Archive for the 'Podcasts' Category
Pseudopod 436: Flash On The Borderlands XXV: Simulacra

“The strategic problem is, of course, that simulacra are reassuring only when viewed from outside. They do not provide an existential model for how to be in the world. One can appreciate the brilliance of the embalmer’s work, but one would not want to be its object.”

“Decadent Naturalism” by Charles Bernheimer; introduction to A HAVEN by J.K. Huysmans in THE DECADENT READER.

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“Worm Within” by Cat Rambo

“Worm Within” was originally printed in “Clarkesworld” 2008. It is reprinted in Cat’s fantasy story collection, EYES LIKE SKY AND COAL AND MOONLIGHT. “I hope it unsettles YOU. I meant it to be unsettling — in an enjoyable way. :)”

CAT RAMBO writes and edits in the Pacific Northwest. Her most recent book is NEAR + FAR, science fiction stories, from Hydra House. Listeners are invited to check out THE WORLD REMAINS MYSTERIOUS.

Your reader – Julie Hoverson – the writer and producer of such audio dramas as 19 Nocturne Boulevard and Fatal Girl (both available at 19 Nocturne Boulevard.com), has now turned her hand to audiobooks and can be found on audible.com narrating such diverse pieces as Jake Bible’s Dead Mech Apex Trilogy (third book coming soon) and several novellas that are part of Brian MacLellan’s Powder Mage series, most recently MURDER AT THE KINNEN HOTEL.

“The LED bug kicks feebly, trying to push itself away from the wall. Its wings are rounds of mica, and the hole in its carapace where someone has tacked it to the graying boards reveals cogs and gears, almost microscopic in their dimension. The light from its underside is the cobalt of distress.”

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“Lullabies For A Clockwork Child” by Shane Halbach.

“Lullabies For A Clockwork Child” is seeing its first publication on Pseudopod.

SHANE HALBACH lives in Chicago with his wife and two kids, where he writes software by day and avoids writing stories by night. His fiction has appeared on Escape Pod, Redstone SF, Daily Science Fiction, and elsewhere. He blogs regularly at Is This Thing On?.

Your reader – Pete Milan – is a writer and voice actor. Pete can be heard in the horror audio drama PHANTOM CANYON from Pendant Audio, available wherever audiobooks are sold. Visit Pete Milan: Cosmopolitan Jackadandy for more from him.

“You are not Jack, but I will tell you of Jack, so you can know.

Jack was beautiful and strong. Jack had curly hair and shining brown eyes, and when we walked, he held my thumb and swung our arms just to feel them move.

You will not look like Jack. Every child is different. You are both my sons, but you are different.”

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“Used” by Sandra Odell.

“Used” is appearing here for the first time anywhere.

SANDRA ODELL (usually) lives with her family in Washington state. Her work has appeared in Pseudopod, Jim Baen’s UNIVERSE, Crossed Genres, and Ideomancer. She is a Clarion West 2010 graduate, and is currently plotting world domination. Or her second novel, whichever comes first.

Your reader – Matt Arnold – last appeared on Pseudopod reading Episode #223 Murdock The Nobody. We also believe he is still involved with Penguincon 2015.

“I recognize her sitting five seats down at the bar. She notices my attention and invites me over with a sip of her drink and a nod to the empty stool to her right. We are diseased, and long for understanding company.

She says her name is Cindy. Small, Clairol blonde, buxom Cindy with a blue, winged heart tattoo under her left collarbone. I introduce myself as Steve, buy her another what-she’s-having. She traces circles around the knuckles of my right hand with the sweat from her glass. There is a band of pale skin at the base of her ring finger.”

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The Parsec Awards Nomination page can be found here

Sounds in this episodes:

“Ticks” for story 1 can be found here.
“Static” for story 1 can be found here
“Interstitial Clockwork” for story 2 can be found here

Pseudopod 435: Raw Appetite

by Christa Pagliei.

Raw Appetite” first appeared in the August 2014 “Kitchen Sink” issue of Fictionvale. “I suppose that I want people to think about the intersection of honing a craft, and obsession as well as mentorship.”

CHRISTA PAGLIEI lives in Brooklyn, New York where she writes and works in Television as a Producer’s assistant. Her work has appeared in Fictionvale, Strangelet Journal, strong>InstaGatorZine, and more. When she’s not working she enjoys riding her bicycle, listening to Rock N’ Roll, haunting Flea Markets, and anything that’s a little creepy. Her first feature film Now/Here, on which she was was a co-screenwriter and producer, is set to premier at festivals this year. You can follow her on twitter @ChristaPags or her tumblr: ChristaPagliei.

Your reader this week – Brian Rollins – is a voice actor living in Denver, Colorado with his wife, two kids, and a Great Dane that thinks she’s a lap dog. When not narrating audiobooks, he’s on stage or chipping away at that steampunk novel that lives in the back of his brain that won’t go away. He also writes reviews for the Sci-Fi website, Bureau42.com and blogs at TheVoicesInMyHeaD. Magic Moments, Inc. is a non-profit organization, established in 1983, that produces an annual musical and theatrical production in the Denver area. Each production integrates persons with physical and developmental disabilities into the total performing cast of amateurs and professionals. The mix is truly magical for everyone involved – cast, staff, and the audience. You can find out more at Magic Moments.

Jonathan Chaffin (aka Atari)’s CASK OF AMONTILLADO Kickstarter can be found here!

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“As a commis I worked under the rest of the Chefs de Partie. The first two months were a slog of relentless hazing and trouble. I never flinched, just kept moving forward. I knew I was the lowest man on the totem pole and I’d simply have to wait out the abuse.

In my sixth month when Chef first asked me to keep his knives sharp I was taken aback. I didn’t even know that he knew my name. He’d certainly never spoken directly to me before. Chef Catalan never let anyone even touch his knives, but to trust some aspect of their care to a mere commise… It was unusual to say the least.

The hazing stopped, but now I was only spoken to in a professional capacity. I became an automaton to them, a tool, no more worth socializing with than a ladle or a whisk. I never let any emotion show as a rule, but I certainly never showed them how much their silence pleased me. The more I could streamline my existence. The more I could eliminate every superfluous thing, person, and interaction, the more I could dedicate myself to my craft. It only took two weeks to get the knives as he wanted, or at least get past the point of a daily critique of my sharpening technique. When dealing with Chef Catalan, two weeks to anything resembling pleasure is a triumph.”

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Pseudopod Bonus Flash: The Discussion Of Mimes

by Michael Payne.

“The Discussion Of Mimes” is making its first appearance on PSEUDOPOD. “Why are so many people afraid of clowns and amused by mimes?”

MICHAEL PAYNE is a comedian who has written for the TV show “The Daily Buzz” and on fark.com. He maintains a blog at THE INTERESTING TIMES HERALD.

Your reader this week – Joe Calarco – is the Resident Sound Designer and Associate Artistic Director of Coeurage Theatre Company, the only exclusively Pay-What-You-Want theatre in Los Angeles. They are in their 6th season. Joe will be directing the West Coast Premiere of Chicago’s smash hit play The Sparrow this fall. He is also in pre-production for his first film, a short based on Eric Czuleger’s “Punksnotdead” from his novel Immortal L.A. Punksnotdead was produced for Pseudopod at the end of last year, so be sure check it out!.

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“Following careful overanalysis, I decided to treat myself for a change. I’d spent the last three years working during the day and attending school at night. You can understand why I thought I was entitled to some frivolity.

I settled on mime classes. I’d never even thought about miming, which is part of what drew me to it. I’d been living a drab, bookish life, so I wanted to go as far in the other direction as possible.

An Internet search found fewer mime classes than I anticipated. I figured in NYC there was enough interest in every artistic pursuit to support a small army of participants. Miming appeared to be the exception. If they rebranded it “mime yoga” perhaps it’d be different.”

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Pseudopod 434: Drink to Me Only with Labyrinthine Eyes

by Thomas Ligotti.

“Drink to Me Only with Labyrinthine Eyes” first appeared in Nyctalops #17, 1982.

THOMAS LIGOTTI is one of the foremost contemporary authors of supernatural horror literature. His works been honored with several awards, including the Horror Writers Association’s Bram Stoker award for the collection THE NIGHTMARE FACTORY (1996) and the novella MY WORK IS NOT YET DONE (2002). Revised, definitive editions of his first three story collections — SONGS OF A DEAD DREAMER, GRIMSCRIBE, and NOCTUARY — were published in 2010, 2011, and 2012, respectively. Revised editions of his collections THE AGONIZING RESURRECTION OF VICTOR FRANKENSTEIN AND OTHER GOTHIC TALES and DEATH POEMS were issued in 2013. Ligotti has also published THE CONSPIRACY AGAINST THE HUMAN RACE (2010), a nonfiction work that explores the intersection of the darker byways of literature, philosophy, and psychology. Forthcoming titles by Ligotti include a collection of interviews and a chapbook consisting of two newly written stories and a Penguin edition for both SONGS OF A DEAD DREAMER and GRIMSCRIBE this fall. The web site Thomas Ligotti Online was founded as a forum for discussions of and media related to Ligotti’s writings as well as those of wide range of authors, artists, and musicians whose work is associated with the horror genre, among other areas of interest to devotees of unconventional art and thought.

Your reader this week – Rish Outfield – is a podcaster, writer and audiobook narrator, who is afraid of everything. He’s afraid of ghosts, he’s afraid of children, he’s afraid of old women, he’s afraid of cockroaches, he’s afraid of the boogeyman, he’s afraid of enclosed spaces, he’s afraid of wasps, he’s afraid of rejection. He’s afraid the deflector shield will be quite operation when your friends arrive. Rish is host of the Dunesteef Audio Fiction Magazine–yes, that’s still a thing–where they present full-cast productions of genre fiction, often with sound effects and music, and even more often with annoying conversation afterward.

Jonathan Chaffin (aka Atari)’s CASK OF AMONTILLADO Kickstarter can be found here!

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” ‘Thank you, Ladies and Gentlemen,’ I say when the lights come back on and the meager applause dies entirely. ‘I hope my beautiful assistant and I haven’t bored you too much this evening. You do look a little sleepy, as if you’ve been lulled into a trance yourselves. Which is not such a bad feeling, is it? Sinking deep into a downy darkness, resting your souls on pillows stuffed with soft shadows. But our host informs me that things will liven up very soon. Certainly you will awake when a little chime commands you to do so. Remember, it’s wake-up time when you hear the chime.’

I repeat. ‘And now I believe we can prosecute this evening’s festivities.’ ”

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