by Greg Egan
Only at night, says the contract. After eleven, to be precise. Decent people are not out after eleven, and decent people should not have to witness what I do.
Andrews is seventeen, and bored. Andrew, I understand. This suburb is a hole, you have my deepest sympathies. What do they expect you to do around here? On a warm night like this a young man can grow restless. I know; your dreams, too, shaped me slightly (my principal creators did not expect that). You need adventure. So keep your eyes open, Andrew, there are opportunities everywhere.
The sign on the chemist’s window says no money, no drugs, but you are no fool. The back window’s frame is rotting, the nails are loose, it falls apart in your hands. Like cake. Must be your lucky night, tonight.
The cash drawer’s empty (oh shit!) and you can forget about that safe, but a big, glass candy jar of valium beats a handful of Swiss health bars, doesn’t it? There are kids dumb enough to pay for those, down at the primary school.
Only those who break the law, says the contract. A list of statutes is provided, to be precise. Parking offences, breaking the speed limit and cheating on income tax are not included; decent people are only human, after all. Breaking and entering is there, though, and stealing, well, that dates right back to the old stone tablets.
No loophole, Andrew. No argument.
Andrew has a flick knife, and a death’s head tattoo. He’s great in a fight, our Andrew. Knows some karate, once did a little boxing, he has no reason to be afraid. He walks around like he owns the night. Especially when there’s nobody around.
So what’s that on the wind? Sounds like someone breathing, someone close by. Very even, slow, steady, powerful. Where is the bastard? You can see in all directions, but there’s no one in sight. What, then? Do you think it’s in your head? That doesn’t seem likely.
Andrew stands still for a moment. He wants to figure this out for himself, but I can’t help giving him hints, so the lace of his left sand-shoe comes undone. He puts down the jar and crouches to retie it.
The ground, it seems, is breathing.
About the Author
Egan holds a Bachelor of Science degree in Mathematics from the University of Western Australia.
He published his first work in 1983. He specialises in hard science fiction stories with mathematical and quantum ontology themes, including the nature of consciousness. Other themes include genetics, simulated reality, posthumanism, mind uploading, sexuality, artificial intelligence, and the concept of rational naturalism being superior to religion. He is known for his tendency to deal with complex technical material, like inventive new physics and epistemology, in an unapologetically thorough manner. He is a Hugo Award winner (with eight other works shortlisted for the Hugos) and has also won the John W Campbell Memorial Award for Best Novel. His early stories feature strong elements of supernatural horror.
Egan’s short stories have been published in a variety of genre magazines, including regular appearances in Interzone and Asimov’s Science Fiction.
About the Narrator
Ron Jon is a creator of haunted atmospheres – melding loops, field recordings, synths, library music, found sounds & home made instruments. He is a narrator, musician, singer, student of parapsychology & the supernormal. He is a writer of disturbing micro-fiction for adults & children’s books. He has a new album out titled – ‘Cosmicism’. The music is inspired by the literary philosophy of H.P. Lovecraft called ‘Cosmicism’. The premise being that there is no recognisable divine presence, such as God, in the universe, and that humans are particularly insignificant in the larger scheme of intergalactic existence. The album cover art is an original illustration of Cthulhu by Howard Phillips Lovecraft. Want to listen? Go to the bandcamp site: https://thespectrecollector.bandcamp.com Or go to the blog: http://thespectrecollector.blogspot.com