Welcome to Pseudopod!

You’ve found the world’s premier horror fiction podcast. Pseudopod brings you the best short horror in audio form, to take with you anywhere.

WARNING: This is a podcast of horror fiction. The stories presented here are intended to disturb. They are likely to contain death, graphic violence, explicit sex (including sexual violence), hate crimes, blasphemy, or other themes and images that hook deep into your psyche. We do not provide ratings or content warnings. We assume by your listening that you wish to be disturbed for your entertainment. If there are any themes that you cannot deal with in fiction, that are too strongly personal to you, please do not listen.

Pseudopod is for mature audiences only. Hardly any story on Pseudopod is suitable for children. We mean this very seriously.

Pseudopod 427: ARTEMIS RISING Women In Horror Showcase: Carnation, Lily, Rose

by Kelly Link.

“Carnation, Lily, Rose” first appeared in 4 Stories in 2000.

KELLY LINK is the author of the collections Get in Trouble, Stranger Things Happen, Magic for Beginners, and Pretty Monsters. She and Gavin J. Grant have co-edited a number of anthologies, including Monstrous Affections and Steampunk!. Her short stories have been published in The Magazine of Fantasy and Science Fiction, Tin House, A Public Space, McSweeney’s, One Story, The Best American Short Stories, and Prize Stories: The O. Henry Awards. Link was born in Miami, Florida. She currently lives with her husband and daughter in Northampton, Massachusetts.

Your reader – Anson Mount – plays Cullen Bohannon in the hit AMC series HELL ON WHEELS (he’s heading back into filming the 5th and 6th season very soon, shooting starts April for 14 more eps that will be divided between 2015 and 2016). Anson lives in New York city and he teaches in the MFA Acting program at Columbia University. He is also working on finishing his book THE STRAIGHT DOPE: A PRACTICAL PHILOSOPHY FOR THE PROFESSIONAL ACTOR. We also give special thanks to his audio producer Branan Edgens, who worked very hard on this episode!.

Your Guest Host this week is Kitty NicIaian, one of the new editors of Podcastle!

To find out more about Women In Horror month, please visit WomenInHorrorMonth.com.

Also check out Dreams from the Witch House: Female Voices of Lovecraftian Horror at Indiegogo.

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“We were going to name the baby Beatrice. I just remembered that. We were going to name her after your aunt, the one that doesn’t like me. Didn’t like me. Did she come to the funeral?

I’ve been here for three days, and I’m trying to pretend that it’s just a vacation, like when we went to that island in that country. Santorini? Great Britain? The one with all the cliffs. The one with the hotel with the bunkbeds, and little squares of pink toilet paper, like handkerchiefs. It had seashells in the window too, didn’t it, that were transparent like bottle glass? They smelled like bleach? It was a very nice island. No trees. You said that when you died, you hoped heaven would be an island like that. And now I’m dead, and here I am.

This is an island too, I think. There is a beach, and down on the beach is a mailbox where I am going to post this letter. Other than the beach, the mailbox, there is the building in which I sit and write this letter. It seems to be a perfectly pleasant resort hotel with no other guests, no receptionist, no host, no events coordinator, no bellboy. Just me. There is a television set, very old-fashioned, in the hotel lobby. I fiddled the antenna for a long time, but never got a picture. Just static. I tried to make images, people out of the static. It looked like they were waving at me.”

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PseudoPod Submissions Closing Temporarily

We have sown our fields with blood and the harvest has been bountiful. Now we must work to get it all in the barns for processing and aging. PseudoPod will be closed to submissions from March 1, 2015 to June 1, 2015.

If you submit a story between these dates, you will receive a note from us indicating that the story is formally considered withdrawn; we request that you resubmit when we are open again in June.

Pseudopod 426: ARTEMIS RISING Women In Horror Showcase: The Devil Inside

by Shannon Connor Winward.

“The Devil Inside” first appeared in SOMEONE WICKED: A WRITTEN REMAINS ANTHOLOGY by Smart Rhino Publications. “I did actually have a baby this past summer, but she is not possessed or evil – so far as I know.”.

Words by SHANNON CONNOR WINWARD have appeared in Pedestal Magazine, Flash Fiction Online, Strange Horizons, Plasma Frequency Magazine, Star*Line, Literary Mama, and Scigentasy: Gender Stories in Science Fiction and Fantasy, and have been awarded Honorable Mention in the Writers of the Future Contest and as an emerging artist in literature by the Delaware Division of the Arts. Her debut collection of poetry, UNDOING WINTER, is available through Amazon and Finishing Line Press. In between parenting and other madness, Shannon works to support local artists, and here and there has been intimate with a microphone. She lives and writes in Newark, Delaware. She has fiction forthcoming in Spinetingler Magazine and Stupefying Stories, and poetry in Scheherezade’s Bequest and Kaleidoscope. Her blog about writing and life, including upcoming features and literary events, can be found here.

Your reader – Tatiana Gomberg – is a New York City based actress of stage, screen, and of course, the audio booth. She’s also a huge fan of pseudopod and listens regularly. Learn more about her at tatianagomberg.com.

Your Guest Host this week is Nicole Suddeth who slaves away in the fiction mines at Pseudopod as an associate editor…

To find out more about Women In Horror month, please visit WomenInHorrorMonth.com.

Also check out Dreams from the Witch House: Female Voices of Lovecraftian Horror at Indiegogo.

Tim Burke is one of the best authors we’ve ever featured. His stories of Victorian mediumship and horror have been collected and expanded into the excellent The Flesh Sutra. In fact it’s so excellent that it’s been longlisted for a Stoker Award this year. So, pop along to the The HWA website and take a look at the ballot. There’s some great stuff on there and the finalists will be announced on the 23rd. So, if you’re a member, go vote and go vote for Tim, his stuff’s great. Also if you don’t own the The Flesh Sutra, pick it up, it’s brilliant

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“‘What do you mean by that, Rebecca?’ the doctor queried. ‘What did no one tell you?’

Becca studied the drops of rain on the window, little falling jewels of light.

She felt evil, just saying it. ‘I read all the books. They warn you about everything that can go wrong. Preeclampsia. Preemies. Feeding problems. But no one tells you what to do when you don’t love your baby. Like it’s … unthinkable.’

Her words hung for a time, as Dr. Marsh scribbled on his pad. ‘It’s quite common. Many women experience post-partum depression …’

‘I’m not depressed, I just don’t love him.’

‘Why is that, do you think?’

Why? Because he didn’t love her back? Because he cried? All the time, always, screeching until his little voice cracked. Because Becca couldn’t cry?

‘I just don’t feel it,’ she murmured.”

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Pseudopod 425: ARTEMIS RISING Women In Horror Showcase: Works Of Art

by Nina Kiriki Hoffman.

“Works Of The Art” originally appeared in PULPHOUSE, Fall Issue, 1988, then in THE YEAR’S BEST HORROR STORIES VOLUME 17.

In the past thirty-plus years, NINA KIRIKI HOFFMAN has sold around ten novels and more than three hundred short stories. Her work has been on final ballots for the World Fantasy, Mythopoeic, Endeavour, and other awards, and she has won a Nebula and a Stoker Award. She works on production for the MAGAZINE OF FANTASY & SCIENCE FICTION, teaches a short stories writing class for her local community college, and picks up other odd jobs..

Your reader – The Word Whore – edits the amazing Air Out My Shorts Podcast.

Your Guest Host this week is Mur Lafferty, who you may have heard of…

To find out more about Women In Horror month, please visit WomenInHorrorMonth.com.

Also check out Dreams from the Witch House: Female Voices of Lovecraftian Horror at Indiegogo.

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“Cerveza’s call came four days later.

‘Can we meet you for tea somewhere?’ Sally asked. I watched her face as she listened to his reply. Her blue eyes narrowed, then widened, tear-bright.

‘No, I—’ she said. A pause. She bit her lower lip. ‘You don’t understand. Your art cries out to be preserved.’

She waited. She squeezed her eyes shut and tears spilled out. When she opened her eyes, she stared at the ceiling, twisting the phone’s coiled cord around her wrist and pulled it tight. ‘Denial,’ she whispered. ‘Very well.’ She hung up the phone as though it were an egg and might crack if mishandled.

‘Oh, Lucy,’ she whispered.

I went to her and offered what comfort I could.

When her sobs slowed, she said, ‘He’s coming tomorrow morning, with an ax.'”

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