PseudoPod 138: Come to My Arms, My Beamish Boy


Come to My Arms, My Beamish Boy

by Douglas F. Warrick


Most of Cotton’s memories were gone. Like the name of the ship he had served on. Like the name of his commanding officer. His daughters’ names, which husband went with which daughter, which grandchildren came from which marriage, which fiancé held hands with which granddaughter. That had mostly melted away. His head felt like an icebox, like someone had opened the door, maybe just to grab a beer or to check the expiration date on the milk, and let all the cold air out, filled it up with thick stagnant heat. Alzheimer’s was a muggy goddamned country, the airless stomach of a huge beast that takes its sweet time digesting old useless machinery like him.

He could hold Audrey’s hand, like he was doing now, and he could remember her name and he could see the wedding ring he had given her all those years ago, could run his trembling fingers over it and feel its coldness, its sharpness, and for a couple of moments these things were all he needed.

But he couldn’t remember the wedding, not a goddamned thing about it. He’d reach as far as he could into that broken old icebox, strain to stretch a little further and try to find the little details, what did her dress look like? How did she wear her hair? Was she smiling? Was she crying? It was gone. Melted. And he’d panic because he knew it was there, knew that if he could just reach a little further… And he’d look around and realize he wasn’t at home. He was in a hospital bed. And he’d look up at her and try to say, Audrey, I’m scared, dammit, I’m scared and I want to go home! And all he could ever say was, “Audrey… where’s the cat?” or “Audrey… I don’t know…”

And Audrey said, like she always said, “Hush, Cotton.” And he could see himself in her eyes, a useless old man, or not even a man but a reminder of the husband she ought to have. And he could see how tired she was, could see the part of her that wished the whole mess would just end. The part that wanted a period on the end of this awkward run-on sentence, not that he could blame her. It would be a period, too. Not an exclamation point like he’d always kind of wanted in his Navy days, a smile on his face and the devil at his heels, a man’s sort of death. It—no—he would end quietly with a mushy melted head and a single dark period.

About the Author

Douglas F. Warrick 

Douglas F. Warrick lives in Dayton, Ohio where he teaches creative writing to (and plays charades with) the brilliant students at Stivers School for the Arts. His fiction has appeared in Apex Magazine, Daily Science Fiction.com, The Drabblecast, and a variety of anthologies. His collection of short fiction, Plow the Bones, was published by Apex Publications in 2013. He has published essays in Killscreen and The Battle Royale Slam Book.

Find more by Douglas F. Warrick 

Elsewhere

About the Narrator

Phil Rossi

Writer, musician, podcaster, kick-ass husband, and father. A New England native, Phil Rossi is currently a resident of Northern Virginia. When he is not hunkered down in the studio creating, he can be found either out playing rock music in the DC metro area or frolicking with his seven pets.

Find more by Phil Rossi

Elsewhere