales, and a complete list of publications.

Your narrator – Mae Heaney is originally from Manila, Philippines and currently lives in Melbourne, Australia with her Irish husband and 2 young children. She is an IT professional who once briefly dabbled in theater, loves to cook, bake and exercise! Her blog celticpinaymom.blogspot.com badly needs updating, she said she will try in between nappy changes while on maternity leave. And yes she still believes in the aswang!

****************************

The Manila Times predicted March 30th would be a scorcher, the hottest so far this year. The aswang called it a perfect day to hunt and went to pack the cargo van.

As a rule, she never took us to the same site twice and always drove along the back roads and forgotten streets to every destination. It kept us unseen, she said, and put a bold stroke outline on any car that might follow. She was always fastidious about these things. That’s why she had lasted so long when all the rest of her kind had faded into folklore and rural superstition.

This time we traveled to Alabang Town Center, about fifty kilometers south and a two-hour drive by the route we took. We staked out a bench and waited for shoppers to pour in, acting like mother and daughter kicking up our feet. By noon, teenagers crammed inside, walking in noisy groups, still celebrating their newfound summer freedom.

Had they known the kind of eyes that watched them, they would have fled the mall and gone straight home, to huddle in their closets and wait for us to move on. But they never knew, never left, and I was forced to relive the same nightmare over and over.

“Pumili,” the aswang said.

“I can’t. I can’t choose,” I said, practiced words she’d heard a dozen times before.

“Do not act like you have forgotten our deal,” she said, a rare moment when she didn’t speak Tagalog. “Choose someone, or I will choose you.”

I did. Like the coward I am, of course I did.

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0:31:34 by Samuel Marzioli. “Servant of the Aswang” was first published in Penumbra eMag Vol. 3, #6, March 2014 Samuel Marzioli is an Italian-Filipino writer, currently living in Oregon with his family. His stories have appeared or are forthcomi[...] by Samuel Marzioli. “Servant of the Aswang” was first published in Penumbra eMag Vol. 3, #6, March 2014 Samuel Marzioli is an Italian-Filipino writer, currently living in Oregon with his family. His stories have appeared or are forthcoming in various publications, including Apex Magazine, Intergalactic Medicine Show, Shock Totem, and Penumbra eMag. His blog, marzioli.blogspot.com, featuring updates on his current projects, releases and sales, and a complete list of publications. Your narrator – Mae Heaney is originally from Manila, Philippines and currently lives in Melbourne, Australia with her Irish husband and 2 young children. She is an IT professional who once briefly dabbled in theater, loves to cook, bake and exercise! Her blog celticpinaymom.blogspot.com badly needs updating, she said she will try in between nappy changes while on maternity leave. And yes she still believes in the aswang! **************************** The Manila Times predicted March 30th would be a scorcher, the hottest so far this year. The aswang called it a perfect day to hunt and went to pack the cargo van. As a rule, she never took us to the same site twice and always drove along the back roads and forgotten streets to every destination. It kept us unseen, she said, and put a bold stroke outline on any car that might follow. She was always fastidious about these things. That’s why she had lasted so long when all the rest of her kind had faded into folklore and rural superstition. This time we traveled to Alabang Town Center, about fifty kilometers south and a two-hour drive by the route we took. We staked out a bench and waited for shoppers to pour in, acting like mother and daughter kicking up our feet. By noon, teenagers crammed inside, walking in noisy groups, still celebrating their newfound summer freedom. Had they known the kind of eyes that watched them, they would have fled the mall and gone straight home, to huddle in their closets and wait for us to move on. But they never knew, never left, and I was forced to relive the same nightmare over and over. “Pumili,” the aswang said. “I can’t. I can’t choose,” I said, practiced words she’d heard a dozen times before. “Do not act like you have forgotten our deal,” she said, a rare moment when she didn’t speak Tagalog. “Choose someone, or I will choose you.” I did. Like the coward I am, of course I did. Podcasts, Stories Escape Artists, Inc. yes no
Pseudopod 479: ARTEMIS RISING Women In Horror Showcase: Like Dolls http://pseudopod.org/2016/02/26/pseudopod-479-artemis-rising-like-dolls/ Fri, 26 Feb 2016 15:18:47 +0000 http://pseudopod.org/?p=1938 by J Lily Corbie

Like Dolls started as a meditation on the other side of the ‘wailing on your grave’ subgenre of folk music, such as I Am Stretched on Your Grave and The Unquiet Grave. Not only is Like Dolls a Pseudopod original, but also the author’s first professional publication sale. PseudoPod couldn’t be prouder to introduce you to this author.

J Lily Corbie lives in Oklahoma with two dogs and two cats, where she’s a government lackey by day and a writer by night. She can be found on Facebook, Tumblr, and Twitter, and she blogs erratically at girlserrant.wordpress.com including updates and news regarding her short stories looking for homes and a novel in the revision process.

Your narrator – Kim Lakin-Smith is a Science Fiction and Dark Fantasy author whose short stories feature in Interzone, Black Static, Behind the Sofa: Celebrity Memories of Doctor Who, Best British Fantasy 2013, Sharkpunk, The Mammoth Book of Dieselpunk, and more. She is the author of gothic science fantasy, Tourniquet, and YA novels, Queen Rat and Autodrome. Her novel, Cyber Circus, was shortlisted for both the BSFA Best Novel and the British Fantasy Award for Best Novel 2012.

With a background in dance and performance, she has narrated stories for Dark Fiction Magazine, Word Punk, Tales to Terrify, PseudoPod, and PodCastle. You can follow her on Twitter at @thegifairy

Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor.

Your guest host – Marguerite Kenner is a native Californian who has forsaken sunny paradise to be with her true love and live in Merrye Olde England. She frequently wears so many hats that she needs two heads. When she’s not grappling with legal conundrums as a trainee solicitor or editing Cast of Wonders, she can be found narrating audio fiction, studying popular culture (i.e. going to movies and playing video games) with her partner Alasdair Stuart, or curling up with a really good book. You can follow her at her personal blog, Project Valkyrie, or on Twitter via @LegalValkyrie.

****************************

I am awake. Through the trappings of a funeral and the clods of earth raining upon me, I am aware. When my father kneels at my headstone and calls me his willful girl, I hear him. When Meredith weeps and lays poppies on my grave, I know. When they are gone, I am at rest.

The dark is absolute. I know my eyes are open–curious fingers encounter the wet resistance of eye, feel the brush of eyelashes with each blink. I suffer neither thirst nor hunger, and though my chest still fills and empties, I want for nothing. I am somnolent, content with my eternity.

Only Bastian’s voice interrupts my peace.

At the service, he threw himself across my coffin and wailed. He wasn’t mourning–he was claiming my funeral with his grief. Now he lays himself along my grave. He weeps and he laments, and I feel his weight through earth and wood. I am reminded, time and again, that not even my death belongs to me.

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0:26:56 by J Lily Corbie Like Dolls started as a meditation on the other side of the ‘wailing on your grave’ subgenre of folk music, such as I Am Stretched on Your Grave and The Unquiet Grave. Not only is Like Dolls a Pseudopod original, but als[...] by J Lily Corbie Like Dolls started as a meditation on the other side of the ‘wailing on your grave’ subgenre of folk music, such as I Am Stretched on Your Grave and The Unquiet Grave. Not only is Like Dolls a Pseudopod original, but also the author’s first professional publication sale. PseudoPod couldn’t be prouder to introduce you to this author. J Lily Corbie lives in Oklahoma with two dogs and two cats, where she’s a government lackey by day and a writer by night. She can be found on Facebook, Tumblr, and Twitter, and she blogs erratically at girlserrant.wordpress.com including updates and news regarding her short stories looking for homes and a novel in the revision process. Your narrator – Kim Lakin-Smith is a Science Fiction and Dark Fantasy author whose short stories feature in Interzone, Black Static, Behind the Sofa: Celebrity Memories of Doctor Who, Best British Fantasy 2013, Sharkpunk, The Mammoth Book of Dieselpunk, and more. She is the author of gothic science fantasy, Tourniquet, and YA novels, Queen Rat and Autodrome. Her novel, Cyber Circus, was shortlisted for both the BSFA Best Novel and the British Fantasy Award for Best Novel 2012. With a background in dance and performance, she has narrated stories for Dark Fiction Magazine, Word Punk, Tales to Terrify, PseudoPod, and PodCastle. You can follow her on Twitter at @thegifairy Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor. Your guest host – Marguerite Kenner is a native Californian who has forsaken sunny paradise to be with her true love and live in Merrye Olde England. She frequently wears so many hats that she needs two heads. When she’s not grappling with legal conundrums as a trainee solicitor or editing Cast of Wonders, she can be found narrating audio fiction, studying popular culture (i.e. going to movies and playing video games) with her partner Alasdair Stuart, or curling up with a really good book. You can follow her at her personal blog, Project Valkyrie, or on Twitter via @LegalValkyrie. **************************** I am awake. Through the trappings of a funeral and the clods of earth raining upon me, I am aware. When my father kneels at my headstone and calls me his willful girl, I hear him. When Meredith weeps and lays poppies on my grave, I know. When they are gone, I am at rest. The dark is absolute. I know my eyes are open–curious fingers encounter the wet resistance of eye, feel the brush of eyelashes with each blink. I suffer neither thirst nor hunger, and though my chest still fills and empties, I want for nothing. I am somnolent, content with my eternity. Only Bastian’s voice interrupts my peace. At the service, he threw himself across my coffin and wailed. He wasn’t mourning–he was claiming my funeral with his grief. Now he lays himself along my grave. He weeps and he laments, and I feel his weight through earth and wood. I am reminded, time and again, that not even my death belongs to me. Podcasts, Stories J Lily Corbie yes no
Pseudopod 478: ARTEMIS RISING Women In Horror Showcase: Jay’s Place http://pseudopod.org/2016/02/19/pseudopod-478-artemis-rising-jays-place/ Fri, 19 Feb 2016 12:54:05 +0000 http://pseudopod.org/?p=1934 by E. Lee McVicar

Not only is Jay’s Place a Pseudopod original, but also the author’s first professional publication sale. PseudoPod couldn’t be prouder to introduce you to this author.

E. Lee McVicar
grew up in West Virginia and now lives in Western Massachusetts, where she works at a small publishing company. When she’s not working, painting, or watching birds, she’s hiding under the covers reading ghost stories. When she was writing this story, she was thinking about the frustration and terror of being unable to understand something angry, and how we just want things to make sense, both around us and inside of us.

Your narrator – Joe Scalora is a senior marketing manager at Del Rey Books and Del Rey Star Wars. He is a curator of Geek pursuits and has narrated for Pseudopod and The Double Shadow, the Clark Ashton Smith podcast. Follow him on twitter @JoeScalora

Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor.

Your guest host – Julie Hoverson is the writer and producer of such audio dramas as 19 Nocturne Boulevard and Fatal Girl (both available at 19 Nocturne Boulevard), has now turned her hand to audiobooks and can be found on audible.com narrating such diverse pieces as Jake Bible’s Dead Mech / Apex Trilogy and several novellas that are part of Brian MacLellan’s Powder Mage series, most recently the short story collection In The Field Marshal’s Shadow.

****************************

The road looked like it was there by accident. Turnoff so steep it felt like driving straight into the trees. Houses set far apart, hiding suspiciously at end of long dirt driveways, husks of cars crouched on their lawns. These were not the kind of people who made friends with their neighbors, but that was all right for now.

His place was second from the end of the street, a rocky oval where lost souls could pull a three-point turn and get back to the interstate. The house looked like it was built more recently than its neighbors. It was a little too narrow for its two stories, but the siding was all attached and the roof hadn’t yet shed any asphalt tiles. Jay examined it critically from the end of the unpaved driveway. Even this late in the evening, he had to shield his eyes against the fierce glare of the sun.

“No one’s been in there for a while,” said his brother, “but I just got it inspected and the inside’s actually all right. Hot water works, electricity’s not gonna kill you.” He leaned against his truck, boots crunching in the gravel.

“What’s it need done?” Jay asked.

“Well, once the yard is cleared out, I figure we’ll fix up the porch. Windows are okay but the screen door needs replacing. The rest is for you to figure out. Once they demo that dump next door, I think we may have a chance of selling.” He gestured to the neighboring property, barely visible behind a tangle of underdeveloped trees.

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0:24:49 by E. Lee McVicar Not only is Jay’s Place a Pseudopod original, but also the author’s first professional publication sale. PseudoPod couldn’t be prouder to introduce you to this author. E. Lee McVicar grew up in West Virginia and now lives in Weste[...] by E. Lee McVicar Not only is Jay’s Place a Pseudopod original, but also the author’s first professional publication sale. PseudoPod couldn’t be prouder to introduce you to this author. E. Lee McVicar grew up in West Virginia and now lives in Western Massachusetts, where she works at a small publishing company. When she’s not working, painting, or watching birds, she’s hiding under the covers reading ghost stories. When she was writing this story, she was thinking about the frustration and terror of being unable to understand something angry, and how we just want things to make sense, both around us and inside of us. Your narrator – Joe Scalora is a senior marketing manager at Del Rey Books and Del Rey Star Wars. He is a curator of Geek pursuits and has narrated for Pseudopod and The Double Shadow, the Clark Ashton Smith podcast. Follow him on twitter @JoeScalora Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor. Your guest host – Julie Hoverson is the writer and producer of such audio dramas as 19 Nocturne Boulevard and Fatal Girl (both available at 19 Nocturne Boulevard), has now turned her hand to audiobooks and can be found on audible.com narrating such diverse pieces as Jake Bible’s Dead Mech / Apex Trilogy and several novellas that are part of Brian MacLellan’s Powder Mage series, most recently the short story collection In The Field Marshal’s Shadow. **************************** The road looked like it was there by accident. Turnoff so steep it felt like driving straight into the trees. Houses set far apart, hiding suspiciously at end of long dirt driveways, husks of cars crouched on their lawns. These were not the kind of people who made friends with their neighbors, but that was all right for now. His place was second from the end of the street, a rocky oval where lost souls could pull a three-point turn and get back to the interstate. The house looked like it was built more recently than its neighbors. It was a little too narrow for its two stories, but the siding was all attached and the roof hadn’t yet shed any asphalt tiles. Jay examined it critically from the end of the unpaved driveway. Even this late in the evening, he had to shield his eyes against the fierce glare of the sun. “No one’s been in there for a while,” said his brother, “but I just got it inspected and the inside’s actually all right. Hot water works, electricity’s not gonna kill you.” He leaned against his truck, boots crunching in the gravel. “What’s it need done?” Jay asked. “Well, once the yard is cleared out, I figure we’ll fix up the porch. Windows are okay but the screen door needs replacing. The rest is for you to figure out. Once they demo that dump next door, I think we may have a chance of selling.” He gestured to the neighboring property, barely visible behind a tangle of underdeveloped trees. Podcasts, Stories E. Lee McVicar yes no
Pseudopod 477: ARTEMIS RISING Women In Horror Showcase: Bug House http://pseudopod.org/2016/02/12/pseudopod-477-artemis-rising-bug-house/ Sat, 13 Feb 2016 02:28:14 +0000 http://pseudopod.org/?p=1931 by Lisa Tuttle.

Bug House was first published in The Magazine of Fantasy & Science Fiction, June 1980. It won second place for best short story category in the 1981 Locus Awards.

Lisa Tuttle began her career as a published writer in the early 1970s, and won the John W. Campbell Award for Best New Science Fiction Writer of the year in 1974. She’s the author of seven novels and more than a hundred short stories. Born and raised in Texas, she has lived in a remote, rural part of Scotland for the past twenty-five years. Her first novel, Windhaven, was a collaboration with George R. R. Martin published in 1981. This was followed by a horror novel, Familiar Spirit, in 1983. Unable to stick to one well-defined genre, although most of her work features elements of horror and/or dark fantasy, she went on to write novels of psychological suspense, science fiction, and fantasy as well as books for children and young adults, and non-fiction (including the Encyclopedia of Feminism and Heroines).

Short stories were her first love, and remain important. Her first short story collection, A Nest of Nightmares was published in the U.K. in 1986, and two years later featured in Horror: 100 Best Books edited by Stephen Jones and Kim Newman. A number of her short stories have appeared in “best of the year” anthologies and been nominated for awards; “Closet Dreams” won the 2007 International Horror Guild Award. She edited an influential anthology of horror stories by women writers, Skin of the Soul, first published in 1990.

She has just finished a new novel, to be published in early 2016: THE CURIOUS AFFAIR OF THE SOMNAMBULIST AND THE PSYCHIC THIEF — this is the start of a new detective series set in London in the 1890s. If you want a taste of what is to come, check out her stories in both the Rogues and Down These Strange Streets anthologies and follow her author page on Facebook.

Your narrator – Heather Welliver is an Emmy Award nominated narrator and voice actress. She has been part of the Escape Artists family of narrators since 2007. She is slated for new episodes for Cast of Wonders, Escape Pod, and more in the coming year.

Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor.

Your guest hosts – Tackling all things horror with a slash of analysis and research, horror journalists and occasional academics Andrea Subissati and Alexandra West are your hosts for brain plumping discussions on all things that go bump in the night. Produced independently in Toronto, Ontario The Faculty of Horror is your best source for classic and contemporary horror film discussions that will haunt the libraries of your mind! Follow them on Twitter at @FacultyofHorror.

****************************

The house was a wreck, resting like some storm-shattered ship on a weedy headland overlooking the ocean. Ellen felt her heart sink at the sight of it.

‘This it?’ asked the taxi-driver dubiously, squinting through his windscreen and slowing the car.

‘It must be,’ Ellen said without conviction. She couldn’t believe her aunt — or anyone else — lived in this house.

The house had been built, after the local custom, out of wood, and then set upon cement blocks that raised it three or four feet off the ground. But floods seemed far less dangerous to the house now than the winds, or simply time. The house was crumbling on its blocks. The boards were weatherbeaten and scabbed with flecks of ancient grey paint. Uncurtained windows glared blankly, and one shutter hung at a crazy angle. Between the boards of the sagging, second-storey balcony, Ellen could see daylight.

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1:05:54 by Lisa Tuttle. Bug House was first published in The Magazine of Fantasy & Science Fiction, June 1980. It won second place for best short story category in the 1981 Locus Awards. Lisa Tuttle began her career as a published writer in the early 1[...] by Lisa Tuttle. Bug House was first published in The Magazine of Fantasy & Science Fiction, June 1980. It won second place for best short story category in the 1981 Locus Awards. Lisa Tuttle began her career as a published writer in the early 1970s, and won the John W. Campbell Award for Best New Science Fiction Writer of the year in 1974. She’s the author of seven novels and more than a hundred short stories. Born and raised in Texas, she has lived in a remote, rural part of Scotland for the past twenty-five years. Her first novel, Windhaven, was a collaboration with George R. R. Martin published in 1981. This was followed by a horror novel, Familiar Spirit, in 1983. Unable to stick to one well-defined genre, although most of her work features elements of horror and/or dark fantasy, she went on to write novels of psychological suspense, science fiction, and fantasy as well as books for children and young adults, and non-fiction (including the Encyclopedia of Feminism and Heroines). Short stories were her first love, and remain important. Her first short story collection, A Nest of Nightmares was published in the U.K. in 1986, and two years later featured in Horror: 100 Best Books edited by Stephen Jones and Kim Newman. A number of her short stories have appeared in “best of the year” anthologies and been nominated for awards; “Closet Dreams” won the 2007 International Horror Guild Award. She edited an influential anthology of horror stories by women writers, Skin of the Soul, first published in 1990. She has just finished a new novel, to be published in early 2016: THE CURIOUS AFFAIR OF THE SOMNAMBULIST AND THE PSYCHIC THIEF — this is the start of a new detective series set in London in the 1890s. If you want a taste of what is to come, check out her stories in both the Rogues and Down These Strange Streets anthologies and follow her author page on Facebook. Your narrator – Heather Welliver is an Emmy Award nominated narrator and voice actress. She has been part of the Escape Artists family of narrators since 2007. She is slated for new episodes for Cast of Wonders, Escape Pod, and more in the coming year. Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor. Your guest hosts – Tackling all things horror with a slash of analysis and research, horror journalists and occasional academics Andrea Subissati and Alexandra West are your hosts for brain plumping discussions on all things that go bump in the night. Produced independently in Toronto, Ontario The Faculty of Horror is your best source for classic and contemporary horror film discussions that will haunt the libraries of your mind! Follow them on Twitter at @FacultyofHorror. **************************** The house was a wreck, resting like some storm-shattered ship on a weedy headland overlooking the ocean. Ellen felt her heart sink at the sight of it. ‘This it?’ asked the taxi-driver dubiously, squinting through his windscreen and slowing the car. ‘It must be,’ Ellen said without conviction. She couldn’t believe her aunt — or anyone else — lived in this house. The house had been built, after the local custom, out of wood, and then set upon cement blocks that raised it three or four feet off the ground. But floods seemed far less dangerous to the house now than the winds, or simply time. The house was crumbling on its blocks. The boards were weatherbeaten and scabbed with flecks of ancient grey paint. Uncurtained windows glared blankly, and one shutter hung at a crazy angle. Between the boards of the sagging, second-storey balcony, Ellen could see daylight. Podcasts, Stories Escape Artists, Inc. yes no
Pseudopod 476: ARTEMIS RISING Women In Horror Showcase: Black Hearts http://pseudopod.org/2016/02/05/pseudopod-476-artemis-rising-black-hearts/ Fri, 05 Feb 2016 05:01:41 +0000 http://pseudopod.org/?p=1928 by Shannon Peavey.

Black Hearts is a PseudoPod Original.

Shannon Peavey is a writer and horse trainer from Seattle, Washington. Her stories have also appeared in Apex, Lightspeed, and Beneath Ceaseless Skies. Kelly Sandoval and Shannon co-edit Liminal Stories, a twice-yearly online magazine for beautiful and unsettling stories.

Your narrator – Tina Connolly is the author of the Ironskin trilogy from Tor Books, and the Seriously Wicked series, from Tor Teen. Ironskin, her first fantasy novel, was a Nebula finalist. Her stories have appeared in Lightspeed, Tor.com, Strange Horizons, Beneath Ceaseless Skies, as well as Escape Pod, PodCastle, and here on PseudoPod.

Her narrations have appeared in audiobooks and podcasts including all four Escape Artists podcasts, Beneath Ceaseless Skies, and her Parsec-winning flash fiction podcast Toasted Cake. She lives with her family in Portland, Oregon.

Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor.

Your guest host – Wendy N. Wagner is the author of Skinwalkers, a Pathfinder Tales novel inspired by Viking lore, and she’s also published more than thirty short stories in anthologies like Cthulhu Fhtagn! and The Way of the Wizard, and in magazines like Beneath Ceaseless Skies and Farrago’s Wainscot. She is the managing/associate editor of Nightmare and Lightspeed magazine, and served as guest editor for Nightmare’s Queers Destroy Horror! special issue.

****************************

Alma carried the worm-fork and Lewis carried the knife. They didn’t speak and had not spoken since the morning, fifteen miles back through dry grass and bare dirt and the click-chatter of insects. Dust rose around their ankles and the sun beat hot on the napes of their necks.

When they dropped over a rise and hit bottom, Lewis stopped and nodded and Alma took the worm-fork in both hands. It was a heavy thing, its grip worn smooth by her palm. She raised it shoulder-high, breathed once, and slammed it down into the ground.

She didn’t know how Lewis decided on a place — what made that stretch of plain any better than the miles they had passed before it. Long miles, leading a horse too laden with jars and bags to ride. They were somewhere south of Nampa, days out of Boise, and she’d been gone from her home for more than a year. The land was different, here. The ground packed so hard she had to lean all her weight on the worm-fork to get it to stick.

They’d been only children at the start of Lewis’s great journey, but no one would call them such anymore.

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0:38:21 by Shannon Peavey. Black Hearts is a PseudoPod Original. Shannon Peavey is a writer and horse trainer from Seattle, Washington. Her stories have also appeared in Apex, Lightspeed, and Beneath Ceaseless Skies. Kelly Sandoval and Shannon co-edit Limin[...] by Shannon Peavey. Black Hearts is a PseudoPod Original. Shannon Peavey is a writer and horse trainer from Seattle, Washington. Her stories have also appeared in Apex, Lightspeed, and Beneath Ceaseless Skies. Kelly Sandoval and Shannon co-edit Liminal Stories, a twice-yearly online magazine for beautiful and unsettling stories. Your narrator – Tina Connolly is the author of the Ironskin trilogy from Tor Books, and the Seriously Wicked series, from Tor Teen. Ironskin, her first fantasy novel, was a Nebula finalist. Her stories have appeared in Lightspeed, Tor.com, Strange Horizons, Beneath Ceaseless Skies, as well as Escape Pod, PodCastle, and here on PseudoPod. Her narrations have appeared in audiobooks and podcasts including all four Escape Artists podcasts, Beneath Ceaseless Skies, and her Parsec-winning flash fiction podcast Toasted Cake. She lives with her family in Portland, Oregon. Your guest audio producer – Chelsea Davis is a scholar of Gothic fiction. She’s currently at work on a dissertation about supernatural war literature. In her spare time, she produces radio, & gets a huge kick out of reading killer Pseudopod submissions as an Associate Editor. Your guest host – Wendy N. Wagner is the author of Skinwalkers, a Pathfinder Tales novel inspired by Viking lore, and she’s also published more than thirty short stories in anthologies like Cthulhu Fhtagn! and The Way of the Wizard, and in magazines like Beneath Ceaseless Skies and Farrago’s Wainscot. She is the managing/associate editor of Nightmare and Lightspeed magazine, and served as guest editor for Nightmare’s Queers Destroy Horror! special issue. **************************** Alma carried the worm-fork and Lewis carried the knife. They didn’t speak and had not spoken since the morning, fifteen miles back through dry grass and bare dirt and the click-chatter of insects. Dust rose around their ankles and the sun beat hot on the napes of their necks. When they dropped over a rise and hit bottom, Lewis stopped and nodded and Alma took the worm-fork in both hands. It was a heavy thing, its grip worn smooth by her palm. She raised it shoulder-high, breathed once, and slammed it down into the ground. She didn’t know how Lewis decided on a place — what made that stretch of plain any better than the miles they had passed before it. Long miles, leading a horse too laden with jars and bags to ride. They were somewhere south of Nampa, days out of Boise, and she’d been gone from her home for more than a year. The land was different, here. The ground packed so hard she had to lean all her weight on the worm-fork to get it to stick. They’d been only children at the start of Lewis’s great journey, but no one would call them such anymore. Podcasts, Stories Shannon Peavey yes no
Artemis Rising 2 Has Arrived http://pseudopod.org/2016/02/02/artemis-rising-2-has-arrived/ Wed, 03 Feb 2016 02:43:52 +0000 http://pseudopod.org/?p=1971 Artemis Rising 2 is here! It’s a special month-long event featuring stories by some of the best female and non-binary authors in genre fiction, airing across all the Escape Artists podcasts in February 2016. PodCastle for fantasy, EscapePod for science fiction, and PseudoPod for horror. Cast of Wonders will be joining the Artemis Rising event in 2017.

This year we have commissioned a special art print by legendary illustrator Galen Dara. The print will be available for purchase through Society6 until March 31, 2016. Go buy it now while you can!

Galen likes monsters, mystics, and dead things. She has created art for Uncanny Magazine, 47North publishing, Skyscape Publishing, Fantasy Flight Games, Tyche Books, Fireside Magazine, Lightspeed, Lackington’s, and Resurrection House. She has been nominated for the Hugo, the World Fantasy Award, and the Chesley Award. When Galen is not working on a project you can find her on the edge of the Sonoran Desert, climbing mountains and hanging out with an assortment of human and animal companions. Her website is www.galendara.com plus you can find her on Facebook and Twitter @galendara.

Artemis Rising 2 Logo

Purchase your print here: https://society6.com/escapeartists

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Pseudopod 475: The Toad Witch http://pseudopod.org/2016/01/29/pseudopod-475-the-toad-witch/ Fri, 29 Jan 2016 05:01:53 +0000 http://pseudopod.org/?p=1925 by Jessica Amanda Salmonson.

The Toad Witch originally appeared in Tales of Witchcraft in 1991.

Jessica Amanda Salmonson is a recipient of the World Fantasy Award, ReaderCon Certificate, and Lambda Award, author of THE DISFAVORED HERO and other novels, THE DEATH SONNETS and other poetry collections, and THE DEEP MUSEUM and other short story collections. Forthcoming – a giant omnibus of her works will appear from the extravagantly cool Centipede Press consisting of her Dell Books novel ANTHONY SHRIEK, a number of poems, and her Ace Books collection A SILVER THREAD OF MADNESS plus enough new and uncollected material to equal a third book in one huge volume. Her next poetry collection PETS GIVEN IN EVIDENCE OF OLD ENGLISH WITCHCRAFT AND OTHER BEWITCHED BEINGS will be issued this coming year by The Sidecar Preservation Society to coincide with Diversicon where she will be Guest of Honor. She’s presently working on a small collection THE BLIND AVIATRIX: Dream Life and Real Life, too odd for commercial publishers but she can’t help it she has to write it.

Your narrator – Sandra Espinoza is a voice actress and video/sound editor in New York with a background in publicity, research and writing. She’s provided voice over for games like Apotheon, Primordia, Combat Core, Norse Noir and Supreme League of Patriots. Sandra’s upcoming roles include Freida in Kreative Spill’s newest point-and-click adventure Norse Noir; and Ember in Combat Core. To find out more visit dustyoldroses.com or like DustyOldRoses on Facebook.

Your guest host – Kat Rocha is Associate Editor at PseudoPod, Guest Editor for the Artemis Rising Event, and Editor-in-Chief of 01Publishing. They released Whispers from the Abyss 2 in ebook in 2015 and will release it in trade paperback in early 2016. She is a longtime fan of horror and good horror stories and has made the promotion and publishing of them her career.

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I began life in 1950. Until then, everything was darkness. Afterward was suffering and beauty. How could 1 not become a masochist? By the age of four I had learned to mistrust everyone, a good philosophy. If one expects something terrible to develop out of even pleasant events, one may also expect consolations at moments of travail; and even I must delude myself from time to time, succumbing to the disease of sentiment.

People who are essentially cheerful annoy me. When they are finally bent and deaf, they are suddenly surprised. They find out their lives were pointless falsehoods; that it’s all nearly over, and for what? When in the end they are completely disillusioned they seek forgiveness from everyone, for they had always been oblivious to the obvious things, to the suffering around them. They are sorry for having insisted nothing was ever all that bad. Destined as they are to so much disappointment, they merit our sadness more than our disdain.

As for those of us daily anguished, we need not be pitied. The world constantly reinforces our perspective. We may nod our heads like true sages. We are impervious to disillusion, knowing as we do that worse is yet to come.

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0:25:22 by Jessica Amanda Salmonson. The Toad Witch originally appeared in Tales of Witchcraft in 1991. Jessica Amanda Salmonson is a recipient of the World Fantasy Award, ReaderCon Certificate, and Lambda Award, author of THE DISFAVORED HERO and other nove[...] by Jessica Amanda Salmonson. The Toad Witch originally appeared in Tales of Witchcraft in 1991. Jessica Amanda Salmonson is a recipient of the World Fantasy Award, ReaderCon Certificate, and Lambda Award, author of THE DISFAVORED HERO and other novels, THE DEATH SONNETS and other poetry collections, and THE DEEP MUSEUM and other short story collections. Forthcoming – a giant omnibus of her works will appear from the extravagantly cool Centipede Press consisting of her Dell Books novel ANTHONY SHRIEK, a number of poems, and her Ace Books collection A SILVER THREAD OF MADNESS plus enough new and uncollected material to equal a third book in one huge volume. Her next poetry collection PETS GIVEN IN EVIDENCE OF OLD ENGLISH WITCHCRAFT AND OTHER BEWITCHED BEINGS will be issued this coming year by The Sidecar Preservation Society to coincide with Diversicon where she will be Guest of Honor. She’s presently working on a small collection THE BLIND AVIATRIX: Dream Life and Real Life, too odd for commercial publishers but she can’t help it she has to write it. Your narrator – Sandra Espinoza is a voice actress and video/sound editor in New York with a background in publicity, research and writing. She’s provided voice over for games like Apotheon, Primordia, Combat Core, Norse Noir and Supreme League of Patriots. Sandra’s upcoming roles include Freida in Kreative Spill’s newest point-and-click adventure Norse Noir; and Ember in Combat Core. To find out more visit dustyoldroses.com or like DustyOldRoses on Facebook. Your guest host – Kat Rocha is Associate Editor at PseudoPod, Guest Editor for the Artemis Rising Event, and Editor-in-Chief of 01Publishing. They released Whispers from the Abyss 2 in ebook in 2015 and will release it in trade paperback in early 2016. She is a longtime fan of horror and good horror stories and has made the promotion and publishing of them her career. **************************** I began life in 1950. Until then, everything was darkness. Afterward was suffering and beauty. How could 1 not become a masochist? By the age of four I had learned to mistrust everyone, a good philosophy. If one expects something terrible to develop out of even pleasant events, one may also expect consolations at moments of travail; and even I must delude myself from time to time, succumbing to the disease of sentiment. People who are essentially cheerful annoy me. When they are finally bent and deaf, they are suddenly surprised. They find out their lives were pointless falsehoods; that it’s all nearly over, and for what? When in the end they are completely disillusioned they seek forgiveness from everyone, for they had always been oblivious to the obvious things, to the suffering around them. They are sorry for having insisted nothing was ever all that bad. Destined as they are to so much disappointment, they merit our sadness more than our disdain. As for those of us daily anguished, we need not be pitied. The world constantly reinforces our perspective. We may nod our heads like true sages. We are impervious to disillusion, knowing as we do that worse is yet to come. Podcasts, Stories Jessica Amanda Salmonson yes no
For Your Consideration http://pseudopod.org/2016/01/27/for-your-consideration/ Wed, 27 Jan 2016 16:01:58 +0000 http://pseudopod.org/?p=1960 In our first 2016 metacast, we present the Escape Artists (EA) stories that ran in 2015, which are eligible in the upcoming Hugo nomination season.

A quick plug. For us. All four EA shows – PodCastle, Pseudopod, Escape Pod and Cast of Wonders – are themselves eligible in the SEMIPROZINE Hugo category.

Not Fancast. Not Fanzine. SEMIPROZINE. Yes, the categories are confusing and often overlap. “Fancast” is traditionally dominated by commentary shows and sketch-based audio programs.

There’s an argument that we could split the shows and compete in multiple categories to increase our chances. We don’t think that benefits anyone. The division is artificial at best, and extremely difficult (at worst) to explain, given all four of our shows have harmonised pay rates and submissions policies. It would smack of gamesmanship, which doesn’t interest us.

Don’t get us wrong, we LOVED seeing PodCastle and Escape Pod on last year’s Hugo long lists, and we’d be honoured for any one of our shows to be a finalist.

But that’s a decision that rests solely in the hands of YOU, our fans and supporters.

(And just a note, Mothership Zeta doesn’t qualify this year because they’re too new.)

Below are links to some aggregation projects, where fans are building lists of those eligible in the various categories. They’re great tools, and we’d like to thank David Steffen for his efforts. We’ll also link to our Wikia page, containing links to all the eligible Escape Artists stories.

Please listen to this MetaCast for the Escape Artists entries!

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0:00:01 In our first 2016 metacast, we present the Escape Artists (EA) stories that ran in 2015, which are eligible in the upcoming Hugo nomination season. A quick plug. For us. All four EA shows – PodCastle, Pseudopod, Escape Pod and Cast of Wonders – are [...] In our first 2016 metacast, we present the Escape Artists (EA) stories that ran in 2015, which are eligible in the upcoming Hugo nomination season. A quick plug. For us. All four EA shows – PodCastle, Pseudopod, Escape Pod and Cast of Wonders – are themselves eligible in the SEMIPROZINE Hugo category. Not Fancast. Not Fanzine. SEMIPROZINE. Yes, the categories are confusing and often overlap. “Fancast” is traditionally dominated by commentary shows and sketch-based audio programs. There’s an argument that we could split the shows and compete in multiple categories to increase our chances. We don’t think that benefits anyone. The division is artificial at best, and extremely difficult (at worst) to explain, given all four of our shows have harmonised pay rates and submissions policies. It would smack of gamesmanship, which doesn’t interest us. Don’t get us wrong, we LOVED seeing PodCastle and Escape Pod on last year’s Hugo long lists, and we’d be honoured for any one of our shows to be a finalist. But that’s a decision that rests solely in the hands of YOU, our fans and supporters. (And just a note, Mothership Zeta doesn’t qualify this year because they’re too new.) Below are links to some aggregation projects, where fans are building lists of those eligible in the various categories. They’re great tools, and we’d like to thank David Steffen for his efforts. We’ll also link to our Wikia page, containing links to all the eligible Escape Artists stories. Escape Artists Stories eligible for Hugo Nomnations (2016) Art eligible for Hugo Nomnations (2016) ALL Hugo Nominees so far Hugo Nominees for Best Semi-prozine (2016) Please listen to this MetaCast for the Escape Artists entries! Announcements, Meta Escape Artists, Inc. yes no
When the Going Gets Weird, the Weird (continue to) Turn Pro http://pseudopod.org/2016/01/25/weird-turn-pro-2/ Tue, 26 Jan 2016 02:14:30 +0000 http://pseudopod.org/?p=1957 For 2016, PseudoPod has new pay rates. For all new submissions, we will pay the pro rate of $.06 per word for original fiction. We will pay $100 flat rate for short fiction reprints (2,000 words or more), and $20 flat rate for flash fiction reprints (stories below 2,000 words). This makes all the original fiction purchases pro-paying. See the submission guidelines for further details. To maintain a transparent relationship without the writing community, We have also placed our contract templates on the submission guidelines page.

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PseudoPod Submissions – Closure Extension http://pseudopod.org/2016/01/24/closure-extension/ Sun, 24 Jan 2016 15:36:05 +0000 http://pseudopod.org/?p=1944 We have adjusted our submissions schedule. We’ve had great success with the stories you’ve sent us. As such, we’re going to extend our submissions closure period through the end of March. Our goal will be to move to a three-on three-off schedule. For the near future, we plan to work with the following schedule:

  • 1/1/16 – 3/31/16 Closed for Submissions
  • 4/1/16 – 5/31/16 Open for Submissions
  • 6/1/16 – 7/31/16 Closed
  • 8/1/16 – 10/31/16 Open
  • 9/1/16 – 9/30/16 Open Call for Artemis Rising Submissions
  • 11/1/16 – 1/31/17 Closed
  • 2/1/17 – 4/30/17 Open
  • 5/1/17 – 7/31/17 Closed
  • 8/1/17 – 10/31/17 Open
  • 9/1/17 – 9/30/17 Open Call for Artemis Rising Submissions
  • As with all plans, they are subject to change, but we wanted to pull back the curtain a bit and let you know what our plans generally are.

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