“Rat King” and “Dead Alive Imagine” are PseudoPod originals.
“The Cages” originally appeared in PERSONAL DEMONS in 1998.
Devils speak of the ways in which she’ll manifest
Angels bleed from the tainted touch of my caress
by Lia Swope Mitchell
narrated by Rish Outfield
Listen. This is just a free consultation. We’re just two men in a bar, you and I. Respectably dressed with respectable drinks, talking business, like everyone else. But I can see it on your face, written underneath your eyes. I can smell it. Underneath the bourbon, underneath the cigarettes and lies. Something’s in there, crawling around inside. You’ve got a secret. And you want to do business, I can tell.
Dead Alive Imagine
by David Murphy
narrated by Siobhan Gallichan
Incisions are made within the clinical white surrounds of the operating lab; incisions in space and time in the operating theatre itself – and incisions into the flesh of the patient. These cuts and alterations take place in a lab so pristine that ceiling, walls and floor blend in a haze that fuses dimensions of distance, height and depth; a shining cleanliness so all-pervasive that light and surface intermingle, making it difficult to distinguish what is vertical from what is horizontal. Concentration and precision are of vital importance in this facility. All tables are smooth, all medical equipment sharp. Follow the instruction manual carefully. Do not – repeat: do not – attempt any ancillary procedures beyond those outlined in this manual.
by Christopher Fowler
narrated by Jon Grilz
‘Look,’ said Albert, ‘they’re beating up Mrs Tremayne.’
‘She’s not done anything wrong, has she?’ asked Dr Figgis. ‘No. Perhaps that’s why they’re beating her up.’
‘Doesn’t follow, does it? God, she’s making a lot of noise.’ He shouted through the bars. ‘Hey, keep it down!’
‘This thing’s hard on my arse.’ Albert fidgeted on the rungs. After a few hours they cut into your buttocks and forced you to change position. At least, that was the effect they had on Albert. He noticed that many of the others never seemed to move at all.
About the Authors
Christopher Fowler is the award-winning author of many novels and short story collections, and the Bryant & May mystery novels, which record the adventures of two Golden Age detectives investigating impossible London crimes. His latest books are the Dubai-set thriller ‘The Sand Men’ and the Bryant & May novel ‘Strange Tide’. Other recent work includes a graphic novel, ‘The Casebook of Bryant & May’, and a Hammer horror radio play under the Hammer Chillers label.
David Murphy’s latest book Walking on Ripples was published by the Liffey Press in Dublin, Ireland, in 2014. His previous books includes a contemporary fantasy novella Bird of Prey (2011), Arkon Chronicles (also a novella, 2003) and the well received novel Longevity City (2005), each of which was published in the USA. His award-winning short fiction has been published and translated worldwide; over one hundred appearances including magazines and anthologies, two chapbooks and a short story collection brought out first in Dublin in 2004 and re-issued in 2013. The title story of that collection, Lost Notes, won the inaugural Maurice Walsh Award for short stories.
Lia Swope Mitchell is a PhD student in French literature at the University of Minnesota in Minneapolis. She studies visual media and speculative fiction in the nineteenth century, teaches grammar, and writes fiction on the sly.
About the Narrators
Jon Grilz is a mystery writer as well as the creator of the Small Town Horror podcast who isn’t entirely sure which day of the week it is, but is pretty happy every time the sun rises. Most of the time you can find him wandering somewhere between the line dividing reality and wherever that laughter is coming from.
Rish Outfield is a writer, voice actor, and audiobook narrator. He got his start co-hosting The Dunesteef Audio Fiction Magazine and That Gets My Goat podcasts, where he and Big Anklevich attempt to waste time entertainingly. He also features his own stories on the Rish Outcast podcast. He once got a job because of his Sean Connery impersonation . . . but has lost two due to his Samuel L. Jackson impression.