Welcome to Pseudopod!

You’ve found the world’s premier horror fiction podcast. Pseudopod brings you the best short horror in audio form, to take with you anywhere.

WARNING: This is a podcast of horror fiction. The stories presented here are intended to disturb. They are likely to contain death, graphic violence, explicit sex (including sexual violence), hate crimes, blasphemy, or other themes and images that hook deep into your psyche. We do not provide ratings or content warnings. We assume by your listening that you wish to be disturbed for your entertainment. If there are any themes that you cannot deal with in fiction, that are too strongly personal to you, please do not listen.

Pseudopod is for mature audiences only. Hardly any story on Pseudopod is suitable for children. We mean this very seriously.

Pseudopod 422: Necrosis

by Dale Bailey.

“Necrosis” first appeared in the May/June 2012 issue of The Magazine of Fantasy & Science Fiction and reprinted in The Mammoth Book of Best New Horror 24.

DALE BAILEY lives in North Carolina with his family, and has published three novels, The Fallen, House of Bones, and Sleeping Policemen (with Jack Slay, Jr.). His short fiction, collected in The Resurrection Man’s Legacy and Other Stories, has been a three-time finalist for the International Horror Guild Award, a two-time finalist for the Nebula Award, and a finalist for the Shirley Jackson Award and the Bram Stoker Award. His International Horror Guild Award-winning novelette “Death and Suffrage” was adapted by director Joe Dante as part of Showtime Television’s anthology series, Masters of Horror. His collection, The End of the End of Everything: Stories, will be out next March, with a novel, The Subterranean Season, to follow

Your reader – Simon Meddings – is a writer, script writer and Podcaster. For 6 years he has produced and co-hosted the popular Waffle On Podcast, and co-hosted the Mash 4077 podcast. He has written several audio dramas and is currently in development with a television script set in Australia. Simon has read several audio stories for pseudopod and hopes to narrate more. He is the writer & Director at Martian Creative.

“In retrospect none of us could say with any precision when it began. Condon had never been part of our set. Grandfathered into the club by one of those old robber barons whose fortunes had declined, he was essentially nondescript—capable of maintaining a decent conversation, pleasant enough to be around, but not the kind of man with whom one formed deep and lasting relationships.

When we met him, we were friendly. When we didn’t — which was the norm, Condon not being ubiquitous in our circles — we didn’t think of him at all. So it was hard to say, as we thought the thing through among ourselves, when precisely it had begun — a task complicated by the fact that none of us had known anything had begun, until it was over.”


Pseudopod 421: The Three Chimes

by David Longshore.

This is the first time “The Three Chimes” has been published. “Historical horror isn’t a new subgenre, but it does remain terra incognita for many of today’s horror and dark fiction writers. While it can be a challenging undertaking successfully melding historical tropes with contemporary horror themes, history itself has often provided plenty of gruesome inspiration for those writers who are willing to take on the task. As Louis XVI discovers in “The Three Chimes,” the trick is to remember that whether in ancient regime France or the 21st-century world, horror and terror and all that they inspire in human beings are universal constants, and omnipresent across all time.”

Born in Ipswich, Massachusetts – the heart of H. P. Lovecraft country – DAVID LONGSHORE holds degrees from Amherst College and the Naval Postgraduate School. He is the author of the Encyclopedia of Hurricanes, Typhoons, and Cyclones, as well as other non-fiction narratives. Previous examples of his horror and dark fiction have appeared in “The Horror Zine,” “SNM Horror,” and various anthologies.

Your reader – Corson Bremer – is a professional voice artist with a love of audio drama and dramatic readings. Which is also why he loves the work the folks at Escape Artists do. His roots are in acting, radio, and even technical writing, but he’s a full-time voice artist now His professional work includes video games, commercials, documentaries, and a variety of corporate voice over projects.

“On the 21st day of January in the last year of his life and reign, Louis awoke in his cold apartments in the Temple well before dawn. He was quickly assisted into his clothes by his valet, then sank to his knees beside his bed and prayed with his confessor until he heard a commotion from an adjoining room.

Almost crippled by fear and horror at the suddenness of the horrible day’s arrival, Louis nonetheless rose from his prayers and went to the door leading into the front room.”


PSEUDOPOD Award Eligibility 2015

Thank you for listening to PseudoPod. Since it’s a new year, discussions arise of award eligibility. If you enjoyed our work, we’d love you to consider us for any awards you feel are appropriate. For example, with the Hugos we are eligible for Best Fancast.

The following short stories were originally published in PseudoPod in 2014:

“Tradition” by L.M. Ball

“The Blistering” by Johnnie Alward

“Sanctuary” by Steve Calvert

“The Day the Words Took Shape” by Francesca Haig

“Juggernaut Revisited” by Lou Morgan

“The Anniversary” by Den Patrick

“Kraken Rising” by Andrew Reid

“Party at the Witch House” by Richard Kellum

“The Lake” by Severity Chase

“The Biggest Candle of Them All” by Peter Newman

“Digit” by Gabriel R. Miller

“The Wriggling Death” by Harold Gross

“Gut Check” by Toni Nicolino

“The Buchenwald Man” by Benjamin Sonnenberg

“Jack the Ripper’s Bedroom” by John Paul Davies

“Party Games” by Richard Farren Barber

“Penance” by Liz Colter

“Jack” by Mohammad Naim Kabir

“Her Face All Sharp” by Sara Larner

“Abigail” by Hunter Gray

“The Metal and Its Mold” by Tim W. Burke

“The Unfinished Room” by Joshua Rex

“Mary” by Krista Soli Foster

“Whispers From the Trench” by Robert McKinney

“The Violin Family” by James Douglas

“Mr. Flyspeck” by R.K. Kombrinck

The following short stories were originally published somewhere else in 2014, but reprinted in PseudoPod. If you want to nominate any of these, you should list the original publication in parentheses after the story title:

“Punksnotdead” (Immortal LA) by Eric Czuleger

“Variations of Figures Upon the Wall” (Where Thy Dark Eye Glances) by Silvia Moreno Garcia

“Sideshow” (Nightmare) by Catherine McLeod

“Good Boy” (Regime 03) by David Stevens

“The Recovery” (Strange Tales IV) by H.V. Chao

“Four Views of the Big Cigar in Winter” (Kindle) by Charlie Bookout

Thank you David Steffen at Diabolical Plots for helping us put this list together.

Pseudopod 420: Lost In The Fog

by J.D. Beresford.

“Lost In The Fog” first appeared in the collection NINETEEN IMPRESSIONS (1918).

John Davys Beresford was a British novelist now remembered for his early science fiction like THE HAMPDENSHIRE WONDER (1911), but who wrote supernatural and macabre stories occasionally. He was affected by infantile paralysis, which left him partially disabled. Beresford also contributed to numerous publications – in addition to being a book reviewer for “The Manchester Guardian”, and was offered the editorship of the pacifist magazine “Peace News” but declined because he felt he “would be a bad editor”. George Orwell described him as a “natural novelist”, whose strength was his ability to take seriously the problems of ordinary people. Elisabeth Beresford, children’s writer and creator of The Wombles, was his daughter.

Your reader – Ant Bacon – appeared on Pseudopod recently reading Penance by Liz Colter.

“‘Burden,’ I muttered. ‘Where in God’s name may Burden be?’

I found something unutterably sad in the sound of that name.

I felt lonely and pitiable.

It was bitterly cold, and the mist was thicker than ever.

I could hear no one. There could be neither porter nor station-master here. Evidently this station was nothing more than a ‘Halt,’ on what I presently discovered was only a single line. I was alone in the dreadful stillness. The world had ceased to exist for me. And then I stumbled upon the little box of a waiting-room, and in it was a man who crouched over a smouldering fire.

When I went in, he looked quickly over his shoulder with the tense alertness of one who fears an ambush. But when he saw me, his expression changed instantly to relief, and to something that was like appeal.

‘What brings you here?’ he asked with a weak smile ”