Welcome to Pseudopod!

You’ve found the world’s premier horror fiction podcast. For a decade, Pseudopod has been bringing you the best short horror in audio form, to take with you anywhere. We pay our authors professional rates for original fiction and we reach more people every week than any other short fiction horror market.

We’re celebrating our 10th Anniversary this year. For details, check out our Year10 page.

Are you new to Pseudopod? Don’t let our decade of content daunt you. We’ve assembled a list of stories that show the strength and diversity of our offerings. Check it out here (or at the “New to Pseudopod?” link on the left side of the page).

WARNING: This is a podcast of horror fiction. The stories presented here are intended to disturb. They are likely to contain death, graphic violence, explicit sex (including sexual violence), hate crimes, blasphemy, or other themes and images that hook deep into your psyche. We do not promise to provide ratings or specific content warnings. We assume by your listening that you wish to be disturbed for your entertainment. If there are any themes that you cannot deal with in fiction, that are too strongly personal to you, please do not listen.

Pseudopod is for mature audiences only. Hardly any story on Pseudopod is suitable for children. We mean this very seriously.

PseudoPod 544: Under the Rubble

by John Wiswell

 

“Under the Rubble” is a Pseudopod Original. “This story is dedicated to Takeo Murata, Ishiro Honda, and Rod Serling.”

JOHN WISWELL is a writer who lives where New York keeps all its trees. His stories have appeared at Podcastle, Fireside Fiction, and Flash Fiction Online. He is chronically ill, and was inspired to write this story during a period of being bedridden alone. He believes that Horror always keeps you company. He can be found on Twitter at @WISWELL and on his blog, johnwiswell.blogspot.com.

The horror of an earthquake is something you’d never wish on anyone. In 2015, in the span of three weeks, two severe earthquakes struck the nation of Nepal. The damage was so great that much still hasn’t been rebuilt. If you’re moved by this story, please consider a donation to relief efforts. More can be found at https://www.globalgiving.org/projects/nepal-earthquake-relief-fund/


This week’s reader – Marguerite Kenner is a native Californian who has forsaken sunny paradise to be with her true love and live in Merrye Olde England. She frequently wears so many hats that she needs two heads. When she’s not grappling with legal conundrums as a trainee solicitor or editing Cast of Wonders, she can be found narrating audio fiction, studying popular culture (i.e. going to movies and playing video games) with her partner Alasdair Stuart, or curling up with a really good book. You can follow her at her personal blog, Project Valkyrie, or on Twitter via @LegalValkyrie.

Shawn Garrett composed the soundbed for this episode, which he dedicates to master Godzilla composer Akira Ifukube and the german industrial band Einstürzende Neubauten. A list of links to sounds used from Freesound.org appears at the bottom of this post.


Go check out A River of Teeth by Sarah Gailey and Greedy Pigs by Matt fn Wallace.


Info on Anders Manga’s album (they do our theme music!) can be found here. And DAIKAIJU can be found here.


The world trembled until Samantha opened her eyes. She groaned, then coughed and spat dust. Every hitch of her chest made breathing harder, and there was something on top of her, crushing her left breast. She looked at it, but the air was too dark to see anything, so she tried pushing it away and found her arms could barely move. It felt like a metal bar pinning across her chest and biceps, digging into her skin, so she braced her elbows against the floor and heaved. The bar budged just an inch, but the inch was all it took for her to take the deepest breath of her life.


SOUNDBED SOURCES

Ambulance Siren
13GVomackovaK_ambulance.wav
FIRE ENGINE long approach and drive away
firetruck.wav
Fire_engine_siren.wav
Metal Sounds » Door_Metal_Groans_Ext.wav
Towson EMF 366»creakingmetalchair.wav
Heatpress squeaking and creaking.wav
Drones » Metal Creaks_Groans.wav
remix of 108732__klankbeeld__creaking_metal_spokes_of_the_bicycle_wheel_06.flac
furnace creaks.wav
Creaking attic door. » Attic door creaking 2
Ambiance and Background » Creaking Metal Soundscape 2
Cracking Earthquake (cracking soil, cracking stone)
Disaster » Earthquake_Interior_MetalRattling_2.wav
Large Earthquake
Earthquake » Quake1.wav
Rumble Bass 2.wav
Rumble Bass.wav
TEC Machine/Complex Sounds » Low Rumble.wav
Cinematic Deep Bass Rumble
SUBSONIC RUMBLE.wav
Staircase metal rumble.wav
Monster Pack » Monster Low Rumble 1.wav
Rumbling
Rumble » Rumble · fade in 10s

PseudoPod 543: Be Still, My Dear, And Listen

by J. T. Glover

 

“Be Still, My Dear, And Listen” was published in Issue 7 of “Makeout Creek”, a literary magazine based in Richmond, Virginia.

J. T. GLOVER is an academic research librarian by day and lives in Richmond, Virginia, and is originally from Seattle His short fiction published in The Children of Old Leech, The Lovecraft eZine, and Handsome Devil: Stories of Sin and Seduction. His blog can be found at jtglover.com, and it includes links to other publications, some of which can be read for free online.

This week’s reader – Dagny Paul – is a teacher, writer, failed artist, comic book geek, and associate editor/occasional host of Pseudopod. She is guest editor for Pseudopod’s Artemis Rising 3 event in 2017.
She lives in the middle of nowhere, Louisiana. Follow her on Twitter for no good reason @dagnypaul. Listen to her story “There is No Road Through the Woods” on Pseudopod.


Info on Anders Manga’s album (they do our theme music!) can be found here.


Of course we called her “Audrey.” We were sixteen, mad about Sherilyn Fenn, tuned in together every Thursday, and we went to school with a pimply, stinking cow named Audra Horning? What happened was inevitable.

PseudoPod 542: That Only a Mother

by Judith Merril

 

“That Only a Mother” was originally published in Astounding Science Fiction, June 1948. It appears here with appreciation through the assistance of the Virginia Kidd Agency.

JUDITH MERRILL was an American and then Canadian science fiction writer, editor and political activist, and one of the first women to be widely influential in those roles. In her mid-teens, Merril pursued Zionism and Marxism. According to Virginia Kidd’s introduction to The Best of Judith Merril, Ethel Grossman had been a suffragette, was a founder of the women’s Zionist organization Hadassah, and was “a liberated female frustrated at every turn by the world in which she found herself.” Judith Merril began writing professionally, especially short stories about sports, starting in 1945, before publishing her first science-fiction story in 1948. Her story “Dead Center” (1954) is one of only two stories taken from any science fiction or fantasy magazine for the Best American Short Stories volumes edited by Martha Foley in the 1950s. According to science fiction scholar Rob Latham, “throughout the 1950s, Merril, along with fellow SF authors James Blish and Damon Knight had taken the lead in promoting higher literary standards and a greater sense of professionalism within the field.” As an initiator of the New Wave movement, she edited the 1968 anthology England Swings SF. From the mid-1970s until her death, Merril spent much time in the Canadian peace movement, including traveling to Ottawa dressed as a witch in order to hex Parliament for allowing American cruise missile testing over Canada. The Science Fiction and Fantasy Writers of America (SFWA renamed) made Merril its Author Emeritus for 1997 and the Science Fiction and Fantasy Hall of Fame inducted her in 2013.

This week’s reader – Dagny Paul – is a teacher, writer, failed artist, comic book geek, and associate editor/occasional host of Pseudopod. She is guest editor for Pseudopod’s Artemis Rising 3 event in 2017.

She lives in the middle of nowhere, Louisiana. Follow her on Twitter for no good reason @dagnypaul. Listen to her story “There is No Road Through the Woods” on Pseudopod.


Info on Anders Manga’s album (they do our theme music!) can be found here.


A well-known geneticist, in the medical news, said that it was possible to tell with absolute certainty, at five months, whether the child would be normal, or at least whether the mutation was likely to produce anything freakish. The worst cases, at any rate, could be prevented. Minor mutations, of course, displacements in facial features, or changes in brain structure could not be detected. And there had been some cases recently, of normal embryos with atrophied limbs that did not develop beyond the seventh or eighth month. But, the doctor concluded cheerfully, the worst cases could now be predicted and prevented.

PseudoPod 541: Tessa Told Me

by Rob Kotecki

 

Rob Kotecki

“Tessa Told Me” is a Pseudopod Original. “I always like to say that there’s nothing more terrifying than the human heart.”

ROB KOTECKI is an award-winning writer and filmmaker. His recent horror short, TILLY played at a number of major film festivals and won the Audience Award at the Brooklyn Horror Fest this past year. Later this year, Rob will publish UNCLE GRIMM’S GRAVEYARD RHYMES, a series of sick and twisted nursery rhymes for adults. He can be found on Medium and on Twitter, @arthousepunch. Feel free to visit his production company at Volatile Media.

This week’s reader – Makenzi Newman – is sixteen and lives in Louisiana. This is her second voice-acting job. Makenzi writes her own stories, though has yet to be published. She has another narration coming up on Cast of Wonders!


Info on Anders Manga’s album (they do our theme music!) can be found here.


“She decided to shut her phone off before she did even more damage to her self-respect and offered to play with the kid. Noah wagged his head.

“Tessa says no.”
“Who’s Tessa?”
“She’s nice. She likes you, but she thinks you should go home.”
“Well, too bad for Tessa.” But he merely shrugged and went back to the game.
“She says too bad for you.”
Imaginary friend. Fine. At least the kid’s quiet.”